Tag Archives: Project Hail Mary

Best Docking Scenes – Article

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TL;DR – We Explore the Best Science Fiction Docking Scenes in Cinema

Best Docking Scenes in Cinema Introduction

I was talking with a friend today about certain building blocks of genres, which segued into Interstellar. Then the conversation naturally turned to the docking sequence, one of its most famous moments. This left me thinking that, unless you are going to do a Star Trek and beam around everywhere, one of the key points of tension that can be created in Science Fiction comes from that docking manoeuvre. It can be full of dread, of wonder, and of calamity. So, today I want to explore some of the best docking sequences in Cinema and Television.

Honourable Mentions:

Alien: Romulus: Docking with a death station.
Farscape: Deploy the Docking Web.
Gravity: Breaking into a Chinese Space Station
The Martian – Capturing a supply pod
Star Trek: Deep Space Nine – The USS Rio Grande docking on the Habitat Ring.
Star Trek: Nemesis – The USS Enterprise forcefully docking with the Scimitar.
Star Trek: Voyager – The USS Prometheus docks with itself.
Star Wars: A New Hope – That’s no Moon.
Sunshine: Icarus II docks with Icarus I.
Tron: Legacy – Train arrives at a secret ship.

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Project Hail Mary – Movie Review

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TL;DR – Project Hail Mary is everything a sci-fi film should be: bold, evocative, immersive, and wonderous.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Some scenes contain flashing lights.

Warning – Contains scenes which may cause distress.

The Hail Mary floating next to a much larger alien ship.

Project Hail Mary Review Introduction –

As I sit down to write this review, I feel like I am floating a touch on air, as if I had just witnessed something glorious to behold. Something I hoped would be good, but which delivered in ways not even I was expecting. It’s a rare film that not only meets expectations but exceeds them.   

So, to set the scene, a man wakes up sealed in a bag, not able to talk, and is accosted by some persistent medical device. He does not know who he is. He does not know where he is. He does not know why there are two dead bodies with him. And you better believe he does not know why he is on a spaceship, or why the star he is looking at is not Sol. There are flashes of memory, of a dying Sun, a Petrova line to Venus, and microbes called Astrophage eating it away. But the man whom the computer says is Dr Ryland Grace (Ryan Gosling) doesn’t have much time to think about things when the computer alerts him to Blip-A, and he realises he is not the only spaceship out here.     

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