Tag Archives: Science Fiction

A Girl and an Astronaut (Dziewczyna i Kosmonauta): Season 1 – TV Review

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TL;DR – This is a fascinating romantic science fiction romp. I wish had spent a little less time on the love triangle and a bit more on worldbuilding.

Rating: 3 out of 5.

Disclosure – I paid for the Netflix service that viewed this film.

A fighter jet releases flares.

A Girl and an Astronaut Review –

One thing about the Science Fiction genre that I love is just how flexible it can be. It has the facility for anyone to tell a story, which is why I love seeing how different countries and film traditions tackle sci-fi concepts. It can also be a gateway for me to cinematic worlds I have never visited before. With that in mind, today we take our first look into Polish television and a story about a long-lost love.

So to set the scene, in 2052, a space capsule appears in Earth orbit, with the astronaut Captain Nikodem Borowski (Jędrzej Hycnar) waking up from hibernation. What is odd is that the space orbiter Niko-One vanished mysteriously 30 years ago, and the company running it SkyCom, said it was lost. The whole world is waiting to see what comes of the orbiter, now it is reentering the Earth’s atmosphere, but for Marta (Magdalena Cielecka), it is more than that. It is the return of a love lost to time and space. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.

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Star Trek: Picard – The Next Generation – TV Review

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TL;DR – A beautiful start to the final season.

Rating: 4.5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

Commander Seven of Nine

Star Trek: Picard Review –

I have enjoyed the first two seasons of Star Trek Picard, even though they have been very uneven. But I did have some hesitations coming into Season 3 because it felt like the show was dumping most of its supporting cast to give The Next Generation crew one last run. Was this nostalgia going to be a lovely swan song for the final season or an anchor to drag it all down? Well, this first episode makes it feel like it is not the latter.

So to set the scene, we open in the 25th Century as we zoom through a nebula to the SS Eleos XII, where Captain Beverly Crusher (Gates McFadden) is under attack from unknown assailants. After dispatching them but gravely wounded, Beverly sends an encoded message to Jean-Luc Picard (Patrick Stewart), a man she has not spoken to in 20 years. Jean-Luc needs to go help his old friend, but how else are you going to do that by bringing in some help from old friends in the form of Captain Will Riker (Jonathan Frakes). Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show.

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The Wandering Earth II (The Wandering Earth 2/流浪地球2) – Movie Review

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TL;DR – While frustratingly slow to build, I must say that it captured me in the end.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to see this film.

MOSS

The Wandering Earth II Review –

Back in 2019, this fascinating film slipped onto the scene and fascinated me. The Wandering Earth was one of the most unique scenarios I have ever seen put to film, and a movie with some of the most frustrating characters put to screen. It was this juxtaposition that both delighted and annoyed me. However, we now have a second bite at the pie, and it is time to see if they have learned from the issues of the last film.

So to set the scene, tragedy is brewing on Earth as it is clear that the Sun has prematurely entered its final phase and will soon expand to engulf the planet in the next 100 years. The United Earth Government was formed to find a solution with some form of Digital Life and The Moving Mountain Project being proposed. Time is of the essence as the globe slowly descends into chaos. In Libreville, Gabon, a test engine and space elevator is the first step towards The Moving Mountain Project, but this means it is at a critical phase, and if you could disrupt it at the source, then the whole thing could come crumbling down.

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Jung_E (정이) – Movie Review

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TL;DR – It sets up an interesting conundrum about a world of combat AIs and then revels the story.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

Many Jung_E's in a row.

Jung_E Review –

We are thankfully back at the point where there are multiple new films every week. While this is great, it leads to the problem of trying to find which one of the many you take the time to watch? Well, when you hear that the creator behind Train to Busan has a new film out, that choice becomes quite easy.

So to set the scene, it is the far future of 2194, where humanity has wrecked the planet, and after climate change leads to drastic sea level rises, most humans escape to shelters built near the Luna orbit. With those left on Earth working in the factories. But this respite would not last as some banded together to create the Adrian Republic waging a decades-long war against The Allied Force. Everyone is trying to find a way to win the battle before humanity is wiped out, and for Yoon Seo-hyun (Kang Soo-youn), that weapon is the cloned android of a great leader of the past Jung_E (Kim Hyun-joo), or as she knows her as, mum.

