Man of Steel (2013) Review – Exploring the Past

TL;DR –. It’s a generally sound foundation, even if it falls apart a bit at the end.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-Credit Scene.

Superman floating in the water.

Man of Steel Review –

As the DCEU came to an end, I found myself with some unfinished business. I had watched and reviewed every movie in the franchise, bar one, the film that started it all. Well, it is time to fix that oversight as we jump back into the opening salvo of the Snyderverse, a foundation that might not have ever reached its intended zenith but is still worth exploring.

So to set the scene, we open with Lara Lor-Van (Ayelet Zurer) in hard labour as her husband, Jor-El (Russell Crowe), looks on. It is a healthy child, something to celebrate if it was not so dyer. For you see, Kypton is falling apart, and just when things are at their worst, Zod (Michael Shannon) makes a move on the throne. But while there is still hope, Jor-El makes his escape and makes it home just in time to launch his lifeboat and save his only son. It was a fraught trip, but the pod managed to make it to Earth and land in a little town called Smallville, Kansas, USA.

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Let Him Go (Let Him Go: Fight For Family) – Movie Review

TL;DR –  A film that explores tension at every moment that leaves you sitting on the edge of your seat as it all falls apart.   

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Warning – Contains scenes of abuse

Awards:

NominatedBeautiful Cinematography, The Emotion, All The Tension & Fascinating Worldbuilding.

Let Him Go (Let Him Go: Fight For Family). Image Credit: Universal Pictures.

Let Him Go Review

It has been a while since a film has had me sat on the edge of my seat as the tension overwhelmed me. Well, today, we look at just such a movie that I was honestly struggling to find the right genre to categorise it. It is sort of a western but not, it is sort of a noir film but not, a detective hunt but not. But whatever it is, it was engaging from start to finish.

So to set the scene, we open in on a family in a full happy mode as they get ready for the day.  James Blackledge (Ryan Bruce) is out working breaking in a horse as his father George (Kevin Costner) watches on. Back in the homestead, his mother Margaret (Diane Lane) is making breakfast while his wife Lorna (Kayli Carter) is trying to corral their new baby. As James takes out the horse for a ride, everyone is working together, that is until the horse comes back without its rider. Three years later, Lorna is re-marring Donnie Weboy (Will Brittain), and she and her little one Jimmy (Bram Hornung/ Otto Hornung) go to move in with him. Much to the consternation of Margret and George, that is only elevated when one day Lorna and Donnie skip town without telling and take Jimmy along with them.

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Movie Review – Molly’s Game

TL;DR – Exploring the interplay of power and greed, and how lives can change in an instant, also you got Aaron Sorkin walk and talks, so what’s not to like?

Score – 3.5 out of 5 stars

Post-Credit Scene – No

Molly's Game

Review

Today is an interesting week because we are looking at a film that is both from a first-time director but also one of the industries long-time greats, Aaron Sorkin. So today we will see if his walk and talk dialogue works when he is the one behind the camera? Now before we start, because of the way the film is structured it is hard to talk about it at all without getting into [SPOILER] territory almost immediately, so if you have not seen the film probably be careful when proceeding.

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Movie Review – Hidden Figures

TL;DR – Hidden Figures is an amazing film about our past and very much relevant in our present, that when you oppress people it holds everyone back.

Score – 4.5 out of 5 stars

Hidden Figures. Image Credit: 20th Century Fox.

Review

Straight from the start, I should say I love movies about space, the history, NASA, the satellites, probes, and rockets, I watched the Curiosity landing even though it was very early in the morning here. So what I am saying is Hidden Figures, much like The Martian & The Dish, is a film that automatically peaks my interest before I make it to the cinema. This means that I have to be really careful when reviewing these films to make sure I am being objective and not just getting caught up in my joy of the subject material, but even with a cautious approach Hidden Figures still knocks it out of the park, or knocks it into orbit, or, wait no I think I am starting to mix metaphors here.

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