Mapping Sony’s Spider-Man Universe – Map-It

TL;DR – As requested, we mapped all the locations featured in Sony’s Spider-Man Universe.

Venom. Image Credit: Sony.

Mapping A Failed Experiment

Whenever I post a map, I always ask for suggestions of pop-culture things that people would like to get mapped. Sometimes, you have interesting suggestions like Indiana Jones that make you think. Other times, it feels like someone wants to make you suffer. Well, today is the latter, as some of my readers have asked me to map Sony’s ill-fated Spider-Man Universe without Spider-Man in it. Now, for clarity, these are all the films that make up the Villain series of films, well villain-lite films, such as Venom, Venom: Let There Be Carnage, Morbius, Madame Web, Venom: The Last Dance & Kraven the Hunter. They don’t include the MCU Spider-Man films Spider-Man: Homecoming, Spider-Man: Far From Home & Spider-Man: No Way Home, which you can find on our MCU Map. Nor do they include the Spider-verse films Spider-Man: Into the Spider-Verse, Spider-Man: Across the Spider-Verse & The Spider Within because they are their own thing.

So, with this map, I have tried to find every location that I could, but this has led to some issues. There are a lot of places where there are no precise locations. With that in mind, I have made some educated guesses, such as putting Chameleon’s Club in Soho. I have used the actual filming locations as a guide where possible, but there is not a lot of data on that, especially for the later films, and a lot of times, different cities are subbing in for another. For example, the car chase in Venom jumps from San Francisco to Atlanta and back again in between cuts. 

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Morbius – Movie Review

TL;DR – A soulless husk of a film that is barely made watchable by the fact that at least Matt Smith is having fun  

Rating: 1.5 out of 5.

Post-Credit Scene – There are two mid-credit scenes

Disclosure – I was invited to a screening of this film

Morbius. Image Credit: Sony Pictures.

Morbius Review

There are moments when the credits roll, and you sit back in your chair and wonder, what did I just waste my time with? Then, of course, you immediately go, well, maybe I am having a bad day, perhaps the film is targeting a different audience, or did I just miss something. But then you look around and feel the audience’s tone and discover that you are not alone with your disbelief. Well, today, we have a film that, when the credits rolled, a whole room of people collectively shrugged at the very meh-ness that they just watched.

So to set the scene, 25-years ago in Greece, two boys who needed three blood transfusions a day to live met in a clinic. The head of the clinic, Emil Nikols (Jared Harris), discovers that young Michael (Charlie Shotwell) is a prodigy and gets him into a private school, and he promises his friend Milo (Joseph Esson) that he will find a cure. In the now, Michael (Jared Leto) takes a helicopter ride to a cave in Costa Rica to capture some bats that only feed on blood. He is hopeful that inserting bat DNA into a human might cure him and Milo (Matt Smith). It works … but at what cost? Well, a boat full of mercs, at least.

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