Deadland – Movie Review

TL;DR –  It is a film with a lot of intrigue, but I wish it had a bit more going on under the hood.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

A man standing on the river's shore.

Deadland Review

I do love when films get weird, when they play with your perceptions of what is real or not, though I should maybe stop playing them before bed. Today, we are looking at a film that does just that with the people in the movie, but does it have the same effect on the audience?

So, to set the scene, we find ourselves on the USA/Mexico border with US Customs and Border Patrol, where they find a suspicious van trying to cross. Agents Angel Waters (Roberto Urbina) and Ray Hitchcock (McCaul Lombardi) find just a kid behind the wheel and a whole lot of drugs in the back. It was just a routine day for The Patrol, but when Angel is alone and finds the body of The Stranger (Luis Chávez) floating dead in the river, he is the most surprised when the man wakes up out of his body bag on the drive home. But when Angel’s father, Ignacio Coronado (Manuel Uriza), returns and the dead man, now alive, turns up dead again, things start falling apart, and this is when Internal Affairs starts to sniff around.  

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Exploring the Past – Sicario (2015)

TL;DR – A masterful look at how to use tension to build a story in a brutal world

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Sicario. Image Credit: Lionsgate

Review
Today I got to cross a film off my pile of shame that has been sitting there for quite a while. Sicario was one of those films that were made by people I have come to deeply respect in the film industry but at the time when it came out, I was not in the right head space to give it a watch. Ever since then I have been meaning to go back and give it a go if only to add to my understanding of some of these filmmaker’s work, but it sat there. Well, today that changes as we take a dive into the world, or at least one perspective of the world on the American/Mexican border.

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