Tag Archives: Film

Movie Review – Birdie (2019 AACTA Awards Short Film Competition)

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TL;DR – In some respects this is a very simple film, but it uses that premise to perfectly explore the building tension    

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review –

There are a lot of things films can do, they can excite, they can astound, they can terrify, and the can crush. However, one of the key things they can do is let you walk in another person’s shoes for a time, which can lead to some really powerful moments.

The story of Birdie is, well it is less of a story and more of a premise. A woman (Maeve Dermody) is on her way to see a new apartment so she takes the train. This is the framework, but this is where the tension is introduced because as she arrives at the Redfern station there are a couple of guys lurking around. You can feel that tension as her personal security lowers each moment they are around. How she tries to find people to be near so she is not alone, you feel every moment of this trial.

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Movie Review – Andromeda (2019 AACTA Awards Short Film Competition)

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TL;DR – An interesting look at what it means to be alive, but feels more like an opening act than a complete film.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review –

The next in our look at the 2019 AACTA Awards Short Film Competition delves into the notions of what it is to be alive. It explores a world where androids have become the new working class and the ever reaching effects that would have.

One area where this film excels is in its production, with some beautifully framed shots. There is this use of light and colour to bring us into this world of Andromeda (Kestrel Leah) all situated around story time with a young Ella (Mai Brunelle) who has not quite worked out what Andromeda is.

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Movie Review – Ambulance (2019 AACTA Awards Short Film Competition)

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TL;DR – A beautiful and haunting animation of the impact of a single day.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review –

Today we start our exploration of the 2019 AACTA Awards Short Film Competition by exploring Lylah D’Souza’s work Ambulance that is inspired by a true story that brings real weight to the narrative once you see it play out.

Ambulance is an animated short film that charts the story of one day in the Narrator’s (Lylah D’Souza) life. It is the perfect encapsulation of life because it is the juxtaposition of the serious and the ephemeral. It highlights the weird things that you remember on days of stress, something I can deeply connect with.

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Movie Review – Kidnapping Stella

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TL;DR – It starts really strong with moments of real tension, but it is let down by a muddled ending.

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Kidnapping Stella. Image Credit: Netflix.

Review –

Today we get to look at a film that is almost the reverse of the norm. It is not at all uncommon for there to be English adaptions of foreign language films as there is a long history of people assuming that subtitles are a real barrier for commercial success. Well, today we get to see a film that has made the reverse trip with Kidnapping Stella being the German adaptation of the English film The Disappearance of Alice Creed. With that in mind, let’s take a look at how well a film does going the other way across the channel. Though I must say that at times this is a deeply confronting film, and you should probably know that before jumping in.

So to set the scene, we open in on two gentlemen Tom (Max von der Groeben) and Vic (Clemens Schick) as they go about their day running errands and picking up supplies. They renovate a room, get a van ready, and put in a new bed. All really normal, but for the fact that they block out all of the windows, and that they have masks. Because what they are doing is not renovating, they are prepping the room for something, and that something is Stella (Jella Haase) who they kidnap off the street to ransom back to her parents.    

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Movie Review – Point Blank (2019)

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TL;DR – A solid, if not very imaginative action flick   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Point Blank. Image Credit: Netflix.

Review –

It has been a while since I have sat down and watched a solid action flick, the kind where you can get out some popcorn, sit back and not think that hard about what is going on. Well, today we have an example of just that with Point Blank which is a reimaging of À Bout Portant, a French film from a couple of years ago.

So to set the scene, we open with Abe (Frank Grillo) smashing his way out of a window leaving a dead District Attorney in his wake. On the run, with a gunshot wound, he texts his brother Mateo (Christian Cooke) for a pickup, but just when he arrives Abe is hit by a car. Later that night Paul (Anthony Mackie) is doing his rounds as a nurse at the local hospital leaving his very pregnant wife Taryn (Teyonah Parris) at home resting when he comes to examine the John Doe. Only to be ambushed by a masked figure, dramatically changing his life.  

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Movie Review – Spider-Man: Far From Home

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TL;DR – As the swan song for the Phase 3 it delivers of nearly every front but mostly in heaping amounts of charm

Score – 4.5 out of 5 stars

Post-Credit Scene – There is a mid and post-credit scene (you 100% need to stay for the mid-credit at least)

Spider-Man: Far From Home. Image Credit: Sony.

Review –

To be a bit honest I had some concerns about this film before I walked into the cinemas. I quite liked the first Spider-Man and the films since has showed that Tom Holland was one of Marvel’s best casting choices. However, this film was coming off the double whammy of being the follow up to both Endgame and also the first film since the revolutionary Into the Spider-Verse, and they are tough acts to follow. However, literally five minutes into the movie I knew I was in for a good time, but I didn’t know was how much of an impact this film would have on the greater landscape.

So to set the scene, we open with a quick recap of everyone who dies in Endgame, so if you have not seen it yet get ready for that band aid to get ripped off real quick. It also gives a little perspective as to how the world adapted to what they now call the blip with half of the people disappearing then reappearing 5 years later. It looks like most of Peter Parker’s (Tom Holland) friends got snapped and have to suffer through doing the school year all over again. Well after all the stress of Endgame, Peter is happy that he is able to take a break because he and his friends MJ (Zendaya), Jacob (Jacob Batalon), Betty (Angourie Rice) and unfortunately Flash (Tony Revolori) are going to Europe on a school trip. However, before he leaves Happy (Jon Favreau) arrives at his aunt May’s (Marisa Tomei) charity dinner to let Peter know that Nick Fury (Samuel L. Jackson) is looking for him and Peter does the only normal thing and ghosts Nick Fury. Well you can guess how well that went.

