Tag Archives: Boyd Holbrook

A Complete Unknown – Movie Review

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TL;DR – A wild exploration of one of the most prominent musical writers of an age or two, but also of a time and movement in American music that I don’t think we’ll see again.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Bob arrives in New York.

A Complete Unknown Review –

There are a lot of musical biopics out there in the world, some more earned than others. But there is an understandable power behind them, given music’s ability to move your soul. But when you think back to which songwriters have had the most impact on music in the modern era, few names are in the same ballpark as Bob Dylan, and it makes sense to explore his life and the effect it did have and well is still having to this day.   

So, to set the scene, one cold New York night, a young Bob Dylan (Timothée Chalamet) arrives at the hospital bed of his idol Woody Guthrie (Scoot McNairy) after hearing he was unwell. Bob is an expert in Folk Music, having picked up sounds from across America. Luckily for Bob, who was also visiting Woody at that time, was famed folk musician Pete Seeger (Edward Norton), who brought the young man under his wings. Soon, Bob will be captivating the New York Folk Music scene, but being a singular talent comes with as many downsides as successes.  

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The Bikeriders – Movie Review

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TL;DR – While this film is a beautiful character feature, however, its pacing and subject matter make it difficult to connect and care.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Tom Hardy rides into town.

The Bikeriders Review –

Today, we are looking at an interesting film because it has been a weird rollercoaster for me. When I first heard of the premise and cast, I was so giddy. It was a combination that had to be seen to be believed. But then that first trailer dropped … and it was not great. I came into this screening with more than a bit of apprehension that ended up being a little justified.

So, to set the scene, it is 1965 and fresh new journalist and photographer Danny Lyon (Mike Faist) is interviewing people from the Vandals motorcycle club. Of particular interest was Kathy Cross (Jodie Comer), who entered this world as an outsider before falling in love with the dangerous but charming Benny (Austin Butler). Everything is going well under the watchful eyes of leader Johnny Davis (Tom Hardy). But the question is: is that security earned, or is everything on the cusp of falling apart?

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Indiana Jones and the Dial of Destiny – Movie Review

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TL;DR – While some aspects don’t quite work, I would say this is a nice epilogue to the Indiana Jones franchise.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Indy in a tomb.

Indiana Jones and the Dial of Destiny Review –

We have seen many films try to recapture the past with a middling effect, hoping that nostalgia will lead to a quick buck. But rarely do you see them try to pivot that nostalgia to create a swansong for a character. Well, that is sort of what we get today, with a legacy film that is not looking to pass the torch but raise one last drink before the bar closes.

So to set the scene, it is the closing months of WW2 and Indy (Harrison Ford) is trying to infiltrate a castle in the French Alps that the Nazis are using as a staging post to ship back all their looted goods as France is reclaimed. He and Basil (Toby Jones) are after the Lance of Longinus [the spear that pierced Christ’s side], but it is whisked away on a train. While the Spear turns out to be a fake, on the train, Nazi physicist Jürgen Voller (Mads Mikkelsen) discovers something much more valuable. It is now 1969, and Indy is feeling bitter with the world after the death of his son and the failure of his marriage, but when Basil’s daughter and his god-daughter, Helena (Phoebe Waller-Bridge), arrives looking for the item they stole from that train, darker forces might be just on her heals.

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The Sandman: Season 1 – TV Review

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TL;DR – This is a genuinely odd series bouncing from one story to the next with the power of a tsunami, yet somehow it all flows together into a grand gothic fairy-tale.

Rating: 4.5 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

Warning – Contains scenes of abuse and scenes that may cause distress.

The Sandman looks into a sunrise.

The Sandman Review –

In 2019, I wrote an article on how we entered a New Golden Age of Science Fiction on Television. However, in the last twelve months, we have gotten, The Lord of the Rings: The Rings of Power, House of the Dragon, Shadow and Bone, The Wheel of Time, The Witcher, and more. It is such an incredible rise that I think I need to update my article and explore the new Golden Age of Fantasy on TV, and the next entry into this world is the dark gothic fairy-tale set in the modern world.

So to set the scene, humans go about their day in the real world, but every night they dream, but for some reason, they feel that The Dreaming realm is somehow less natural just because it is filled with dreams and nightmares, and they wake up in the ‘real’ world every morning, well most of the time. The Lord of this Realm is Morpheus (Tom Sturridge), one of the seven Endless, powerful beings that shape all forms of reality. In 1916, when one of his nightmares, the Corinthian (Boyd Holbrook), goes rogue, Morpheus takes a rare trip to the ‘real’ world to take care of the matter personally. However, at that moment, an incompetent aristocratic occultist called Roderick Burgess (Charles Dance) delves into spells he does not understand because he wants to capture Death (Kirby Howell-Baptiste) to bring back his beloved son, who was killed in Gallipoli. Still, he gets Morpheus and binds him under his mansion for 106 years. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.   

