Movie Review – We Are Legends (入鐵籠)

TL;DR – A charming story with interesting characters, let down a bit by some technical issues.     

Score – 3 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

We Are Legends (入鐵籠). Image Credit: Bravos Pictures.

Review

Over the last couple of years, I have discovered that I really enjoy a good sports film. There are the great highs, and deep lows, as great talent is on display. Today we are looking for a film out of Hong Kong about the world of MMA and the struggle to be the best, based on the life of Dixin Xiong.

So to set the scene, we open with Bunny (Yiu-Sing Lam) as he rushed from work to an underground fight ring. He is asked by his friend to throw the match, but that is not something he can do. Upsetting a bookie, Bunny has to lie low so he goes back home, where he left on not great terms. As he walks in his brother Jack (Edward Ma) is give a press conference as he is about to fight Jason Chan (Jason Li) whose arm Jack broke last time they fought. There is a lot of tension because even though their adoptive father Eric (Eric Kot) and his sister Simo (Qiu Yuen) are happy to see Bunny, Jason is not.

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Movie Review – Always Be My Maybe

TL;DR – Charming, awkward, delightful, weird, and a hell of a good time.     

Score – 4 out of 5 stars

Post-Credit Scene – Stay for the mid-credit song

Always Be My Maybe . Image Credit: Netflix.

Review

Well, Netflix is currently creating a niche for itself with the romantic comedy genre and today we get to look at another entry into this lineup. However, while some might feel that this is the service limiting itself, I don’t, especially when we get gems like this. Today we look at a film that completely knows what it wants to be, and how best to use their main leads to achieve that as we dive into the world of garage bands and upmarket transcendent Asian restaurants.  

So to set the scene, we open in on Sasha (Miya Cech) who lives with her parents in San Francisco but often spends time alone because her parents work for long hours at their shop. However, Sasha is not really alone because her best friend Marcus (Emerson Min) lives next door and his parents Harry (James Saito) and Judy (Susan Park) teach Sasha about cooking and the joy of using scissors for everything (seriously scissors are an amazing tool in the kitchen). For years they were best friends until one fateful day when Sasha (Ali Wong) and Marcus (Randall Park) became a bit more than friends and then it all fell apart. Fifteen years later, they are both in completely different places in their lives and in different relationships when their old friend and Sasha’s business partner, Veronica (Michelle Buteau) puts them on a collision course with each other.

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Movie Review – Svaha: The Sixth Finger (사바하, Sabaha)

TL;DR – This is a film that starts of in this weird tonally mismatched place and then as we delve deep it reveals the strength on which it is developing.     

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Svaha: The Sixth Finger. Image Credit: Netflix.

Review

There are times when a surprise is really good and then there are times when you unknowingly walk into a situation that you never expected. Today we have a bit of the latter as we look at the Korean film Svaha. I had absolutely no idea what to expect, nor even what genre of film I was about to watch, I just thought it would be a good idea to catch up on some world cinema before I went to bed. Well, there are many things forthcoming in the world, but after this film, a good night’s sleep is not one of them. With that in mind, to put off going to sleep, even though it is 6 degrees in Brisbane tonight, and hold off the nightmares for an hour or two, I’m instead going to write this review.

So to set the scene, we open in a small farming town in 1999 where a woman has given birth to twin girls. However, one of them is a monster, and the doctor doesn’t think it will last the night. Soon both Geum-hwa’s (Lee Jae-in) parents are dead but her sister did not die, she lives on hidden by the family not even taught how to speak. In the present day, Pastor Park (Lee Jung-jae) is given a lecture at a local theological college. Park is an expert on new religious movements and cults in particular. He is looking to make sure that they don’t become a danger as they have been in other countries. However, it feels like he is more drawn to scandal to make a quick buck than by any real spiritual connection. One of the many groups he is monitoring is a small Buddhist-adjacent organisation who has a symbol of a deer on their buildings. But his convictions are tested when he starts digging deeper and the bodies start piling up.

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Movie Review – Kin (2018)

TL;DR –  An example of a great concept and acting, not quite working due to the format.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Kin. Image Credit: Lionsgate.

Review

As a fan of Science Fiction, I really enjoy seeing new ideas brought to the screen, even if they don’t always work out as well as they hoped. Today we get to look and just such a film that is filled with heart and some really interesting ideas, but maybe a film was not the right format to properly express it. With that in mind let’s delve into a story about a boy and his gun.

