Tag Archives: Film

Movie Review – Hobbs & Shaw (Fast and Furious Presents: Hobbs and Shaw, Fast and Furious: Hobbs and Shaw)

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TL;DR – A film that soars when it is in the banter/action grove but falters when it needs to move the story forward.     

Score – 3.5 out of 5 stars

Post-Credit Scene – There are multiple mid-credit scenes as well as an end credit scene

Hobbs & Shaw. Image Credit: Universal Pictures.

Review –


 To be honest, if I have a blind spot in modern cinema it is the Fast and Furious franchise. When the films started to come out, I didn’t really jell with the super-serious machismo in what was an inherently silly premise. This looked to be the way for all the films but when The Fate of the Furious came out two years ago, I thought I would give it another watch. Well about the time they used a car to take out a submarine I realised that they had finally realised just how silly it all was and had leaned into it, and that is something I can get behind. That being said, a spin-off the film is still a bit of a gamble, but given how well the director and cinematographer are at actions filmmaking, I walked in being quietly optimistic and with the action, I was not let down.

So to set the scene, two years since the last adventure and Luke Hobbs (Dwayne Johnson) is enjoying his life as a DSS agent and a father to his daughter Sam (Eliana Su’a). However, at that moment in London, an MI6 team is taking out a band of mercenaries that have a manufactured virus and who are about to sell it on the black market. After a clinical takedown of the gang, all is right but then a mysterious figure (Idris Elba) arrives and single handily kills all of the MI6 bar Hattie (Vanessa Kirby) the lead agent. Fearing the virus would get into the hands of evil people Hattie injects herself with the virus to hold on to it while she escapes. The MI6 think she has turned rogue and the CIA, MI6, and the criminal organisation are now hunting her. The only chance she has is if Luke teams up with Deckard Shaw (Jason Statham) and well that has disaster written all over it.

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Movie Review – Djali (2019 AACTA Awards Short Film Competition)

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TL;DR – A poignant look at what rock bottom feels like  

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review –

Today we continue our dive into the 2019 AACTA Awards Short Film Competition by exploring a short film from one of Australia’s up and coming actors Hunter Page-Lochard. Here we look at what life is like when you hit rock bottom and that moment where you realise that you need to climb up.

Djali looks at the life of Johnny (Hunter Page-Lochard) who is an inspiring dancer and really good at it until he received an injury to his leg. However, this is just the first in many setbacks as we see him hiding in a dark room reminiscing about the past. Only for his brother Harry (Rhimi Johnson Page) to come and try and shake him out of his funk.

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Movie Review – Booksmart

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TL;DR – While it follows a lot of the plot beats of similar films, it stands out on its own by focusing on the characters that are the heart of the movie.      

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Booksmart. Image Credit: Annapurna Pictures.

Review –

There are some scenarios that you see get plaid out in cinema over and over again. Indeed, one of the most popular scenarios is looking at that last few days before you graduate high school. I think it is so popular because it is something that nearly every person in the target audience has or will go through. So it becomes a nexus of past nostalgia and future promise. Either way, it is a scenario that I have seen put to film over and over again, especially in the R-rated comedy genre. However, in all the scenarios, I have never seen a film quite like this.

So to set the scene, high school is drawing to a close and class valedictorian Molly Davidson (Beanie Feldstein) and her best friend Amy (Kaitlyn Dever) are getting ready to survive the final day of classes. Molly is going to Yale and spent all her time at school making that happen, and Amy is getting ready to spend a summer in Botswana as an aid worker. However, Molly’s certainty about her past is shaken when she discovers that all the kids that partied throughout high school also got into top universities. Well, there is only one night left before graduation and Molly know just what to do, she needs to go to Nick’s (Mason Gooding) party so she can have the full high school experience and she is dragging Amy along with her.

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Movie Review – Boi

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TL;DR – An odd little film that I don’t think every quite found its footing but left me feeling intrigued    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Boi. Image Credit: Netflix.

Review –

Back in my ¡Ay, Mi Madre! review I mentioned that I wanted to explore more of Spanish cinema, what I didn’t realise was just how quickly the next film would roll around. But less than a week later a thriller set in Barcelona arrived on my desk, and I knew I had to check it out. Well, Boi is many things and thankfully interesting is one of them. 

So to set the scene, Boi (Bernat Quintana) is starting his first day as a private chauffeur in Barcelona, but he has a lot on his mind. Including caring for his Aunt (Fina Rius) and a breakdown in his relationship with his partner Anna (Miranda Gas). All of this leads him to completely getting the time wrong of when his first clients were arriving in the country so he has to rush and bluff his way into picking up Gordon (Adrian Pang) and Michael (Andrew Lua) two Chinese businessmen from Singapore. But that is only the start of three very long days.

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Movie Review – Parasite (Gisaengchung, 기생충)

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TL;DR – A truly brilliant work of cinema that works on a character, action, and story level.    

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Parasite (Gisaengchung, 기생충). Image Credit: Madman Films.

Review –

When you hear that a film has won the Palme d’Or at the Cannes Film Festival you immediately take notice. Because even though the voters at Cannes don’t always get it right, they always at least pick a film that is interesting. Well today not only do we get a film that is interesting, but we also get a film that made me feel multiple different emotions throughout its run time, and made an entire cinema audible gasp more than once, like the whole cinema. Well, Parasite is a more than just interesting film. Now in this review, we are going to avoid saying too much about the ending, but just, in general, this is a film that is best seen with as little information as possible.  

