TL;DR – The rain is down in Sydney.
Disclosure – I paid for my entry and everything you see purchased in this article.
Well, it has been a while since I jumped into the world of an Explore-It, and now is as good a time as any to explore a trip I took a bit ago to the most populous city in Australia [for the time being], Sydney. After Day 1, which was all about the zoos, and Day 2, which was all about Boats, today will be rain and Ancient Egypt.
Continue readingTL;DR – IMAX, Boats, and The Rocks, Oh My
Disclosure – I paid for my entry and everything you see purchased in this article.
Well, it has been a while since I jumped into the world of an Explore-It, and now is as good a time as any to explore a trip I took a bit ago to the most populous city in Australia [for the time being], Sydney. After Day 1, which was all about the zoos, today was a more muted time among the boats.
Continue readingTL;DR – For better or worse, it is almost beat-for-beat the same film as 2016.
Post-Credit Scene – There is no post-credit scene.
Disclosure – I was invited to a press screening of this film.
Well, here we are with a live-action remake of an animated film that was only released ten years ago. Disney’s track record with live-action remakes is not great, and that is before we even consider the ones they quietly dumped onto Disney+ like straight-to-DVD sequels. Which puts me in a kind of odd situation, as I am on record with how much I like the original Moana; indeed, it is still one of My Personal Top 10 Animated Films of All Time, and I even kind of liked the flawed sequel. However, last year’s How to Train Your Dragon showed that you can make that transition work, so I am here to see if You’re Welcome lands as well in 2026 as it did in 2016.
So, to set the scene, deep in the Pacific Ocean, the demi-god Maui (Dwayne Johnson) attempted to harness the power of life from the goddess Te Fiti. He steals her heart, but instead of having the power over life, Maui is instantly defeated by the lava demon Te Kā and the heart and his magical fishing hook are flung into the ocean, separating Maui from his power and releasing death into the ocean. Or at least that’s the story that Tala (Rena Owen) tells to scare the children of the village, but it has been so many years since then, and surely these are just stories. But it is these stories that drive Moana (Catherine Laga’aia) to see what exists outside the reef that rings her island; however, her father Tui (John Tui), the chief, has banned people from leaving the island and the protection of the reef because of the dangers that lurk in the open ocean. But when death and disease come to her island, Moana will have to make a journey past what she knows and into the great abyss that surrounds every island.
Continue readingTL;DR – I may have entered my curmudgeon phase, because while I could appreciate the stunning animation, the film completely disconnected from me on a foundational level.
Post-Credit Scene – There is a mid- and post-credit scene.
Disclosure – I received a free ticket from the distributor to watch this film.
Well, today I have a sort of unpleasant job to do. I have much love for Mario and the games that spawned from him. I also found the first The Super Mario Bros. Movie was fine, not great, but fine. But maybe I no longer have any joy in my heart because I walked out of this movie feeling nothing.
So, to set the scene, deep in the galaxy, Princess Rosalina (Brie Larson) is giving her Lumas a bedtime story when her castle/spaceship/world is invaded by a mechanical creature driven by Bowser Jr. (Benny Safdie), who is on a mission of revenge for his father, Bowser (Jack Black). Meanwhile, Mario (Chris Pratt) and Luigi (Charlie Day) are living full-time in the Mushroom Kingdom, going around helping the locals, like finding a stuck Yoshi (Donald Glover). But when a meteor storm shows something is wrong in the galaxy, Princess Peach (Anya Taylor-Joy) and Toad (Keegan-Michael Key) go on an adventure through the stars.
TL;DR – We chart all of Jet Lag the Game as they galivant across the globe or hide in small English towns.
If you have seen any part of this site, you know I love maps, like really love maps, like I probably should talk to someone about it, love maps. There are very few people out there who get maps on the same wave level as me. But outside of two proper English gentlemen, one of the best places you can find it comes from a little YouTube/Nebula series called Jet Lag the Game. Which is where a team of three Americas, and guests, galivant across the world playing games like Tag, Snake, and Connect Four, but using countries as their gameboard. Back in 2023, we took a first look at mapping Jet Lag, but there have been many games since then, so, before they race around Taiwan, I thought I would take a look at where in the world they have been.
Continue readingTL;DR – While it has not reached the heights of its predecessors, it was still a joy to be back in this world.
Post-Credit Scene – There is a mid and end-credit scene.
Disclosure – I paid to watch this film.
Few films series have hit such high expectations as the Paddington series, especially after just two films. Paddington 1 will always hold a special place in my heart because of getting to watch it with friends at a drive in one day and the joy that came with it. I don’t think I need to tell you about Paddington 2, given its impact on the film landscape. I mean, it was an entire plot point in The Unbearable Weight of Massive Talent. But can they make it a hat trick? That is what we will find out today.