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Movie Review – Silent Panic

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TL;DR – While there is a kernel of a really good idea here, all the moving parts never quite connect    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Silent Panic. Image Credit: Indie Rights.

Review –

When reviewing films, I really like when I come across a scenario that intrigues me. Well today we have just such a scenario where people’s lives become unravelled through no fault of their own, okay maybe a little fault of their own. However, while an interesting idea is a good start, it is not the end of the equation and unfortunately that is the case here.

So to set the scene, three friends Eagle (Sean Nateghi), Bobby (Joseph Martinez), and Dominic (Jay Habre), are out one weekend camping in the hills. They are catching up and talking about their past and future as Eagle is just out of jail after being set up in a break and enter. The weekend was great but when they get back to their car they discover that while they were gone someone had dumped a body in the back of their car. Immediately the question of what to do splits the group and things spiral out from there.

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Movie Review – Anima (2019)

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TL;DR – A 15-minute musical experiment that smashes the music of  Thom Yorke with the sensibilities of Paul Thomas Anderson   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Anima (2019). Image Credit: Netflix.

Review –

This has been the year of the experimental music video/film hybrid, we have gotten the narrative version with Guava Island, the absurd with Bash Brothers, and the documentary hybrid with HΘMΣCΘMING. Well, today we continue this genre with a collaboration between director Paul Thomas Anderson noted for more visually stylistic films like Phantom Thread and Thom Yorke one of the main voices behind Radiohead. If you are a fan of Thom or Paul then I assume that combination instantly got your attention, and if you are not this is only 15 minutes so check it out anyway.

So to set the scene, we are on a train and a lady (Dajana Roncione) leaves her lunchbox behind and a man (Thom Yorke) takes it for himself only for things to get weird. Well, that is about it, as it is only 15 minutes there is not a whole lot more to say other than it is quite a ride.

The first thing I want to talk about is the choreography from Damien Jalet which is one of the three core things that makes this one of the most interesting things I have seen so far this year. There is a flow to the movement, but also a precision that is a really interesting blend. There is a lot of group performances that gives this an organic feel, but also the sharp movements are also otherworldly. Which does sort of fit the theme as anima is referring to the soul. To be honest, I am also always a sucker for the movement that lines up with the beat of the music.

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Movie Review – The Wolf’s Call (Le Chant du Loup)

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TL;DR – A submarine film that knows how to be a great submarine film and have you sitting on the edge of your seat.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Wolf's Call. Image Credit: Pathé.

Review –

It has been a while since I have watched a good military film, let alone one set on a submarine. There is a level of tension that you can rarely get in other films as two ships hunt each other in the dark. It is a scenario that you can really use to your best advantage if you have the cast that can sell it. Well, today we look at a film that is taking all of these elements, but can they pull it off, well let’s take a look.

In the not too distant future, where America has isolated itself and Russia is on the rise, we open in the waters off Syria. A commando team has been watching the Russian Port at Tarsus and is in need of an evacuation. Luckily France has a submarine offshore for that very reason. However, as the submarine gets into position Chanteraide (François Civil) the ship’s Acoustic Warfare Analysist can here something else out there other than the Iranian frigate, but as there is no submarine with four props it is discounted. That is until it lights the ship up with a sonar blast, alerting the Iranians to the submarines position and everything gets messy real quick. Back at base, everyone is on edge because Russia has invaded Finland, and there are threats of nuclear war. Chanteraide is certain that what he heard was not a drone, but time is running out.     

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Movie Review – Men in Black: International (MIB: International)

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TL;DR – A film that is funny in places, has some good effects and cast, but can’t escape its boilerplate plot    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Men in Black: International. Image Credit: Sony.

Review –

Back in the day, oh goodness, 1997 was over two decades ago, I had no idea that a moth floating through the air was going to lead to something just magical. That first Men in Black film was like lighting in a bottle, hell I still have that theme song playing in my head from time to time. However, since then the follow-up films have never been able to capture, or even come close to that first film (though the cartoon series almost did). Flash forward to last year when I heard that they were taking another shot at the series, honestly, I felt a bit mostly meh. But then they announced that it was going to be headed by Tessa Thompson and Chris Hemsworth. Well if there is a way to get me instantly interested in something it is to cast Tessa Thompson and Chris Hemsworth and let’s see how they did.

So to set the scene, back in 2016 Agent H (Chris Hemsworth) and High T (Liam Neeson) arrive in Paris to stop a catastrophe, for the Hive, a destructive species, was about to use The Eiffel Tower to gate onto Earth and take it over. We then find ourselves with a young girl called Molly (Mandeiya Flory) who got to see the Men in Black in action and hid so she never had her memories wiped by the Neuralyzer. Now in 2018, all grown up Molly (Tessa Thompson) tries to find the MIB and after a lifetime hunt, she is given status as a probationary officer and sent to the London Branch where something does not seem right.      

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