So to set the scene, we open in on Elijah “Eli” Solinski (Myles Truitt) who lives in Detroit with his adopted father Hal (Dennis Quaid). Eli has been struggling at school, he is a good kid but he has anger management issues (well if kids were making fun of your dead mother, I would not be shocked if you threw a punch or two). One day as Eli was stripping out some wiring from an abandoned factory we stumble across the site of a battle between two alien forces. On the ground are a number of corpses and on box shape gun that Eli drops when one of the bodies move. Back home Hal lets him know to set another plate for dinner because Eli’s older brother Jimmy (Jack Reynor) just got out of prison, but Eli needs to be careful around Jimmy. Which is not an unreasonable statement because what they don’t know is that Jimmy is in debt to Balik (James Franco) a local gangster to the tune of $60,000 for protection while he was in jail and soon Jimmy brings that damage into the house.

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Movie Review – Godzilla: King of the Monsters (Godzilla II: King of the Monsters) (2019)

TL;DR – The action in the third act is some of the best monster action I have ever seen, however, the story is so incredibly dull that it is a slog to get to it.

Score – 3 out of 5 stars

Post-Credit Scene – There is some mid-credit important information and a post-credit scene

Godzilla: King of the Monsters. Image Credit: Warner Bros. Pictures.

Review

It is odd to see a film that has two such disparate parts that are almost in conflict with each other. Where one part of a film is so amazing that you feel it could be a game changer for the industry. However, there is another part of the film that works so poorly that you wonder how it made it off the drawing board. This is something that actually makes reviewing this film quite difficult because you have to ask how much you should let the story side just because the visuals were so good. Well, today we will try an unpack this all, as we explore Godzilla: King of the Monsters.

So to set the scene, we open the film on the attack in San Francisco in the first Godzilla as we see Dr Mark Russell (Kyle Chandler) and Dr Emma Russell (Vera Farmiga) desperately look for their son amount the rubble of their house. In the years that passed since it is clear that the tragedy irreparably damaged their relationship as Mark is now charting wolves in Colorado and Emma is working for Monarch in China with her daughter Madison (Millie Bobby Brown). Emma is working on ORCA an interface that uses biodata to communicate with the Titans. The first trial of the device works as they can control a newly born Mothra caterpillar. However, just when they think it is all going well eco-terrorist Alan Jonah (Charles Dance) attacks the lab killing everyone and taking Emma, Madison, and the ORCA. Which is a problem because if the ORCA can control the Titans, what damage can it unleash?

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Movie Review – The Meg (2018)

TL;DR –  A film that knows how to be a bit silly while still playing it mostly straight about a shark that suddenly not extinct.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Meg. Image Credit: Warner Bros. Pictures.

Review

Last year there was a film that came out about a killer shark destroying the world, and not just a shark but a megalodon. I wanted to go see it, but the timing never worked out and I think I was going through Jurassic World fatigue at the same time. Well, this week with the release of Godzilla and after playing Sea of Thieves I had been interested to give it a look and what would you know the very day I was pondering The Meg popped up on Netflix. Well never one to look a gift horse in the mouth I knew now was the best time to check it out and wow, it did not disappoint.

So to set the scene, off the shore of China a billionaire Morris (Rainn Wilson) has built Mana One a purpose built deep ocean observatory. Its goal is to study the life in the oceans around the Mariana Trench but to also investigate a theory of chief scientist Zhang (Winston Chao). He believes that the trench is actually deeper and there is a layer of cold water creating a thermocline (barrier) protecting an undisturbed ecosystem underneath. So they send down Lori (Jessica McNamee), Toshi (Masi Oka), and The Wall (Ólafur Darri Ólafsson) in a submarine and lo and behold Zhang was right. However, just as they start to explore this new region they are attacked by something large and fast, sending them crashing into the ocean floor. With time being on the line and few people qualified they call in Jonas Taylor (Jason Statham) a rescue diver who is now out of the game after a rescue went wrong and people blamed him for the deaths of his team.

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Movie Review – Rocketman

TL;DR – It is a film of great character moments, wonderful music, and an interesting story of someone going from low to high to low and then back again. 

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Rocketman. Image Credit: Paramount Pictures.

Review


It looks like it is going to be the decade of cinematic superheroes and also of the musical biopic. Especially a musical biopic of a seminal rock superstar from England that took the globe by storm only to discover a world full of drugs and dodgy management. Given they have been so far Oscar gold and have made bank at the box office we are sure to get a couple of these and today we look at one that is taking the standard biopic and twisting it up.

