Tag Archives: Film Review

Movie Review – Silent Panic

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TL;DR – While there is a kernel of a really good idea here, all the moving parts never quite connect    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Silent Panic. Image Credit: Indie Rights.

Review –

When reviewing films, I really like when I come across a scenario that intrigues me. Well today we have just such a scenario where people’s lives become unravelled through no fault of their own, okay maybe a little fault of their own. However, while an interesting idea is a good start, it is not the end of the equation and unfortunately that is the case here.

So to set the scene, three friends Eagle (Sean Nateghi), Bobby (Joseph Martinez), and Dominic (Jay Habre), are out one weekend camping in the hills. They are catching up and talking about their past and future as Eagle is just out of jail after being set up in a break and enter. The weekend was great but when they get back to their car they discover that while they were gone someone had dumped a body in the back of their car. Immediately the question of what to do splits the group and things spiral out from there.

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Movie Review – Anima (2019)

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TL;DR – A 15-minute musical experiment that smashes the music of  Thom Yorke with the sensibilities of Paul Thomas Anderson   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Anima (2019). Image Credit: Netflix.

Review –

This has been the year of the experimental music video/film hybrid, we have gotten the narrative version with Guava Island, the absurd with Bash Brothers, and the documentary hybrid with HΘMΣCΘMING. Well, today we continue this genre with a collaboration between director Paul Thomas Anderson noted for more visually stylistic films like Phantom Thread and Thom Yorke one of the main voices behind Radiohead. If you are a fan of Thom or Paul then I assume that combination instantly got your attention, and if you are not this is only 15 minutes so check it out anyway.

So to set the scene, we are on a train and a lady (Dajana Roncione) leaves her lunchbox behind and a man (Thom Yorke) takes it for himself only for things to get weird. Well, that is about it, as it is only 15 minutes there is not a whole lot more to say other than it is quite a ride.

The first thing I want to talk about is the choreography from Damien Jalet which is one of the three core things that makes this one of the most interesting things I have seen so far this year. There is a flow to the movement, but also a precision that is a really interesting blend. There is a lot of group performances that gives this an organic feel, but also the sharp movements are also otherworldly. Which does sort of fit the theme as anima is referring to the soul. To be honest, I am also always a sucker for the movement that lines up with the beat of the music.

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Movie Review – The Wolf’s Call (Le Chant du Loup)

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TL;DR – A submarine film that knows how to be a great submarine film and have you sitting on the edge of your seat.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Wolf's Call. Image Credit: Pathé.

Review –

It has been a while since I have watched a good military film, let alone one set on a submarine. There is a level of tension that you can rarely get in other films as two ships hunt each other in the dark. It is a scenario that you can really use to your best advantage if you have the cast that can sell it. Well, today we look at a film that is taking all of these elements, but can they pull it off, well let’s take a look.

In the not too distant future, where America has isolated itself and Russia is on the rise, we open in the waters off Syria. A commando team has been watching the Russian Port at Tarsus and is in need of an evacuation. Luckily France has a submarine offshore for that very reason. However, as the submarine gets into position Chanteraide (François Civil) the ship’s Acoustic Warfare Analysist can here something else out there other than the Iranian frigate, but as there is no submarine with four props it is discounted. That is until it lights the ship up with a sonar blast, alerting the Iranians to the submarines position and everything gets messy real quick. Back at base, everyone is on edge because Russia has invaded Finland, and there are threats of nuclear war. Chanteraide is certain that what he heard was not a drone, but time is running out.     

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Movie Review – Men in Black: International (MIB: International)

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TL;DR – A film that is funny in places, has some good effects and cast, but can’t escape its boilerplate plot    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Men in Black: International. Image Credit: Sony.

Review –

Back in the day, oh goodness, 1997 was over two decades ago, I had no idea that a moth floating through the air was going to lead to something just magical. That first Men in Black film was like lighting in a bottle, hell I still have that theme song playing in my head from time to time. However, since then the follow-up films have never been able to capture, or even come close to that first film (though the cartoon series almost did). Flash forward to last year when I heard that they were taking another shot at the series, honestly, I felt a bit mostly meh. But then they announced that it was going to be headed by Tessa Thompson and Chris Hemsworth. Well if there is a way to get me instantly interested in something it is to cast Tessa Thompson and Chris Hemsworth and let’s see how they did.

So to set the scene, back in 2016 Agent H (Chris Hemsworth) and High T (Liam Neeson) arrive in Paris to stop a catastrophe, for the Hive, a destructive species, was about to use The Eiffel Tower to gate onto Earth and take it over. We then find ourselves with a young girl called Molly (Mandeiya Flory) who got to see the Men in Black in action and hid so she never had her memories wiped by the Neuralyzer. Now in 2018, all grown up Molly (Tessa Thompson) tries to find the MIB and after a lifetime hunt, she is given status as a probationary officer and sent to the London Branch where something does not seem right.      

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Movie Review – Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

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TL;DR – An interesting juxtaposition of the past and present, through music, Bob Dylan, and a very particular look at the 1970s.    

Score – 4 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. Image Credit: Netflix.

Review –

Recently I’ve been listing in to a weekly Twitch podcast about music, exploring all the different genres that had no experience with. This has gotten me more interested in exploring the world behind music and Hollywood’s recent biopic spree has helped a bit in this regard. But when you find that a film about Bob Dylan has dropped on Netflix, by Martin Scorsese no less, you stop what you are doing and jump back to the 1970s.

So to set the scene, Rolling Thunder Revue tells the story of Bob Dylan and friends tour across New England and beyond during 1975. This was a year where America was at crossroads, Nixon had just resigned, the Vietnam War debacle was still in everyone’s mind, and economic recession had started in places of the Rust Belt. All in all, it is a time very similar to the one we find ourselves in right now. It is at this moment of flux that Bob decided to get a group of folk/rock pals and do a tour, something he had not done in a while, and we get to see it all.

