Tag Archives: reviews

Arena Wars – Movie Review

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TL;DR – This is an ambitious film, and while I don’t think it ever reached that ambition, it was fascinating to watch.

Rating: 3 out of 5.

Post-Credit Scene – There is a scene throughout the credits.

Disclosure – I was sent a screener of this film.

The Big F##king City

Arena Wars Review –

Today, we are looking at a difficult film to review because you get pulled in two different directions. On the one hand, as a critic, I need to review what is on the screen, but as a human being, you can also see the potential that could have been.

So, to set the film, it is 2045, and in The Big F##king City, there is only one way that convicted felons can get out: by appearing on Arena Wars, a TV show that everyone watches, well everyone used to watch. The convicts have to fight through seven different rooms with seven violent killers in them to be able to go free. The brand is on life support, and they need to win back the audience that is becoming bored of death. In the Rodimus Federal Prison in the Washington DC City State, Luke Bender (John Wells) is sitting with a 200-year sentence, covering for their superiors who stuffed up. But they need a hero for the arena, and Luke is in the wrong place at the wrong time.     

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Breakwater – Movie Review

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TL;DR – There are a lot of elements here that work; the cast is fantastic, and the setting lands. It is just the narrative glue that is meant to hold all that together starts peeling off far too early in the film.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A boat slinks through the sound.

Breakwater Review –

Today, we are looking at a film with two halves, a strong cast and setting, but then a narrative that misses the mark. Quite often, you will hear people say that a film really needs only one of the two. Well, today, we will see that feeling put to the test, and I am not sure it will hold up.  

So, to set the scene, it is Dovey’s (Darren Mann) last day at the St. Brides Correctional Facility and his mentor Ray Childress (Dermot Mulroney) gives him a mission. A storm washed an old ship mast up on the beach, and in the photo, Ray spotted his estranged daughter. As Dovey tries to reacclimatise to the world outside, he is haunted by what he had to do to survive. But Ray can’t wait for the year of parole to be up, so Dovey has to choose: not keep a promise or potentially go back to jail because he broke his parole conditions.

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The Mountain – Movie Review

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TL;DR – An emotional roller coaster that can have you laughing, crying, and uplifting all in the space of 30 seconds.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Mount Taranaki in poster form.

The Mountain Review –

After a long and challenging week, I thought I would stop in at the movies on the way home from work on a Friday afternoon. I had a number of options, but then I noticed what looked like a fun kids flick out of New Zealand and thought that would be the perfect way to round out the week. I mean, it was, but it was also emotionally devastating on multiple occasions. While also being a delight at every turn. Well, let’s dive in and unpack Rachael House’s directing debut.

So, to set the scene, we open in a hospital as Sam (Elizabeth Atkinson) prepares a sneaky escape with the help of her friend Peachy (Sukena Shah). There is one thing that she wants to do in her life, and that is climb Mount Taranaki. On her way, she runs into Mallory Potts (Reuben Francis), a boy who has just moved to the area with their father Hugh (Bryan Coll), and Bronco (Terence Daniel), who is struggling with relating with his father Tux (Troy Kingi). Together, they decide to climb the mountain, no matter the obstacles in their way.

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Kalki 2898 AD – Movie Review

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TL;DR – This is a film that had moments of dire boredom but also had me sitting on the edge of my chair. I wish we got more of the latter than the first.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film

The Complex hovering over everyone.

Kalki 2898 AD Review –

Back when RRR came out two years ago, I realised that I needed to watch more Telugu Language films, and I have been found wanting on that front. Well, if I am going to dive back in, a substantial mythological/Science Fiction romp is 100% right up my alley. Today, we are going to come into this movie with a slight outsider perspective with all its strengths and weaknesses.

So to set the scene, back in the ages past, in 3102 BC, two groups, the Kauravas and the Pandavas, fought for the throne. But when Ashwathamma (Amitabh Bachchan) attempts to kill an innocent, lord Krishna (Krishnakumar/ Arjun Das) curses him to walk the world as an immortal, being never able to die until Vishnu’s last avatar returns. Thousands of years later, in 2892 AD, the world was scorched, and the only city left was Kasi, which lived under the shadow of The Complex, a vast megastructure in the sky. It is a brutal world where everyone is trying to make enough units to get into The Complex while they act with impunity, killing anyone and stealing all the women able to bear children. Bhairava (Prabhas) is a bounty hunter in this world, but when he captures a fleeing Luke (Harshith Malgireddy), little does he know the new trajectory his life will now be on and the dangers he might have incited.

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Trigger Warning – Movie Review

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TL;DR – When things click into place, this can be quite an entertaining film. Unfortunately, a lot of the connective tissue is full of awkwardness that holds it back.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Parker mourns her father.

Trigger Warning Review –

Okay, so I am going to be upfront with you right from the start. The reason I sat down to watch this film is because it has been an age since I have seen Jessica Alba in anything. She was one of those tent pole stars when I was growing up, and I am always here for a new renaissance.   

So to set the scene, we open in the Bādiyat al-Shām Desert, Syria, as two pickup trucks with machine guns chase down an aid vehicle that clearly is not delivering aid. Instead, it is driven by spec-ops operative Parker (Jessica Alba), who is very handy with a knife. But when an apparent cave-in kills her father at the mine he works in, Parker travels all the way home to deep rural America to find out what really happened. However, one look shows that the cave-in might be a very convenient conclusion.   

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Delia’s Gone – Movie Review

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TL;DR – It just felt like there was a big struggle to take this short story and adapt it to the big screen. The cast and location help, but they can only go so far.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

Rural setting.