So, to set the scene, there have been a lot of changes to the Brown household. Henry (Hugh Bonneville) has a new boss, Madison (Hayley Atwell), who has told him he has to embrace risk. Judy (Madeleine Harris) has begun looking for a University, Jonathan (Samuel Joslin) has gone full-teenage and spends all his time in his room, and Mary (Emily Mortimer) is struggling with the coming empty next. But Paddington (Ben Whishaw) has just gotten his British citizenship and passport, which was just in time because The Reverend Mother (Olivia Colman) of The Home for Retired Bears in Peru writes to let everyone know that Aunt Lucy (Imelda Staunton) not well. The Brown family rush to Peru, but when they get there, they find out that Aunt Lucy is missing and only Paddington might know where she has gone.
TL;DR – While some aspects don’t quite work, I would say this is a nice epilogue to the Indiana Jones franchise.
Post-Credit Scene – There is no post-credit scene.
Disclosure – I paid to see this film.
We have seen many films try to recapture the past with a middling effect, hoping that nostalgia will lead to a quick buck. But rarely do you see them try to pivot that nostalgia to create a swansong for a character. Well, that is sort of what we get today, with a legacy film that is not looking to pass the torch but raise one last drink before the bar closes.
So to set the scene, it is the closing months of WW2 and Indy (Harrison Ford) is trying to infiltrate a castle in the French Alps that the Nazis are using as a staging post to ship back all their looted goods as France is reclaimed. He and Basil (Toby Jones) are after the Lance of Longinus [the spear that pierced Christ’s side], but it is whisked away on a train. While the Spear turns out to be a fake, on the train, Nazi physicist Jürgen Voller (Mads Mikkelsen) discovers something much more valuable. It is now 1969, and Indy is feeling bitter with the world after the death of his son and the failure of his marriage, but when Basil’s daughter and his god-daughter, Helena (Phoebe Waller-Bridge), arrives looking for the item they stole from that train, darker forces might be just on her heals.
TL;DR – This is a solid entry in the series that shows that there are still legs under this franchise, even if it does end in a very predictable way.
Post-Credit Scene – There is a mid-credit scene.
Disclosure – I paid to see this film
Transformers: Rise of the Beasts Review –
For a long time, it felt like the Transformers Franchise was destined to but absolute garbage, maybe occasionally dipping into mediocre. Then Bumblebee happened, and for the first time since maybe 2007, it felt like someone who understood the characters was taking a crack at the series, and good things happened. However, was this an anomaly or a start of a new trend? That is what we are exploring today.
So to set the scene, on a world a long time ago, a planet is under attack in a galaxy far away. But this is not just an invasion, for the planet eater Unicron (Colman Domingo) is here to not only consume the planet wholesale, but he sends his minion Scourge (Peter Dinklage) down to secure the Transwarp Key from the Maximals so that he can warp to any planet in the Universe and consume it. Apelinq (David Sobolov) fights to give his Maximals time to escape, and the key is lost. Back on Earth, it is 1994, and it has been seven years since the Autobots arrived at the end of Bumblebee, and their short pitstop has turned into a prolonged stay as they can’t find a way off the planet. This pains Optimus Prime (Peter Cullen). Still, when Elena Wallace (Dominique Fishback) accidentally reveals part of the Transwarp Key, he sees an opportunity, but the Autobots are not the only ones who spotted the key’s energy signature.
TL;DR –.We look at the varied highs and lows of the Indiana Jones franchise up to now.
Disclosure – I paid for the Disney+ service that viewed these films
There are moments when you sit around with nothing to do for a weekend and decide it is time to dive into some nostalgia from the past. With Indiana Jones and the Dial of Destiny coming out later this month, and it has been years since I had seen the older films, some not since cinemas, it was good timing when they all appeared on Disney+ this week. Well, good time with a massive dash of marketing. So we dive back in time not quite to a galaxy far, far away, but not, not a galaxy far, far away.
Continue readingTL;DR – While frustrating in more places than it should be, it shines when it lands on the fun.
Post-Credit Scene – There is a mid and end-credit scene
Disclosure – I was invited to a screening of this film
When this film was first announced, you could feel a general odd bemusement permeate through the internet, with relocations back to the last time they tried this in live action [a film that I have fond remembrances of, but that might be just the distance of time and youth as I have not seen it in decades]. That amusement was only highlighted when the lead cast was announced. A feeling that was only slightly abated when the first trailers landed. However, 2023 has been the year for good video game adaptations, so maybe this could work … maybe.
So to set the scene, Mario (Chris Pratt) and Luigi (Charlie Day) are two brothers that have just started their own plumbing company in Brooklyn and Queens. They are trying to make a name for themselves when a water main bursts, and only they can fix it. But as they go underground to find the source, they stumble across a giant green pipe lying open. What harm could that do? Was the thought right before both brothers were sucked into a new world, one full of mushrooms and the other dark and foreboding.
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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong
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freelance film critic with an interest in multilingualism, feminist perspectives in cinema and crime dramas.
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