Send Help – Movie Review

TL;DR – This is a wild and weird film that makes you feel like you are walking around a Bunnings at night, not knowing when you will step on a rake hidden in the gloom. A cavalcade of catastrophe in all the right ways.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – This film contains scenes which may cause distress.

Linda Liddle peering out from behind her desk.

Send Help Review Introduction

Wow. It’s rare that I walk out of a film genuinely unsure how I feel, but this ending was so wild it forced me to rethink everything. Well, this is what happened today, and what is happening to me as I process my thoughts while writing this review. But you, dear reader, can’t help me out of this predicament, so let’s stop the prelude and dive in.

So, to set the scene, Linda Liddle (Rachel McAdams) is not precisely a people-person, but she is very good at what she does in the Planning & Strategy Department. But when the company CEO dies and is replaced by his son, Bradley Preston (Dylan O’Brien), her life gets turned upside-down as her promised VP position gets usurped by the new dude-bro atmosphere. As a sympathy move, Bradley invites Linda on the trip to Bangkok, but what neither of them can expect is that the plane would crash into the sea somewhere in the Gulf of Thailand, and what Bradley doesn’t know is that Linda is a Survivor fiend, and this might be her dream situation.   

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Twinless – Movie Review

TL;DR – A fascinating and often confronting look at a very particular type of grief.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes that may cause distress.

Roman and Dennis dressing up as Simms.

Twinless Review Introduction

Today, we are looking at a film that is probably the penultimate film of the year for 2025. A movie that was much requested and with which I knew nothing about before pressing play beyond a vague understanding that it was delving into the dark comedy space. Sometimes this can be a burden, but today’s film is one of those interesting jaunts that may be better with the viewer knowing as little as possible before walking in.

So, to set the scene, we open with a screech of tyres, a sound of a thud, and then an awkward funeral. It is very difficult for Roman (Dylan O’Brien) because the deceased in this case is his identical twin brother. After a difficult fight with his mother, Lisa (Lauren Graham), Roman decides to seek out some help and joins a support group for those who lost their twin. It is here that he meets Dennis (James Sweeney), another twin who lost their twin. Roman’s life is spinning out of control, and Dennis is a stabilising factor, until…

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Saturday Night – Movie Review

TL;DR – A movie that embraces the chaos of its subject matter with such reverence it ends up hurting the final product.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

30 Rock.

Saturday Night Review

Today, we are looking at a bit of an odd duck of a film. One that swings wildly, stampeding through the chaos of its subject material with the gusto of a rhino in full tilt. However, that approach is going to be a boon or a detriment for you, depending on how you are approaching this film. For me, I am not someone who religiously tunes into Saturday Night Live. Sure, occasionally, a sketch from the show will bubble into the subconscious like Natalie Portman, Undercover Boss, or the recent Mother. Also, the most impacting sketch for me and my comedy journey came almost wholly disconnected from the show. So, you always know it is there, and its legacy in the movies that have and have not worked and the comics it has brought to the forefront. It is within that framework we look at the film today.

So, to set the scene, it is October 11, 1975, and Lorne Michaels (Gabriel LaBelle) is out in front of 30 Rockefeller Plaza trying to get an audience to see his show with an NBC Page (Finn Wolfhard). That is because it is 90 minutes before his first show goes to air, and nothing is going right. The studio is having less and less faith in his vision, the cast is in chaos, the crew is in a state of revolution, oh, is that a fire, and why is there a llama? There are only 90 minutes to pull this all together, but that is going to be hard when there is not even a runtime yet.

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Love and Monsters – Movie Review

TL;DR – While it never quite gets to the heights it aims for, it is still a delightful ride with some stunning effects.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this film.

Love and Monsters. Image Credit: Netflix..

Love and Monsters Review

There are times when people can be stringent around how films can be categorised. Then films can come along and blow those strict delineations apart. You see it in movies like Zombieland or Warm Bodies, and we see it again today in the film we are about to look at.   

So to set the scene, in the near future, there was an asteroid Agatha 6-1-6 hurtling towards Earth. The governments grouped together to shoot it out of the sky, which they did. Unfortunately, the chemicals they used in all those rockets fell back down to Earth. They contaminated and mutated all the cold-blooded animals, from ants to crocodiles and everything in-between. While the militaries and the giant mutants wiped each other out, 95% of the world’s population died, leaving only those who were able to find security in bunkers. One of the survivors was Joel Dawson (Dylan O’Brien) from Fairfield, California. He made it to safety, but he has a habit of freezing in front of the monsters, not a good long-term survival trait. After an incursion into their bunker, Joel makes up his mind to go out into the world make the trek 90 odd miles to where his old girlfriend Amiee (Jessica Henwick) now lives. Ninety miles of infested territory that is trying to kill everything.

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