TL;DR – A funny, engaging, and enjoyable film that casts a new spin on an old tale
Rating: 4 out of 5.
Post-Credit Scene – There is no post-credit scene
Enola Holmes Review –
As the march of the copyright extension powers forward more and more, few stories are both in the public domain and have enough thematic strength to be engaging after all this time. However, I should note that not even Sherlock Holmes is not entirely removed from this mess. One of the few stories that match both of these criteria is the works of Sir Arthur Conan Doyle. We have reached the point that not only have we had the many different interpretations of the original stories but also original works within the universe. Today we look at an adaption of the later as we delve into a mystery at the heart of a family … well families.
We open with Enola (Millie Bobby Brown) running through the English countryside giving us a back story of her life with her mother Eudoria Holmes (Helena Bonham Carter). A life that was full of mystery and joy. However, on the day of Enola’s 16th birthday, she woke up to find her mother missing. The only thing that was left was a single gift for Enola, a box of notes about flowers … or a box full of clues. Hoping to get some assistance she enlists the help of her two brothers Sherlock (Henry Cavill) and Mycroft (Sam Claflin) … and that goes about as well as you can expect.
As someone who generally enjoys fantasy, it is surprising that it took me this long to really get into The Witcher franchise. I had tried in the past with the video games, but by the time I was helping a miss-carried baby to get back into the grave it all got a bit too weird without the context, to add to this, the books seemed this large mountain of work that I didn’t know where to start with. Well with the new series starting I thought now was as good as time as any to dive into the world of the brooding Geralt of Rivia (Henry Cavill).
So to set the scene, in a world of magic and monsters lives many feuding kingdoms and power structures in the land known as The Continent. We open in the kingdom of Cintra, ruled by its Queen Calanthe (Jodhi May). All is well until the day that the evil Nilfgaard set their sights on them burning their capital to the ground and killing all they find. Calanthe in her last act sends her granddaughter Cirilla “Ciri”(Freya Allan) away with one mission, to survive and find Geralt. Geralt himself is off in another kingdom stuck in a war between a powerful mage Stregobor (Lars Mikkelsen) and a bandit/princess Renfri (Emma Appleton). Meanwhile, a girl with a deformed back works caring for the pigs of her father. But Yennefer of Vengerberg’s (Anya Chalotra) life is forever changed when the powerful sorceress Tissaia de Vries (MyAnna Buring) arrives and buys her for a couple of coins. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.
TL;DR – This is a great introduction to the show by setting up the lore and giving us a taste of everything to come
Score – 3.5 out of 5 stars
Today we look at a show that is really interesting for me. The Witcher has been this series, first books, then video games, that has permeated pop-culture for quite a while after coming out of its native Poland. However, for me, I have tried a number of times to get into it but I keep bouncing out of it. Well given that at the very least Netflix does not shy away from production and Henry Cavill has been ecstatic about being cast, I thought now was the best time to give it one last shot.
So to set the scene, in the swamps near the town of Blaviken a witcher called Geralt of Rivia (Henry Cavill) is hunting monsters. As a witcher, he makes money by killing monsters that towns have put bounties on. However, when he arrives in Blaviken he discovers that there may be more going on behind the scenes that he first thought. Meanwhile, in the kingdom of Cintra, all is well, Queen Calanthe (Jodhi May) is even throwing a ball much to the annoyance of her granddaughter Ciri (Freya Allan). However, all of that comes to a halt when word reaches them that the evil Nilfgaard has set their sights on the city. Now from here, we will be looking at the episode as a whole so there will be [SPOILERS] ahead.
TL;DR – Heart pounding, electric, bombastic, edge of seat, high octane, adrenaline rush, these are all things I would use to describe Fallout.
Score – 4.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
When I think back to 1996 when the first Mission: Impossible film came out all those years ago I can remember it being enthralling and as it was one of the first big action films I ever saw in the cinemas that opening mission still holds a special place in my personal cinematic history. However, I didn’t think I would still be talking about these films over twenty years later, I mean there were a lot of great action films in the 1990s but few if any have had the same persistence as Mission: Impossible. Now to be fair, not every film in the series has been a gem, and I even stopped watching after a while, but people told me I should catch the last entry into the franchise with Rogue Nation (see review) and I really enjoyed it. Well, jump forward to 2018 and the director/writer of that last film Christopher McQuarrie is back for a second jump into this world of spies. With this in mind, I had high hopes that they could continue the good work here, and I am so happy to say that they did.
TL;DR – This is the end of the year, so let’s take a look back at the year that was by examining twenty categories across cinema, ranging from exquisite to the obscured and all between
It is the end of the year (well a bit later than that but life happened) and while I will have the traditional Best of 2017 and Worst of 2017 lists, I have found that both of those lists miss some of the important facets that make films work, or not work. To eligible for these awards, they simply had to be a film I reviewed in 2017, and there may be some notable absences simply because we have not got those films here yet. So in Part 2 of 4, we look at five different categories that deal with the cinema of 2017.
The films that just didn’t quite work
The best line of dialogue in cinema
Movie trends that I am really sick of
The grossest moments I had to sit through
The films I will go to bat for
So let’s dive into TL;DR Movie Review’s Awards of 2017 Part 2
TL;DR – Is it as good as Wonder Woman, no not by a long shot, but it is also not the steaming mess like the last two films, so there has been some improvement here.
Score – 2.5 out of 5 stars
P.S. – There is a mid and end credit scene.
Ok before we start I need to say that this is actually a very hard film to review because while it shouldn’t matter, you can’t avoid not looking into the issues this film had in pre-production. Firstly, you have the disastrous reaction to both Batman v Superman (see review) and Suicide Squad (see review) hitting after production had already started, and you can see the course correction that they tried to make here. But also during production Zach Snyder’s family suffered a great tragedy and he stepped aside which meant that the reshoots and final edit was completed by Joss Whedon. So it is hard to work out where to direct criticism, but also you don’t want to heap stuff on someone who has suffered greatly. So will all this groundwork I will try my best to be objective here but you can’t help but bring outside stuff into this.
TL;DR – An utter mess of a film, disjointed, nonsensical, and a very poor foundation for DC to build their Justice League series on
Score – 2 out of 5 stars
You know I wanted to be surprised by Batman v Superman, it looked rushed, it looked like they had not given enough thought before rushing ahead with their Avengers competition, it looked like they were making all the same mistakes Sony made with Spiderman, but still, I wanted to like it, but alas this is an incoherent mess of a film with only momentary glimpses of being any good. To get us started, Batman v Superman starts with us experiencing the climax of the last film from Bruce Wayne’s (Ben Affleck) perspective, we then jump forward to two years later where a bat vigilante is attacking criminals in Gotham across the bay from Metropolis, Lois Lane (Amy Adams) is in Africa being the damsel in distress (a role she will be stuck in for this film) and everyone else is politely pretending that Clark Kent and Superman (Henry Cavill) are not the same person.
TL;DR – While not the best movie I have seen this
year, it’s full of charm and a lot of fun, well worth a look
start I should mention I have not seen the source TV show, unlike Get Smart, MASH or Hogan’s Heroes etc. it just
did not get a lot of reruns on TV where I live, so I no idea if this is a
faithful adaption or not, on a side note can you imagine how bad a remake of
MASH would be, so I am just judging on what I saw in the movies.