So to set the scene, we open with Elton John (Taron Egerton) exploding through a door in full orange sequined devil glory. You expect him to be doing a grand entrance into a stadium, but instead we soon find out that he is at group theory session when the first question was asked “what was your childhood like?” and we drop through the floor back to the 1950s when a young Reggie (Matthew Illesley) lived with his mother Sheila (Bryce Dallas Howard), grandmother Ivy (Gemma Jones) and occasionally his father Stanley (Steven Mackintosh) when he comes back from the army. Elton says he had a happy childhood, but we soon find out there is a difference between what Elton says and reality.

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Movie Review – Loners

TL;DR – This is a film that was on the cusp of being something really interesting but just held back by an inconsistent tone    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Loners. Image Credit: Indie Rights .

Review

Sometimes I wonder if this political science adjacent degree I studied for will be any good in my future and then a political satire falls in my lap. I have a certain weakness for political worldbuilding and counterfactuals and today we have an interesting one to explore.

So to set the scene, in the not too distant future in an attempt to clamp down on the number of gun massacres. The government has created a system where introverts and loners are forced to wear an “L” Band across their heads that monitors them and helps them be better members of society. On top of this, once a week they have to meet for a group therapy session called “Lone-Anon”. Which is where we meet Lincoln (Brian Letscher), Tanner (Tyson Turrou), Ed (David Christian Welborn), Franny (Brenda Davidson), Jeremy (Khary Payton), Dabney (Neil McGowan), and Clara (Denise Dowse). After suffering through group theory sessions led by Mike (Keith Stevenson) they all got back to Clara’s house because they worked out that two hours of close proximity with six people is enough to get the authorities off their backs for the rest of the week. That is until Clara gets grabbed by the feds and Senise (Melissa Paladino) is brought in to join the group and things start not adding up.

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Movie Review – Rim of the World

TL;DR –  This is fun adventure flick in the tradition of saving the world being thrust upon young people. A fun cast, a good set up, and a good use of world building.   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Rim of the World. Image Credit: Netflix.

Review

If you have read this site before you will know I am a fan of the alien invasion genre, indeed Independence Day is one of my top ten films of all time. So I am always interested to see different takes on the genre, to see where they can take the formula. Today we are looking at the newest Netflix film based around this very scenario, but also more than many films I have seen this year, Rim of the World both knows what it is and what it wants to do, and at all times it succeeds in these core drives.

So to set the scene, we open on the first day of summer camp as kids from around Los Angeles and further come together to have a fun time away. Alex (Jack Gore) is a space enthusiast who likes to live in his world of screens, but there is a reason for his isolation. Zhen Zhen (Miya Cech) has secretly flown across the Pacific to attend the camp in an attempt to overcome her disappointed father. Dariush (Benjamin Flores Jr.) is full of bluster, the rich kid that has it all, and cares more about his sneakers than other humans, but then it is all a shield. There is also Gabriel (Alessio Scalzotto) who no one quite knows why he is here. Rim of the World adventure camp is full of zip lines, canoe rides, and camp counsellors that may have needed more of a background check before starting work, so your usual summer camp. However, while all that is happening the International Space Station is being destroyed because entering high orbit is an alien mothership and as people will find out as the sky explodes, they are not here to make new friends.

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Movie Review – Aladdin (2019)

TL;DR – It is a good, sometimes great film, but it does fall into some of the same traps as other Disney classic remakes of recent years.    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is midish-credit dance number scene

Aladdin (2019). Image Credit: Disney.

Review

I’m not sure if I have ever been so apprehensive walking into a film before. For me, the original Aladdin holds a special place in my heart and without a doubt, it is my favourite from the entirety of the Disney Renaissance. However, this more than any of the recent remakes have had a very rocky history with its promotion misfires on top of the simple worries of how does an Aladdin film without Robin Williams? Well, some of those fears were put aside in the first couple of minutes of the films, others not so much.

So to set the scene, we open in on Aladdin (Mena Massoud) who is walking through the streets of Agrabah with his monkey companion Apu (Frank Welker). He is an orphan, or street urchin, or as the guards call him a street rat. He lives by stealing from others and then surviving off the small returns. But this is not your every day, because someone new is in the markets, someone who clearly does not belong, Princess Jasmine (Naomi Scott) in disguise. One musical number later and all is right in the world, however, The Sultan’s (Navid Negahban) Grand Vizier (Marwan Kenzari) has other plans, for he is searching for the ‘diamond in the rough’ and his macaw Iago (Alan Tudyk) might have just found it.

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