So to set the scene, we open in on the Kim family: father Ki-taek (Song Kang-ho), mother Choong-sook (Jang Hye-jin), son Ki-woo (Choi Woo-shik), and daughter Ki-jung (Park So-dam). They live in a semi-basement flat in the poorer part of Seoul trying to make a living from whatever odd jobs they can find, like folding pizza boxes into shape. Then one day one of Ki-woo’s old army friends who is now in university comes to visit. He lets Ki-woo know of a job as an English tutor to a rich family that would pay very well. The only problem is that Ki-woo never went to university, even though he is qualified for the job, so he gets his sister Ki-jung to fake him up some university records and shows up at the Park family house. Mr Park (Lee Sun-kyun) is a successful businessman who runs a company and spends a lot of time away from the house, so he leaves his wife Yeon-kyo (Cho Yeo-jeong) in charge of hiring and she is apparently a bit dim. Well, when she watching his lesson with her daughter Da-hye (Jung Ji-so) she mentions that they are looking for an art tutor for their son Da-song (Jung Hyun-joon) and Ki-woo knows just what to do.

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Movie Review – ¡Ay, Mi Madre! (Oh My Mother!)

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TL;DR – While the premise is strong, the inconsistencies in tone lead to a dissonant ending.     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

¡Ay, Mi Madre!. Image Credit: Gossip Event & Productions.

Review –

In my drive to see more international films, one area where I do not have a lot of experience with is the cinema from Spain and Latin America. Indeed, most of my experience comes from interpretations of Latin American culture like the still excellent Coco. However, today I start to fix this with a film that explores the difficult relationship between a mother and her daughter.

 So to set the scene, we open in on a day that no one wishes, for María (Estefanía de los Santos) is returning home, and not for a happy reunion. Because unfortunately, her mother Paca (Terele Pávez) has passed away, or maybe not unfortunately given how everyone talks about her. María had an estranged relationship with her mother that was never resolved. This means that María has to deal with all the funeral proceedings, while also dealing with the complicated relationship she had with her mother and that is all before the will is divulged.

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Movie Review – The Lion King (2019)

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TL;DR – An animated marvel that unfortunately comes off as a disjointed mess at times   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Lion King. Image Credit: Disney.

Review –

I’m going to be honest right from the start here, I had some real trepidation on walking into The Lion King today. I consider the original animated film to be one of my all-time top animated films. In the 25 years since I first watched it, it still holds a special place in my heart, even though those 25 years were filled with hot takes about authoritarianism and plagiarism accusations. However, something about this remake just was not jiving with me. Well now that I have seen the full film I am happy to say that it was not the disaster I thought it would be, but wow does it have issues.

So to set the scene, and if you have seen the original film you can probably skip this section. We open with dawn breaking on a very special day in Pride Rock. Because this is the day that the new prince Simba (JD McCrary) is being presented to the animal kingdom. As Rafiki (John Kani) raised the young cub up in front of all the animals that have gathered Mufasa (James Earl Jones) and Sarabi (Alfre Woodard) watch on with pride, but someone is missing. Scar (Chiwetel Ejiofor) the brother of the king is absent and his absence is notable. He wants the throne for himself and he will stop at nothing to make that happen. Well, one day when young Simba and Nala (Shahadi Wright Joseph) escape their watcher Zazu (John Oliver) and take a trip to the elephant’s graveyard an opportunity lands in Scar’s lap.

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Movie Review – Frankenstein’s Monster’s Monster, Frankenstein

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TL;DR – Absurdist and silly, and while the mockumentary is fun at the start it does feel like it never quite came together.     

Score – 3 out of 5 stars

Post-Credit Scene – There is a post-credit scene

Frankenstein's Monster's Monster, Frankenstein. Image Credit: Netflix.

Review –

Well let me tell you a story, we have a famous actor creating a mockumentary of a fictional ancestor that he also plays, and we are going to jump back and forth between him finding out things today and a pretend performance of a televised play in the 60s. This is a truly bonkers scenario, but that is the one we have with us today as we explore Frankenstein’s Monster’s Monster, Frankenstein.

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Movie Review – Concern for Welfare (2019 AACTA Awards Short Film Competition)

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TL;DR – A strong central character is a foundation for an interesting story about family  

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review –


If you have read my reviews before you will know that I am a sucker for a work of media that delves into family relationships. Who we chose our families to be and how we relate to people are full of emotional stories to tell and this is one of them.

Concern for Welfare is a title that has multiple meanings throughout the short film. On the surface, it is the police term for when a member of the public has a concern for the welfare of someone else. This is important for Ali (Nicole Chamoun) because she is a probationary police officer being shown the ropes by Sambo (Ryan Johnson) her supervisor. They have to check on an elderly gentleman that people have not seen for weeks.

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Movie Review – Busting Out The Bells (2019 AACTA Awards Short Film Competition)

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TL;DR – A film with the right heart, even if it does not all come together.      
Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review –

Watching a love one slide into dementia where they forget where they are and who they are is a heart-breaking process that I and many others have had to experience. Indeed it is a real shame that more films don’t explore this issue but today we get to look at some that have.

Busting out the Bells tells the story of when parents had to tell their young children Jason (James Bingham) and Kate (Amelia Kelly) that their Grandpa George (Phil Mackenzie) will not be staying with them this year because they have had to put him into a nursing home because he kept forgetting things and getting lost.

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