TL;DR – A fun delight of a film that goes hard thanks to the charisma of Antonio Banderas
Rating: 4 out of 5.
Post-Credit Scene – There is something after the credits, but you do not need to stay for it
Disclosure – I was invited to a screening of this film
Puss in Boots: The Last Wish Review –
When I think back, there will always be a soft spot in my heart for the Shrek series, even the later films that did not quite hit the same mark. The characters and world were always a delight as they took what was familiar and made a modern twist to it. One of those characters that shined was Puss in Boots, and today we see if they hold a whole film together with the sheer force of will that is Antonio Banderas’ charisma.
So to set the scene, Puss in Boots (Antonio Banderas) is galivanting around the world and is having a ball drinking, dualling, and having many musical interludes. In one such town, he usurps a Governor’s mansion and would have gotten away with it had it not been for a forest giant and a misplaced bell. Puss is on his last life, which should not be a problem until the Big Bad Wolf (Wagner Moura) arrives, wanting to take that final life. Running from the threat, Puss becomes an average lap cat which almost works until he hears of a fallen star and a hope that the one final wish could restore his lives. But he is not the only one out for that wish.
TL;DR – While it nails the style, and the cast is giving their all, there is a lack of substance.
Rating: 3 out of 5.
Disclosure – I was invited to a press screening of this film
Warning – Some scenes may cause distress.
Don’t Worry Darling Review –
I am not sure any film has quite had as rough a publicity tour as Don’t Worry Darling for quite a while. It felt that every week there was some new drama going on behind the scenes, real or imagined. While this could have derailed the film for me, I quite liked the first trailer, I enjoyed Olivia Wilde’s first directorial work with Booksmart, and look Florence Pugh, and Chris Pine always give great performances. Which meant I was intrigued to see just how this would all play out.
So to set the scene, we open in The Victory Project, a company town in the middle of the desert where all the women stay home manning the house while their husbands go to a mysterious headquarters working on secret new materials. In a perfect house filled with every modern convenience, Alice Chambers (Florence Pugh) gets breakfast ready for her husband Jack (Harry Styles) and watches with the neighbourhood as all the men leave for work simultaneously. She spends her days cleaning the house, making dinner, rehearsing ballet, and drinking with her best friend and neighbour Bunny (Olivia Wilde). The couple enjoys being young and fun, days drinking with friends, and nights partying with the neighbours. Things are going well for both of them. But as they chat at a party held by the boss Jack Chambers (Chris Pine) and his wife Shelly (Gemma Chan), their former friend Margaret (KiKi Layne) questions everything, and soon it has Alice wondering too.
TL;DR – A charming series, with good action, but more importantly, solid character work and growth.
Rating: 4 out of 5.
Disclosure – I paid for the Disney+ subscription that viewed this show.
Post-Credit Scene – There is a Mid-Credit Scene in the final episode
Hawkeye Review –
Of all the announced Marvel/Disney+ TV series, I would have to say that it landed with a big meh when I heard about Hawkeye. Hawkeye as a character has always been one of the weaker elements of the MCU for me, and I was not sure that a mini-series exploring that was going to do much to change that. Well, I will be the first to admit when I was wrong because more than any other Marvel property, I was instantly sold with that first trailer and what we got, in the end, was frankly some solid superhero fun.
So to set the scene, it is 2012, and a young Kate Bishop (Clara Stack) is listening in on her parents because all is not right with money. But before she has time to process that, her world explodes as the Battle of New York is fought around her. It is here where she first sees Hawkeye (Jeremy Renner), and after the death of her father (Brian James d’Arcy), she convinces her mother (Vera Farmiga) that she needs to learn archery. Today, a now adult Kate (Hailee Steinfeld) is sneaking into Stane Tower for a bet … and accidentally destroys a bell tower in the process. Meanwhile, Clint is out in New York having dinner trying to reconnect with his kids, not realising his past as Ronin was about to explode into his present. Now from here, we will be looking at the season as a whole, so there will be [SPOILERS] ahead.
TL;DR – A film with a great cast, strong banter, engaging action, but the third act does not capitalise on all these.
Rating: 3.5 out of 5.
Post-Credit Scene – There is a post-credit scene
Disclosure – I paid to see this film.
Black Widow Review –
Back when Spider-Man: Far From Home came out in July 2019, I don’t think anyone knew just how long it would be before we got another Marvel film up on the big screen. Well, just over two years later, it is time to dive back into this world by going back to a time just after Civil War.
So to set the scene, we begin our film in the deep dark days of the far past, the 1990s. In Ohio, we are introduced to a completely average family, normal except for the fact that it is entirely manufactured and the father Alexei Shostakov (David Harbour) and mother Melina Vostokoff (Rachel Weisz) are Russian spies. They are here to steal secrets from SHIELD (well, HYDRA pretending to be SHIELD). One emergency flight to Cuba and the family is split up and forced into the Soviet machine. Years later, Black Widow (Scarlett Johansson) is now on the run after Civil War, and it just so happens to be time for a family reunion.
It has been a long time since I have had a good cry in the cinemas, and I don’t mean a good one solitary tear gallantly making its way down the side of my face as the music soars around. No I mean some good old fashioned weeping, the kind that makes you wish you had brought a hankie or at least some tissues as you try to compose yourself after as you thank God that you were not wearing any mascara because there would be no coming back from that. Well, today we look at a film that is all that and more.
So to set the scene, we open in New York City back in 1868 where Josephine “Jo” March (Saoirse Ronan) works as a teacher in a boarding house as she tries to be published as a writer. The publisher Mr Dashwood (Tracy Letts) is interested in her work, but it needed to be more salacious and the female characters must end the book either married or dead. In France, Jo’s sister Amy (Florence Pugh) is enjoying some time painting and finding a husband under the guidance of her Aunt (Meryl Streep) when she spies Theodore “Laurie” Laurence (Timothée Chalamet) a childhood friend of her and her sisters Meg (Emma Watson) and Beth (Eliza Scanlen), as well as the former suiter of Jo, in the gardens of Paris. It is a moment of joy, but there and across the Atlantic, there is a cloud on the horizon because the past is not going to stay in the past.
TL;DR – It is a film that is completely serviceable, with some amazing action, but just comes off feeling lacking in many ways
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
This is a real odd duck of a film, even before it came out there were questions about its runtime and how it was edited together, with reports that over 20 minutes got cut for its final release. Add to this the only other thing it was noticeable for was a certain alleged scene involving Chris Pine and well, that was not a strong platform to release a film on. So, my real concern was – did taking a hatchet to the film trim it down to only its best parts, or did it turn it into a hacked up mess – and the answer is a bit of both. Now just a quick thing, I will let others more versed in Scottish history to comment on whether or not the film is accurate with history or not.