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Movie Review – Midnight Runner

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TL;DR – A competent film from first-time filmmakers that shows that struggles of trying to start your life again     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Midnight Runner. Image Credit: Global Digital Releasing.

Review –

All filmmakers have to start somewhere, a place where they can get their feet wet, practice their crafts, and work on telling stories. Today we are looking at a film from John Mathis & Jared Sprouse, which is the first feature film from them as both directors and writers, and it is clear this was a bit of a passion project. However, like all first-time filmmakers, while there is a promise, there is also room from improvement.

So to set the scene, Ian (Ben Weinswig) arrives at his Aunt Renee’s (Dawn O’Donoghue) house to come live. While we don’t know what happened in his past life, it is clear from the way people act that something significant happened with him and his parents. Ian is trying to stay out of trouble and restart his life, however, life is not fair and he gets drawn back into a world of violence where you can’t go to the cops because they are in on it.

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Movie Review – God’s Own Country (2017)

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TL;DR – Much like the Yorkshire Moors that is filmed on, this is a film that is both harsh and yet filled with moments of beauty   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

God's Own Country. Image Credit: British Film Institute.

Review –

My family originally came from Yorkshire, so when I spot a film set in the region I always give it a watch to try and connect with my past. Well, I am not sure what I expected when I loaded up God’s Own Country, but what I got was a film that was both frank and also a little optimistic in a world of bleakness.

So to set the scene, Johnny lives and works on a farm with his father Martin (Ian Hart), and his grandmother Deirdre (Gemma Jones). He spends all day grafting on the farm and all night in the local town drinking. Wake up, chuck out the contents of his stomach and repeat. Most of his friends have gone off to university, however, because his dad had a stroke and can’t work the farm like he used to, Johnny has to step up and take all that pressure. Given some issues, Martin calls in some help, as they are about to go into calving season, and Gheorghe (Alec Secăreanu) a Romanian farmhand takes the job. There is instant tension between the two because Johnny sees Gheorghe has a manifestation of his failure but he needs the help.

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Movie Review – I Am Mother

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TL;DR – This is a movie that is contemplative, tension, and fascinating as all get, a must watch for any fan of the science fiction genre.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

I Am Mother. Image Credit: Netflix.

Review –

Motherhood is a concept that does not get as much exploration in the science fiction world. Yes, of course, there is the waring mothers of Aliens, but they tend to be the exception rather than the rule. So when you see a science fiction post-apocalyptical film titled I Am Mother, you immediately sit up and take notice and thankfully the final product is such an amazing work of film.

So to set the scene, at some point in the future humanity finally did it, we went and killed ourselves off in an extinction level event. Thankfully, some people saw this coming and hid a facility away in the mountains filled with embryos in stasis and a backup carer if no one could make it. With that Mother (Rose Byrne & Luke Hawker) is activated and sets the process going for the first new human birth, even as the bunker shakes with the last throes of the conflict. Many years later and Daughter (Clara Rugaard) has grown up, living her life under the care of Mother. However, one day something bangs against the airlock and everything she knew gets thrown into chaos.

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Movie Review – Dark Phoenix (X-Men: Dark Phoenix)

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TL;DR – In what might be the last major release of a Fox X-Men film, instead of going out with a bang, it goes out with a meh.     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Dark Phoenix (X-Men: Dark Phoenix). Image Credit: 20th Century Fox.

Review –

With Fox being bought by Disney we know that the current X-Men film franchise is going to be reaching its end sooner rather than later, and with the New Mutants film having a difficult production, there is a chance that this is the last time we will see these characters on the big screen. With that in mind, there are many words I have used to describe the X-Men films in the past. There have been the highs of X-2, Deadpool, and Logan. There have been the lows of X-Men Origins: Wolverine, The Last Stand, and Apocalypse. However, today I have a new descriptor for an X-men film, and unfortunately, that word is dull.

So to set the scene, we open with a young Jean Grey (Summer Fontana) back in the 1970s driving with her parents when tragedy strikes and she becomes an orphan. Back in the present day of 1992, the Space Shuttle Endeavour has been hit by a solar flare and the president (Brian d’Arcy James) has only one team he can call. Since the time of Apocalypse, mutants have come out of hiding and the X-Men have become almost celebrities, using their powers, to help save the day. While in space, they discover that it was not a solar flare, but some kind of entity. While Jean (Sophie Turner) is trying to keep the shuttle together, the entity attacks and is absorbed by her. Back on Earth, she seems fine, but slowly they find out that this is not the case because Charles (James McAvoy) did something to her back in the day and that secret just burst forth.

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Movie Review – Chopsticks

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TL;DR –  A film that feels ripped right out of the 1990s that you would look back and muse that it has not aged well at all.     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Chopsticks. Image Credit: Netflix.

Review –

There are times when you sit down to watch a film and you revel in the chaos not knowing where it will go next. Then there are times that in the first five or so minutes you can get a rough sketch of each major plot point that is about to come. Well, today, unfortunately, we look at a film that is a latter with a story that feels like it would have been dated in the early 2000s let alone now.

So to set the scene, we open with Nirma (Mithila Palkar) who is a Mandarin translator and who is apparently named after a laundry powder brand. She is buying her first new car in her life but her number plate ads up to 11 rather than the preferred 9. On the way home, she takes her mother’s advice and goes to temple and has an attendant park her new car, and it should come as no surprise that there was no attendant and she just gave her keys to the guy that stole her brand new car. While she is at the police station she is told of someone who can help her, who goes by the name Artist (Abhay Deol), and she gets more than she bargains for.

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