Tag Archives: Olga Kurylenko

Thunderbolts* (The New Avengers) – Movie Review

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TL;DR – It is a perfectly fine film, with strong performances and an interesting villain. Unfortunately, it feels like it is constantly being held back from reaching its potential.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

A Humvee gets yeeted into the air.

Thunderbolts* Review –

I think it has been no secret that the MCU has been struggling to find its way in a post-Endgame world. It has had more misses than swings, which has forced a course correction into safety in many places. Thus, Ant-Man loses its charm and Captain America becomes just okay. It is in that space where they announced: what if the MCU did their version of Suicide Squad with a bunch of characters left over from the other films but also make it PG for some reason? It honestly sounds like a poor pitch, but then the first trailer dropped, and all of a sudden, there was a ray of hope. Now we see if that hope was warranted.   

So, to set the scene, Valentina Allegra de Fontaine (Julia Louis-Dreyfus) is the head of the CIA and totally not still working for her own company that is up to so many illegal activities that she is now under impeachment from the US Congress. Knowing she has to clean house, she sends her undercover agents across the world to destroy any evidence of what she was working on. However, then they are the only link between the illegal stuff and her, so what do you do? Oh, maybe you get Yelena Belova (Florence Pugh), John Walker (Wyatt Russell), Taskmaster (Olga Kurylenko) & Ghost (Hannah John-Kamen) to go to the same secluded warehouse, each with the mission to kill the other and then incinerate all the evidence one there are just bodies left … what could go wrong … Oh, and why is Bob (Lewis Pullman) down here?

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Extraction 2 – Movie Review

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TL;DR – It might not stick the landing, but it was a good action romp until then.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Chris Hemsworth stare down in an elevator.

Extraction 2 Review –

When I watched the first Extraction, I found it to be a film that barely had a working narrative, with just enough connective tissue to move from action set piece to action set piece. But each action set piece was strong enough to carry the film to its conclusion. But given the first film went to 100% and stayed there, was there room for them to go any further in the sequel? This is the question I sought to find out when I sat down to watch Extraction 2.  


So to set the scene, Tyler Rake (Chris Hemsworth) is feared dead until he washes ashore on a river in Bangladesh, barely clinging to life. He is medically evacuated to Dubai, where they can save his life, but Tyler is faced with an immense mountain of physical therapy because of his wounds and is unsure if he has the strength to make it through it. In Kojori, Georgia, local underworld figure Zurab’s (Tornike Gogrichiani) brother Davit’s (Tornike Bziava) prison sentence was extended, and Zurab is murdering the local governor kind of upset. Nik Kahn (Golshifteh Farahani) and her brother Yaz Kahn (Adam Bessa) set Tyler up in a cabin on the side of a lake in Gmunden, Austria, to try and give him some drive to recover. When Alcott (Idris Elba) gives him a mission, he has to get his sister-in-law, Davit’s wife Ketevan (Tinatin Dalakishvili), and her children out of the prison that Davit has locked them up in. It is a simple mission. What could go wrong?    

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The Princess – Movie Review

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TL;DR – An interesting concept, strong action and cast, but one that didn’t have the thematic strength to make it to the end.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ service that viewed this film

The Princess sleeps in her bed.

The Princess Review –

One of the types of films that I like is when a filmmaker takes a familiar concept and then flips it on its head. Think like John Wick, who presented a slasher film in a way that we were rooting for the killer. This week, we look at a movie that is doing a similar thing, in taking the idea of a princess trapped in a castle by an evil lord and changing the narrative of a rescuer coming to save her to her slashing her way out of the place.  

So to set the scene, we open in on a picturesque castle by the coast, and as we come closer, we see a woman on an elegant bed. The only thing to cause concern is that the woman, a princess, is in chains and is trapped in her room. As two henchmen come to check on her, she dislocates her thumb and uses her chains as a weapon as she takes the guards down one at a time. The Princess (Joey King) has been forced to marry Julius (Dominic Cooper) against her will. He did not take the rejection well, capturing the castle and imprisoning the royal family. Now The Princess is at the top of the tallest tower, the escape is at the bottom, and there are a lot of enemy soldiers between her and the exit.

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Movie Review – Just a Breath Away/Hold Your Breath (Dans la Brume) (2018)

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TL;DR – A good concept for a disaster film, but it does not quite hit where it needed to hit.     

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Just a Breath Away/Hold Your Breath (Dans la Brume). Image Credit: Mars Distribution.

Review –


Given the state of Australia, where I live at the moment, it has been difficult to turn on the television and not see another disaster unfold. With that in mind, it was interesting timing that saw a film about not being able to breathe outside just as it is happening in real life. Today we dive into a film that does just that, though not in the streets of Australia, but in Paris, France.

So to set the scene, in the not too distant future Mathieu (Romain Duris) lives across the road from his ex-wife Anna (Olga Kurylenko) and their daughter Sarah (Fantine Harduin). While they are no longer together, they work to help raise their daughter who has Stimberger’s Syndrome and is confined to a protective bubble to isolate her and keep her safe. One day Paris is shaken by an earthquake and as Mathieu goes out to investigate he discovers a deadly mist exploding from underground killing all those who breathe it in. Running he is able to get Anna to safety upstairs, but they have to leave Sarah behind in her bubble as the smoke comes pouring in.

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