Sector 36 – Movie Review

TL;DR – A fascinating exploration of the interception of power, corruption, and serving the community, and how all of that can be shaped by self-interest.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains Scenes that may cause distress.

Mission Children Posters.

Sector 36 Review

Corruption is one of the worst sins that a public official could do because their job is to uphold the people under their care, and when they obfuscate that sacred oath for money, power, or friendship, everyone suffers. Corruption can happen anywhere, but what happens when you target the most vulnerable members of society who have even less of a voice than ever? Well, you have a recipe for disaster.   

So, set the scene, in Section 36 of Delhi, works Sub Inspector Ram Charan Pandey (Deepak Dobriyal), a thoroughly corrupt police officer. Who is more interested in lecturing people on the Third Law of Motion than actually helping people. But when a girl’s hand turns up in the sewers, it puts into focus that there is a killer on the loose, not that the police want that. But that is what Prem Singh (Vikrant Massey) is doing, focusing on the most vulnerable members of society. He would have continued to get away with it, given the police’s incompetence, but one day, he tries to take the daughter of someone important, and ignorance is no longer an option.  

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Runt – Movie Review

TL;DR – It is a delightfully fun film that gets a bit preachy at times and a little unhinged in places.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and end-credit stinger.

Runt – I paid to watch this film

A dog running through an agility course.

Runt Review

There are a lot of things that can make a film Australian: its setting, its production, and the governmental jump ropes it needs to skip through to get funding. There are some films that, even if you removed the drone shots, pans over wheat fields, and set it in a small rural town, you would still know it was Australian, just because of the vibes. Today, we look at a film that is just that, Australian to its very core.

So, to set the scene, the Shearer family lives in the small Western Australian town of Upson Downs. One day, the daughter Annie (Lily LaTorre) found a stray mutt called Runt (Squid). She brought him home, and he soon became an integral part of the family. However, the town has been in drought for 375 days, and local rich snob Earl Robert-Barren (Jack Thompson) took all the local river water for his dam. Life is tight for the Shearers, with Bryan (Jai Courtney) and Susie (Celeste Barber) struggling to pay the overdraft on their overdraft, and her brother Max’s (Jack LaTorre) stunt video channel has not really taken off. However, one day, when Annie sees the canine agility course at the local fair with a cash prize, she sees a way to help her family. The only problem is that Runt does not like to perform when anyone but Annie is watching.

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Beneath Us All – Movie Review

TL;DR – While there was a lot of promise with this scenario, you can tell that there were factors like the budget that held it back.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Warning – Contains scenes that may cause distress.

Left overs from a mauling.

Beneath Us All Review

Today, we dive back into the world of Vampires, a world of shadows and screams. I have quite liked vampire films in the past because they are this blend of bloody action with profound lore. There are many versions of vampires, and I am interested to see where we will land in today’s film.

So, to set the scene, it is Scandinavia back in 912 AD when a child is ripped apart by a monster that appeared from the woods. The Monster (Yan Birch) was captured, but they could not kill him, so he was buried in a coffin, taken across the seas and then dumped in Vinland. In the modern day, Vinland is now North America and is full of rural Americans. Some of them are Todd (Sean Whalen) and Janelle Gibbs (Maria Olsen), who foster several kids and are not the nicest people in the world. But one day, their foster daughter Julie (Angelina Danielle Cama) is walking in the woods when a perceived noise impacts her head after she touches an amulet, which leads her to something buried in the ground.    

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The G – Movie Review

TL;DR – This is a wonderful character piece that maybe promises a touch more on what it can deliver.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Two men burring a person.

The G Review

In the current cinema landscape, it can be easy to go for style over substance. We can do the flash and bang and also the alakazam, but we linger on the surface. Things only become interesting once you dig a little deeper. Today, we look at a film that completely understands that even if it does not quite stick that landing.  

So, to set the scene, we open with two men digging in the snow, only to find them burying a body. These are people who know how to get their way. Their next victim is Ann Hunter (Dale Dickey), an elderly retiree who cares for nothing but her granddaughter Emma (Romane Denis). She is struggling to cope with the pressures of looking after her ill husband Chip (Greg Ellwand), but her life is upturned when Rivera (Bruce Ramsay) pushes them into a home with a trumped-up court order so they can steal her house. But there is no way she is going to let them do that to her.    

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The Delicate Cycle – Movie Review

TL;DR – It makes the most of its one location to explore the emotions of significant life changes.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A washing machine about to start.

The Delicate Cycle Review

While a short film can be constraining, those limitations can be turned into strengths. You can concentrate things down into their core forms. For example, that transient information that gets passed down from generation to generation. Today, we are looking at a film that is working in that space.  

So, to set the scene, it is just a typical day for Lance (Fred Mancuso) as he gets into the laundromat as early as possible to get his clothes done. Usually, there is no one there, bar maybe Anita (Yassmin Flores), but today there was someone new, a young kid called Adam (Dean Norris Jr.) who is in the process of trying to win at Ms Pacman but also struggling with his emotions.

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Kill – Movie Review

TL;DR – A bloody rampage of action that perfectly uses the medium of a train to tell its story of revenge.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Warning – Contains scenes that may cause distress.

Amrit, bloodied on the floor surrounded by bandits.

