TL;DR – This is a film with two halves, the beautiful story of a family coming together in the face of a crisis with the help of Mary Poppins, but also a story about how it is individuals and not big corporations that are bad … from Disney … umm
Score – 4 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Mary Poppins is a movie that is quite dear to me. When I was a child it was one of those films that we would watch as a family on a Saturday night. I honestly I was not really all that on board with the remake/sequel hybrid film all the trailers seemed to imply that we were about to get. As well as this, I am starting to get a little tired of Disney’s ‘Weaponised Nostalgia Era’. Well, that is what I thought walking in, but then a wave of joy enveloped my life leaving a smile on my face and tears rolling down my face.
So to set the scene, it has been a number of years since the first film and the Banks’ children have grown up. Michael (Ben Whishaw) is, well was, a painter, who married and had three lovely children Annabel (Pixie Davies), John (Nathanael Saleh) and Georgie (Joel Dawson) before his wife tragically died. This has understandably sent ripples through the family, made all the worse when there is a knock on the door and we discover that the bank is foreclosing on the house because Michael has fallen behind paying back a loan, the same bank his father helped run, and the same bank he currently works for. Well, the whole family, including his sister Jane (Emily Mortimer) helps to look for their father’s shares in the bank in the last ditch effort in saving the house, when who should appear at the end of a kite, none other than Mary Poppins (Emily Blunt) herself.