Movie Review – The Lion King (2019)

TL;DR – An animated marvel that unfortunately comes off as a disjointed mess at times   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Lion King. Image Credit: Disney.

Review

I’m going to be honest right from the start here, I had some real trepidation on walking into The Lion King today. I consider the original animated film to be one of my all-time top animated films. In the 25 years since I first watched it, it still holds a special place in my heart, even though those 25 years were filled with hot takes about authoritarianism and plagiarism accusations. However, something about this remake just was not jiving with me. Well now that I have seen the full film I am happy to say that it was not the disaster I thought it would be, but wow does it have issues.

So to set the scene, and if you have seen the original film you can probably skip this section. We open with dawn breaking on a very special day in Pride Rock. Because this is the day that the new prince Simba (JD McCrary) is being presented to the animal kingdom. As Rafiki (John Kani) raised the young cub up in front of all the animals that have gathered Mufasa (James Earl Jones) and Sarabi (Alfre Woodard) watch on with pride, but someone is missing. Scar (Chiwetel Ejiofor) the brother of the king is absent and his absence is notable. He wants the throne for himself and he will stop at nothing to make that happen. Well, one day when young Simba and Nala (Shahadi Wright Joseph) escape their watcher Zazu (John Oliver) and take a trip to the elephant’s graveyard an opportunity lands in Scar’s lap.

Continue reading

Movie Review – Frankenstein’s Monster’s Monster, Frankenstein

TL;DR – Absurdist and silly, and while the mockumentary is fun at the start it does feel like it never quite came together.     

Score – 3 out of 5 stars

Post-Credit Scene – There is a post-credit scene

Frankenstein's Monster's Monster, Frankenstein. Image Credit: Netflix.

Review

Well let me tell you a story, we have a famous actor creating a mockumentary of a fictional ancestor that he also plays, and we are going to jump back and forth between him finding out things today and a pretend performance of a televised play in the 60s. This is a truly bonkers scenario, but that is the one we have with us today as we explore Frankenstein’s Monster’s Monster, Frankenstein.

Continue reading

Movie Review – Concern for Welfare (2019 AACTA Awards Short Film Competition)

TL;DR – A strong central character is a foundation for an interesting story about family  

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review


If you have read my reviews before you will know that I am a sucker for a work of media that delves into family relationships. Who we chose our families to be and how we relate to people are full of emotional stories to tell and this is one of them.

Concern for Welfare is a title that has multiple meanings throughout the short film. On the surface, it is the police term for when a member of the public has a concern for the welfare of someone else. This is important for Ali (Nicole Chamoun) because she is a probationary police officer being shown the ropes by Sambo (Ryan Johnson) her supervisor. They have to check on an elderly gentleman that people have not seen for weeks.

Continue reading

Movie Review – Busting Out The Bells (2019 AACTA Awards Short Film Competition)

TL;DR – A film with the right heart, even if it does not all come together.      
Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review

Watching a love one slide into dementia where they forget where they are and who they are is a heart-breaking process that I and many others have had to experience. Indeed it is a real shame that more films don’t explore this issue but today we get to look at some that have.

Busting out the Bells tells the story of when parents had to tell their young children Jason (James Bingham) and Kate (Amelia Kelly) that their Grandpa George (Phil Mackenzie) will not be staying with them this year because they have had to put him into a nursing home because he kept forgetting things and getting lost.

Continue reading

Movie Review – Birdie (2019 AACTA Awards Short Film Competition)

TL;DR – In some respects this is a very simple film, but it uses that premise to perfectly explore the building tension    

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review

There are a lot of things films can do, they can excite, they can astound, they can terrify, and the can crush. However, one of the key things they can do is let you walk in another person’s shoes for a time, which can lead to some really powerful moments.

The story of Birdie is, well it is less of a story and more of a premise. A woman (Maeve Dermody) is on her way to see a new apartment so she takes the train. This is the framework, but this is where the tension is introduced because as she arrives at the Redfern station there are a couple of guys lurking around. You can feel that tension as her personal security lowers each moment they are around. How she tries to find people to be near so she is not alone, you feel every moment of this trial.

Continue reading

Movie Review – Andromeda (2019 AACTA Awards Short Film Competition)

TL;DR – An interesting look at what it means to be alive, but feels more like an opening act than a complete film.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review

The next in our look at the 2019 AACTA Awards Short Film Competition delves into the notions of what it is to be alive. It explores a world where androids have become the new working class and the ever reaching effects that would have.

