Magic Mike’s Last Dance – Movie Review

TL;DR – Third time is the charm, as the latest entry finds the right balance between fun and drama    

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit sequence

Disclosure – I was invited to a press screening of this film.

Warning – There is scenes with flashing lights

The Rattigan.

Magic Mike’s Last Dance Review

A press screening invite rarely comes with homework, but when I sent the invitation to see Magic Mike’s Last Dance, I realised that I had never watched the previous films Magic Mike and Magic Mike XXL. I had heard of them and seen moments like the petrol station dance. However, in all that time, I had not actually watched them. Well, this weekend, I fixed that oversite, and well, they were fine, but not exceptional, but can the third time be the charm?

So to set the scene, it has been years since Mike Lane (Channing Tatum) gave up the world of stripping, even longer since he made the fateful final ride with his friends from the Kings of Tampa. These days Mike is working as a bartender in Miami when he runs into Maxandra Mendoza (Salma Hayek Pinault) and lets her get a taste of his talents. Seeing his skill first-hand, she asks him to come to London to The Rattigan to help put together a performance that will stay with people for years to come. 

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Cuties (Mignonnes) – Movie Review

TL;DR – A deeply uncomfortable film exploring the over-sexualisation and control over young girls.      

Score – I am honestly not sure how to score this film

Post-Credit Scene – There is no post-credit scene

Cuties (Mignonnes). Image Credit: Netflix.

Cuties (Mignonnes) Review

If there has been one film in recent times that has been entirely destroyed reputationally before it even came out it was the film we are reviewing today. When Netflix released the promotional material, it was demonised across the internet, and from the excerpts Netflix decided to choose it is not hard to see why. The director was hounded off Twitter and labelled an exploitive filmmaker and more. However, those who had seen the film already made it clear that the framing used in the promotional material was not representative of the final product. Well, today we see which is right as we explore the film now it has had its official release.

So to set the scene, we open in on Amy Diop (Fathia Youssouf Abdillahi) as her family makes a new home in France after moving from Senegal. She is trapped between two worlds, the conservative world of her mother Mariam (Maïmouna Gueye), and the more liberal world she has moved into in France. She becomes drawn to some of her classmates who dance in ways that she has never seen (even if they are just the worst in every other way). These crashing worlds come into even more relief when she discovers that her father has not joined them yet because he has taken a second wife.      

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Movie Review – Black is King

TL;DR – A visual masterwork and required viewing if you have Disney+    

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography & Stunning Costumes
Winner: Stunning Costumes

Black is King. Image Credit: Disney+.

Review

Today we review a film that might be the oddest film I have watched from a conceptional perspective. It is a reinterpretation of the story of the Lion King remake, a movie I thought was okay but not much more. But this reframing is the barest framework the film uses throughout to explore everything from religion to music to race and more. This should not work, but it does.      

Black is King. Image Credit: Disney+.
It explores many themes during its runtime and gives each and every one of them the justice they deserve. Image Credit: Disney+.
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Movie Review – Yeh Ballet

TL;DR – a fun film about finding your place in the world through a talent you never knew you had   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Yeh Ballet. Image Credit: Netflix.

Review

We continue our look at Indian cinema this week with an interesting film that has recently arrived on Netflix. It is a film that charts the highs and lows of two kids finding a new outcome for their lives. Also, it is kind of cool that it is all based on a true story.  

So to set the scene, we open in on the Mumbai slums as Asif (Achintya Bose) competes in a festival of people stacking on top of each other to get the prize hanging above. Elsewhere Nishu (Manish Chauhan) has made it onto the TV and while his raw talent is impressive, his lack of skill lets him down. Both of the boys have a trajectory of where their lives are headed and neither of them is happy with where it is going. All of this changes when a local talent scout and dance studio owner (Jim Sarbh) brings over the cantankerous Saul Aaron (Julian Sands) to coach his students in ballet and he sees something brilliant in the two boys from the slums.       

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