Delia’s Gone Review –

Today, we are looking at a film that is full of potential, but it doesn’t quite come together. Which I do feel bad about saying this because you can feel everyone trying to grab onto something here, but it just doesn’t quite work.

So to set the scene, Louis (Stephan James) lives with a brain trauma that presents as someone living on the autistic spectrum. He lives with his sister Delia (Genelle Williams) and has a set routine in his life, including going to bed at 9:30. One day, after getting black-out drunk after some bad news, he wakes to find the room trashed, Delia dead in his house, and blood on his hands. He had hurt Delia the day before and assumed that the drink had made him violent and pled guilty to manslaughter at trial. Seven years later, while living in a home, Louis gets a visit from his hometown, a man named Stacker Cole (Travis Fimmel), who might have been the last one to see Delia at The Roadhouse and lets him know what happened to Delia might not have been his fault.  

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Kingdom of the Planet of the Apes – Movie Review

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TL;DR – While you can feel some tension in the script at times, this is still a solid entry into the franchise with characters you care about and a world you want to explore.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Noa rides through the ruins of the old world.

Kingdom of the Planet of the Apes Review –

Without a doubt, I have loved the Planet of the Apes reboot films. Rise of the Planet of the Apes was a great foundation, and Dawn of the Planet of the Apes was this sad meditation on the legacy of trauma, all before ending the trilogy with this grand biblical epic of War of the Planet of the Apes that hit the big 5 out of 5 stars. So, there was a bit of hesitance to come back to this world after such a long time and a new creative team, but thankfully, I had nothing to worry about.

So to set the scene, we open with the final funeral of Caeser, a leader who brought his people out of danger and into a new promised land but was unable to enter himself. Led by Maurice (Karin Konoval), it is a solemn event, but it is the start of something, and you see that in the world several generations later. It is here where Noa (Owen Teague) and his friends Soona (Lydia Peckham) and Anaya (Travis Jeffery) climb up through the ruins of the old world to find eagle eggs. They are a village of eagle trainers, and Noa’s dad, Koro (Neil Sandilands), is the leader who sings to the new eggs. However, when Noa sees an Echo (human), little does he know the carnage that is following in their wake and how his world is about to change forever.

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Dawn of the Planet of the Apes (2014) Review – Exploring the Past

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TL;DR – It is a profoundly emotional work that builds on the first film in nearly every way.   

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Disney+ service that viewed this film.

Caesar in war paint.

Dawn of the Planet of the Apes Review –

It has been ten years since this movie first came out, and I was taken aback by just how good visual effects had grown, even by the high standards that the Lord of the Rings brought us. But with Kingdom of the Planet of the Apes coming out this week, I wanted to take a moment to go back in time and see how well this second entry before War of the Planet of the Apes holds up.

So to set the scene, it has been ten years since the Simian Flu pandemic spread across the globe with a survival rate of only 1 in 500, as was seen at the end of Rise of the Planet of the Apes. As human society completely collapsed, the ape colony founded by Caesar (Andy Serkis) began to thrive in the growing woods outside of what was once San Francisco. It has been two years since they even saw a human, which made that first sound of a gun going off echo throughout the colony. One of the few human settlements left on the Earth has set up shop in the ruins of San Francisco. Caesar does not acquiesce to the drum beats of war but gives the humans an ultimatum: stay away from their area. Peace has a chance, just as long as no one on either side decides to fall on the animosity of the past.     

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Corner Office – Movie Review

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TL;DR – It has its moments, and it very much lands its vibe, but there is an intensity that loses its impact halfway through.

Rating: 3 out of 5.
The brutalist concrete building they work in.

Corner Office Review –

Today we are looking at a film that I can’t quite place into the world of genre’s it is not quite a comedy, or a drama, or even a mystery. It has elements of all of those, but not enough to categories it. The only thing I can say is that it is a film about facial hair, and how there is probably a reason those styles are not popular anymore.

So to set the scene, we open in a car park covered in a layer of snow as the wind howls around. Orson (Jon Hamm) is arriving for their first day at work at The Authority Inc. in a large brutalist building. He is trying to stand out in the office, which is full of quirky characters, including his tablemate Rakesh (Danny Pudi). One day, while trying to find where they hid the printer paper, he stumbled across a room Orson had never seen before: a beautiful corner office. The room calls to him, like a forbidden lover, a place worthy of who he thinks he is, even if that does not match reality. The only problem is that no one else acknowledges that the room even exists.  

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The Stolen Valley (Alta Valley) – Movie Review

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TL;DR – While it starts strong, it unfortunately runs out of gas after the first act as the storyline becomes convoluted.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

The Utah Countryside.

The Stolen Valley Review –

Today, we are looking at a film that is wearing its influences on its sleeves. That is not a bad thing. In fact, just last week, we watched Monkey Man do just that, and it was grand. But there is danger in this approach because if people are constantly thinking about other movies and not your own work, well, something has gone badly wrong. Today, we look at where The Stolen Valley lands on this spectrum. 

So to set the scene, Lupe (Briza Covarrubias) struggles to find her place in the world. Trying to connect with her mother, Lizette (Paulette Lamori), learn her native language, Diné, or just get ahead in a world where everyone is taking from her. But when her mother becomes sick, and there are only experimental and expensive options left, Lupe is forced to find her father, who she thought was dead. But a run-in with Maddy (Allee Sutton Hethcoat) after she just crossed local crime lord Antonio (Ricardo Herranz) leads to a dangerous gun-filled chase.

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