One area where this film excels is in its production, with some beautifully framed shots. There is this use of light and colour to bring us into this world of Andromeda (Kestrel Leah) all situated around story time with a young Ella (Mai Brunelle) who has not quite worked out what Andromeda is.

Continue reading

Movie Review – Ambulance (2019 AACTA Awards Short Film Competition)

TL;DR – A beautiful and haunting animation of the impact of a single day.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review

Today we start our exploration of the 2019 AACTA Awards Short Film Competition by exploring Lylah D’Souza’s work Ambulance that is inspired by a true story that brings real weight to the narrative once you see it play out.

Ambulance is an animated short film that charts the story of one day in the Narrator’s (Lylah D’Souza) life. It is the perfect encapsulation of life because it is the juxtaposition of the serious and the ephemeral. It highlights the weird things that you remember on days of stress, something I can deeply connect with.

Continue reading

Movie Review – Kidnapping Stella

TL;DR – It starts really strong with moments of real tension, but it is let down by a muddled ending.

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Kidnapping Stella. Image Credit: Netflix.

Review

Today we get to look at a film that is almost the reverse of the norm. It is not at all uncommon for there to be English adaptions of foreign language films as there is a long history of people assuming that subtitles are a real barrier for commercial success. Well, today we get to see a film that has made the reverse trip with Kidnapping Stella being the German adaptation of the English film The Disappearance of Alice Creed. With that in mind, let’s take a look at how well a film does going the other way across the channel. Though I must say that at times this is a deeply confronting film, and you should probably know that before jumping in.

So to set the scene, we open in on two gentlemen Tom (Max von der Groeben) and Vic (Clemens Schick) as they go about their day running errands and picking up supplies. They renovate a room, get a van ready, and put in a new bed. All really normal, but for the fact that they block out all of the windows, and that they have masks. Because what they are doing is not renovating, they are prepping the room for something, and that something is Stella (Jella Haase) who they kidnap off the street to ransom back to her parents.    

Continue reading

Movie Review – Point Blank (2019)

TL;DR – A solid, if not very imaginative action flick   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Point Blank. Image Credit: Netflix.

Review

It has been a while since I have sat down and watched a solid action flick, the kind where you can get out some popcorn, sit back and not think that hard about what is going on. Well, today we have an example of just that with Point Blank which is a reimaging of À Bout Portant, a French film from a couple of years ago.

So to set the scene, we open with Abe (Frank Grillo) smashing his way out of a window leaving a dead District Attorney in his wake. On the run, with a gunshot wound, he texts his brother Mateo (Christian Cooke) for a pickup, but just when he arrives Abe is hit by a car. Later that night Paul (Anthony Mackie) is doing his rounds as a nurse at the local hospital leaving his very pregnant wife Taryn (Teyonah Parris) at home resting when he comes to examine the John Doe. Only to be ambushed by a masked figure, dramatically changing his life.  

Continue reading

Movie Review – Spider-Man: Far From Home

TL;DR – As the swan song for the Phase 3 it delivers of nearly every front but mostly in heaping amounts of charm

Score – 4.5 out of 5 stars

Post-Credit Scene – There is a mid and post-credit scene (you 100% need to stay for the mid-credit at least)

Spider-Man: Far From Home. Image Credit: Sony.

Review

To be a bit honest I had some concerns about this film before I walked into the cinemas. I quite liked the first Spider-Man and the films since has showed that Tom Holland was one of Marvel’s best casting choices. However, this film was coming off the double whammy of being the follow up to both Endgame and also the first film since the revolutionary Into the Spider-Verse, and they are tough acts to follow. However, literally five minutes into the movie I knew I was in for a good time, but I didn’t know was how much of an impact this film would have on the greater landscape.

So to set the scene, we open with a quick recap of everyone who dies in Endgame, so if you have not seen it yet get ready for that band aid to get ripped off real quick. It also gives a little perspective as to how the world adapted to what they now call the blip with half of the people disappearing then reappearing 5 years later. It looks like most of Peter Parker’s (Tom Holland) friends got snapped and have to suffer through doing the school year all over again. Well after all the stress of Endgame, Peter is happy that he is able to take a break because he and his friends MJ (Zendaya), Jacob (Jacob Batalon), Betty (Angourie Rice) and unfortunately Flash (Tony Revolori) are going to Europe on a school trip. However, before he leaves Happy (Jon Favreau) arrives at his aunt May’s (Marisa Tomei) charity dinner to let Peter know that Nick Fury (Samuel L. Jackson) is looking for him and Peter does the only normal thing and ghosts Nick Fury. Well you can guess how well that went.

Continue reading