TL;DR – A film that blasts onto the screen with a roar of trumpets only to get bogged down in its own worldbuilding.
Post-Credit Scene – There is no post-credit scene
There are some filmmakers out there whose work has been consistently engaging that every new release gets immediately put on the must-watch list. For me, these are filmmakers like Denis Villeneuve, Ryan Coogler, Roger Deakins, Patty Jenkins, Taika Waititi, Wayne Blair, George Miller, and if I am honest with myself, at the top of that list for me is Christopher Nolan. His film Inception is still on my Top 10 Films list, and his work is always interesting even if like Interstellar the film does not capture me. Well, we live in precarious times, and I was not sure if I was going to be able to see Tenet in some form for a while, but thankfully I did get to see a screening today, and well, I think this is a film that is going to fall in the latter.
So to set the scene, we open in on an opera house in Kyiv, Ukraine, as a group of armed terrorists surge through the band and occupy the theatre. As the police arrive, one van is not what it seems because onboard is a CIA team led by our unnamed protagonist (John David Washington). This whole attack is a ruse to take out an operative whose cover has been blown, and it is our protagonist’s job to get the agent out. It all went wrong, but instead of dying to a cyanide capsule, he wakes up on a boat heading to an off-shore wind farm. It is here where he is informed that he is dead to the world, but a new opportunity has opened up. He is to explore Tenet, a mysterious phrase that is being used by arms smugglers and the like and which could be more dangerous than a missing nuclear weapon.