Awards – Key Moments in Cinema in 2017 Part 3

TL;DR – This is the end of the year, so let’s take a look back at the year that was by examining twenty categories across cinema, ranging from exquisite to the obscured and all between

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Awards

It is the end of the year (well a bit later than that but life happened) and while I will have the traditional Best of 2017 and Worst of 2017 lists, I have found that both of those lists miss some of the important facets that make films work, or not work. To eligible for these awards, they simply had to be a film I reviewed in 2017, and there may be some notable absences simply because we have not got those films here yet. So in Part 3 of 4, we look at five different categories that deal with the cinema of 2017.

  • The films that were just fun
  • The films that dragged on too long
  • Masterclasses in film
  • Recurring themes
  • Stupid Character Deaths

So let’s dive into TL;DR Movie Review’s Awards of 2017 Part 3

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My Top 10 Films of 2016

So here we are at the end of the year, the sound of fireworks still ringing in our ears, the excess of Christmas just a faint memory, and the realisation just dawning that you probably won’t get your money’s worth out of that gym membership you bought for your New Year’s resolution. However, it is also a time of reflection, a look into the past and the hope for the future, and while 2016 has been referred to as a dumpster-fire year, there were some great moments in film, and this is what we are celebrating today.

So far in our end of year countdown we’ve looked at the Most Disappointing Films of 2016 (Click here to see), and we’ve looked at the Highly Commended films of 2016 (Click here to see), but now it’s time for the grand finale with our Top 10 Films of 2016.

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My Bottom 10 Films of 2016

It’s the end of one year and the start of another and among the fireworks, booze and celebrations there is one tradition that transcends all and that is the tradition of end of year lists and who would I be to buck this trend. So over the next three days, we will be seeing the best and worst that 2016 had to offer with regards to movies (so we can have at least some positive things to say about 2016). Tomorrow we will have the movies I class in the ‘highly commended’ category and the day after we will have the all-important ‘best films of 2016’. However today we start with the opposite, with the worse or most disappointing films of 2016.

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Analysis – Rogue One is a Case Study on the notion of Death

Before we start I need to make it clear that this blog will be full of spoilers for the recent Rogue One and Suicide Squad, as well as last year’s The Force Awakens, and all of Star Wars in general, so proceed cautiously if things like this concern you.

So when I was watching Rogue One yesterday for the third time, at which point instead of watching the broad strokes of the story you instead focus on more of the details, it occurred to me that not only is Rogue One interesting in the fact that it kills off its entire leading cast (yes I said there were spoilers don’t complain that I didn’t warn you) but also how it kills them. Now of course, as most people know, there were extensive reshoots with Rogue One which may have drastically changed the outcome of how characters died, but that is a discussion for another day, today we will just be focusing on the movie as it is in cinemas.

I'm one with the Force, and the Force is with me.

I’m one with the Force, and the Force is with me.

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Movie Review – Arrival

TL;DR – A beautiful story of loss, change, the role of language,  and how it’s better to work together than apart, a movie we kind of need at the moment.

Score – 4.5 out of 5 stars

Review – Arrival, based on the short story by Ted Chiang, is a really interesting movie as it looks at issues that are not usually covered in science fiction or indeed movies in general. It is a fascinating look into language and its role in shaping culture and society but also what happens when the unknown actually happens and how do we respond to that. While I loved Arrival its one of those movies that I think will be quite polarising as you may indeed find it either meditative or ponderous, I myself fall into the first camp.
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