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We Can Be Heroes – Movie Review

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TL;DR – A charming family film created in a style I have not seen in an age, but it just works   

Rating: 3.5 out of 5.
We Can Be Heroes. Image Credit: Netflix.

Post-Credit Scene – There is no post-credit scene

We Can Be Heroes Review –

When I was growing up, this delightful film series called Spy Kids used a very particular style and tone and made a film that worked for all ages. However, since then, I have yet to see a film nail that same thematic direction, well, that is until today.

So to set the scene, it is just a typical day for the Heroes of this world as Miracle Guy (Boyd Holbrook) and Tech-No (Christian Slater) team up to fix a damaged satellite. However, when Miracle Guy goes up into space, he finds an alien armada waiting for him. Seeing the coming wrath, all the active heroes including Lavagirl (Taylor Dooley), Sharkboy (JJ Dashnaw), and Marcus Moreno (Pedro Pascal) are mobilised. As a precaution, the Heroics Program rounds up all the heroes’ children to keep them safe much to Missy Moreno’s (YaYa Gosselin) annoyance as she does not have any powers. However, when all the heroes are captured, the kids may be the only ones who can save them and the planet.

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Movie Review – In the Shadow of the Moon

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TL;DR – A fascinating look at an issue and how people would react to it as we watch a man’s life fall apart around him.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

In the Shadow of the Moon. Image Credit: Netflix.

Review –

If you want my interest in a film, you need to take something familiar and twist it, say a serial murder with more going on. Of course, once you have an interesting premise, you need to follow it up, which is not always the case, but today we see a film that comes very close to nailing those two parts. So very close.    

So to set the scene, it is a quiet night in Philadelphia when all of a sudden a woman collapses while driving a bus crashing into multiple cars before being taken out but a cement truck. When the police get to the scene they discover that the driver is covered in her own blood after something liquefied her brain. Three puncture wounds were in her neck, which would be bad, but across the city three more people collapse in the same way. Beat cop Thomas (Boyd Holbrook) makes the link between the three victims and after finding a forth still alive they have a clue only to find everything is much more complicated than they ever thought because the Jane Doe (Cleopatra Coleman) know who Tom is and that his daughter is about to be born.   

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Movie Review – The Predator (2018)

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TL;DR – There is a lot of great production here, and strong acting, but it has clearly been hacked apart in the edit leaving a disjointed mess.

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Predator. Image Credit: 20th Century Fox

Review –

The first Predator film was maybe the pinnacle of the 1980s macho-action film genre, I can remember watching it for the first time, probably far younger than I should. It was Arnie at his best hunting down an alien hunting people for sport and while there were sequels nothing ever captured the intensity of the first film. When I heard they were bring it back and giving it to Shane Black I had high hopes that at the very least it would be an interesting film … and then the last week happened and I can’t believe how disappointed I could be at such a promising director. Now the film is here and well, you can see the vision, but you can also see where the studio has taken a hatchet to it.

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Movie Review – Logan

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TL;DR – There was a lot of hype for Logan, and it mostly lives up to it, Logan is violent, gory, but also really emotional at times. At the very least this may be the best X-Men universe film they have made so far.

Score – 4.5 out of 5 stars

P.S. There is no after credit scene

Logan. Image Credit: 20th Century Fox

Review –

The X-Men films have been a real scattershot, from great to trash and everything in between, but after Apocalypse fell flat I came into Logan with a bit of trepidation. As well as being the next X-Men film, Logan is also Hugh Jackman and Patrick Stewart’s last outing, that was a lot of weight to put on a film, and yet they nailed it. Of course one of the things you need to know before going to see Logan is that this is an incredibly violent film, as a movie about a man with knives in his hands probably should be, but unlike previous instalments Logan shows the violence in graphic detail i.e. what would actually happen if you were attacked with someone knives protruding from his hands. One would think the rating would be enough to warn people about this, but from the people around me in the cinema it was a surprise to many, so this is probably not a film to take your kids too. Now I have not read the source comics (Old Man Logan) so I can’t tell you if this is a good adaptation, but what I can tell you is that this is a great film.

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