Masters of the Universe (He-Man and the Masters of the Universe) (2026) – Movie Review

TL;DR – Well, never have I been so happy to be wrong. This film was a blast from beginning to end.

Rating: 4.5 out of 5.

Post-Credit Scene – There are post-credit scenes.

Disclosure – I was invited to a press screening of this film.

He-Man finds his power.

Masters of the Universe Review Introduction

Before we dive into the review proper, I think it is right to be a bit honest up front. I did not have high hopes for this film. It had been in production hell for an age and a half, the casting felt like a mess, it was hitting at a nostalgia that didn’t feel like it really existed, and it had a multitude of writing credits that made anyone concerned. Then there was the Jared Leto-sized elephant in the room. I was expecting a complete and utter disaster. Well, I need to go eat some humble pie, not because I like pie, I do, but because this was the most fun I have had in a cinema in an age.


So, to set the scene, Adam Glenn (Nicholas Galitzine) struggles a lot in Oklahoma City because people can never quite get close to him. Because sooner or later, he needs to tell them that when he was a child (Artie Wilkinson-Hunt), he was the Prince of Eternia, surrounded by magic, wonders, history, and the love of the people. But all of that changed one day when Skeletor (Jared Leto) attacked with his goons and captured his parents, King Randor (James Purefoy) and Queen Marlena (Charlotte Riley). They would have taken the young Adam to, in their search for the Sword of Power. However, the Sorceress (Morena Baccarin) saved him by sending him to Earth to keep the sword safe, but he lost it in transit. As you can imagine, that kind of story does not get you a second date and probably get you an awkward phone call cutting the night short. But things change when one day he gets a message that someone has finally found his sword, and Adam has a chance to return home.

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Control – Movie Review

TL;DR – While it has an intriguing concept at its heart, some serious technical issues and casting choices torpedo what could have been an engaging narrative.

Rating: 2 out of 5.

Post-Credit Scene – There is an audio sting at the end of the credits.

Disclosure – I was sent a screener of this film.

Stella looking into the camera.

Control Review

Today, we are looking at a film that feels very in the now. It is looking at self-driving cars and the potential loss of control when we hand security over to technology for our own comfort. There is a lot of scope to do something interesting with that scenario that is not working in the bombast seen in films like The Fate of the Furious.

So to set the scene, after a long meeting and press, Prime Minister David Addams (Mark Hampton) lets Home Secretary Stella Simmons (Lauren Metcalfe) take his daughter Evie (Eire Farrell) home. Of course, things are slightly awkward because David and Stella are having a very public affair. It should be a simple trip, that is, until someone hijacks Stella’s self-driving car. There is a voice (Kevin Spacey) who is very unhappy with Stella and now has complete control over her vehicle.     

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