Kill Review

There are times when you want to sit down and watch a bloody action romp on screen. Fists throwing, legs kicking, knives slashing, and all that jazz. But what if you could get that and get something a little new that you have never seen before? Well, that is what we are getting today with one of the bloodiest action romps I have seen in an age.

So, to set the scene, Amrit (Lakshya) and Viresh (Abhishek Chauhan) are captains and commandos in the Indian Army. When they return from the field, they find out that Amrit’s love Tulika (Tanya Maniktala) has been betrothed to another. Amrit and Viresh try to rescue her from the engagement party, but there are too many families with assorted weapons. However, the next day, Tulika, her sister Aahna (Adrija Sinha), her father Baldev Singh Thakur (Harsh Chhaya), and the rest of her family are taking an overnight train back to Delhi. So, Amrit and Viresh tag along, hoping for a better chance there. The only problem is that Fani (Raghav Juyal) and his extended family are also on the train, and they are about to rob it.    

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Arena Wars – Movie Review

TL;DR – This is an ambitious film, and while I don’t think it ever reached that ambition, it was fascinating to watch.

Rating: 3 out of 5.

Post-Credit Scene – There is a scene throughout the credits.

Disclosure – I was sent a screener of this film.

The Big F##king City

Arena Wars Review –

Today, we are looking at a difficult film to review because you get pulled in two different directions. On the one hand, as a critic, I need to review what is on the screen, but as a human being, you can also see the potential that could have been.

So, to set the film, it is 2045, and in The Big F##king City, there is only one way that convicted felons can get out: by appearing on Arena Wars, a TV show that everyone watches, well everyone used to watch. The convicts have to fight through seven different rooms with seven violent killers in them to be able to go free. The brand is on life support, and they need to win back the audience that is becoming bored of death. In the Rodimus Federal Prison in the Washington DC City State, Luke Bender (John Wells) is sitting with a 200-year sentence, covering for their superiors who stuffed up. But they need a hero for the arena, and Luke is in the wrong place at the wrong time.     

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Breakwater – Movie Review

TL;DR – There are a lot of elements here that work; the cast is fantastic, and the setting lands. It is just the narrative glue that is meant to hold all that together starts peeling off far too early in the film.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A boat slinks through the sound.

Breakwater Review

Today, we are looking at a film with two halves, a strong cast and setting, but then a narrative that misses the mark. Quite often, you will hear people say that a film really needs only one of the two. Well, today, we will see that feeling put to the test, and I am not sure it will hold up.  

So, to set the scene, it is Dovey’s (Darren Mann) last day at the St. Brides Correctional Facility and his mentor Ray Childress (Dermot Mulroney) gives him a mission. A storm washed an old ship mast up on the beach, and in the photo, Ray spotted his estranged daughter. As Dovey tries to reacclimatise to the world outside, he is haunted by what he had to do to survive. But Ray can’t wait for the year of parole to be up, so Dovey has to choose: not keep a promise or potentially go back to jail because he broke his parole conditions.

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Beverly Hills Cop: Axel F – Movie Review

TL;DR – This is a film that entirely knows what it wants to be and completely nails that delivery. How much you will like that will depend on how you gel with the premise.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Detroit Jacket.

Beverly Hills Cop: Axel F Review

Well, here is a blast of the past, and even in our reboot-obsessed culture, this feels like a deep cut. Well, that is, until you hear the music, and then you 100% understand why. However, it had been 30 years since the last entry, and that is a lot of ground to make up for. There is only so much that synth can do, but let us see if there is a story that can work, given the shifts in the police force since the last outing.

So, to set the scene, Axel Foley (Eddie Murphy) is still a cop who is completely fine with causing mass destruction to capture his crooks in Detroit. However, times have changed; a snowplough is indiscriminate in its chaos, and this is the last time Jeffrey Friedman (Paul Reiser) can cover for him. But when an old friend (Judge Reinhold) lets him know that his estranged daughter Jane’s (Taylour Paige) life has been threatened in Beverly Hills. Axel takes the first flight back to his old stomping grounds, and they discover that they might be more alike than they want. They both know Detective Sam Abbott (Joseph Gordon-Levitt), but Billy is missing, and it might be time to cause some mayhem in Beverly Hills.      

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Hundreds of Beavers – Movie Review

TL;DR – It was a completely wild ride from start to finish. I am not sure I have ever seen a film like this before, and I doubt I will ever again.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Jean Kayak pops out of a hole.

Hundreds of Beavers Review

For the last year, I kept hearing rumblings of this weird Beavers film that everyone needed to see. It is super low budget, weird in every way, yet utterly engaging. It is the sort of film that never gets a theatrical realise in Australia; well, that is, it does not usually get one. I was fundamentally surprised to see this was not the case here, but more than that, I was excited to see just how a film like this could come together, and I am not sure if anything prepared me for this.  

So, to set the scene, deep in the 19th century, Jean Kayak (Ryland Brickson Cole Tews) is an applejack producer, a very alcoholic liquor that everyone near and wide travels to, given how good it is. However, a stray beaver damages the giant kegs storing the Applejack, destroying the store and orchard in the process. Jean has only one option: get even with the beavers. The only problem is that he will have to survive first, which might be easier said than done. It is not like it is a brutally cold winter, and he has nothing to his name but the clothes on his back and the ability to carve interactive sculptures out of wood with his teeth.  

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