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The Last of Us – When You’re Lost in the Darkness – TV Review

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TL;DR – A faithful and tense introduction to the series.

Rating: 4.5 out of 5.

Disclosure – I paid for the Binge service that viewed this show.

The Last of Us Review –

I came into this week’s The Last of Us with some trepidation. On the one hand, the series, especially the second game, holds a special place in my heart as it was the streaming event that sucked me into this world. However, since then, many shows have come into this post-apocalyptic space, and some, like Station Eleven, have been transcendent. My question is, has The Last of Us missed the bus, or is it the perfect time to jump back into this world?   

So to set the scene, it is September 26th, 2003, in Austin, Texas, and there is a sense of strange calm as Joel (Pedro Pascal), and his daughter Sarah (Nico Parker) celebrate his birthday as the news reports something weird happening in Jakarta. Joel and his brother Tommy (Gabriel Luna) have to work a double shift to get the house they are working on fixed. While Sarah is out getting her father’s watch mended, police start tearing up the streets. Hours later, things move from bad to worse as the city implodes, and Joel desperately tries to get his family to safety. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show and Schindler’s List.    

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M3GAN – Movie Review

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TL;DR – A weirdly wonderful film, full of camp and tension.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

M3GAN in a pile of soft toys.

M3GAN Review –

Artificial life discovering sentience is one of those thematic moments that can land you on the whole spectrum of cinema. It can be thought-provoking life After Yang, menacing like 2001: A Space Odyssey, or could flip about in between, such as Lost in Space. Today we look at a film that skews more towards the menacing, where we see that Asimov might have been on to something.

So to set the scene, Cady (Violet McGraw) is travelling with her family when tragedy strikes, and she is left alone to go live with her aunt Gemma (Allison Williams). Her aunt is not ready to be a parent, and both struggle to bond until Gemma shows Cady what she is working on. A new toy and AI robot girl called M3GAN (Amie Donald/Jenna Davis) that pairs and bonds with her primary user. Everything is going well until one day, when they have a conversation about death.

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After Yang – Movie Review

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TL;DR – There is a beautiful sadness to After Yang as you connect with the characters on the screen while also becoming introspective of your own life.   

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to watch this film.

Yang's memories.

After Yang Review –

At the start of the year, one of my colleagues recommended that I should check out After Yang, and well as is clearly apparent, I have been quite tardy on that request. But a promise is a promise, and also, a soft-science fiction film exploring the nature of sentience in a shifting world should be 100% my jam, so it is silly that I missed it up until now.  

So to set the scene, we open with a family in a green field trying to take a photo together. While things look fine on the surface, with father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith), and kids Mika (Malea Emma Tjandrawidjaja) and Yang (Justin H. Min) coming together to join in on a family dance-off contest. But Yang is an android built by the company Brothers and Sisters bought to help connect Mika with her Chinese culture. However, something has gone wrong with Yang’s central core, and he has shut down, and now Jake and Kyra have the difficult job of finding out what to do next.

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Avatar: The Way of Water – Movie Review

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TL;DR –  A visual masterpiece and powerful themes mark a solid return to Pandora   

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to watch this film

Swimming with the Tulkun

Avatar: The Way of Water Review –

Back in 2009, I might not have gotten all the themes Cameron was dropping, but I felt the power of narrative and the world of the first Avatar. However, I will be honest in that I have not really thought much of the film much since then. Every couple of years, there were mentions of going back into the universe, but they never eventuated. Well, I was surprised as everyone when this finally started coming together 13 years later, but then I re-watched the first Avatar in the cinemas and was reminded how good this world was. That screening primed me to return to Pandora, and I am glad I did.

So to set the scene, in the years since pushing the sky people back into orbit and skulking back to Earth, Jake Sully (Sam Worthington) and Neytiri (Zoe Saldaña) have started a family and live with the rest of the Na’vi people in the forests. But after many years of peace, the sky people return and begin a literal scorched earth policy. Jake fights back, but when his kids Neteyam (Jamie Flatters), Kiri (Sigourney Weaver), Spider (Jack Champion), Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss) are put in the line of fire as the family is directly targeted, they decide to leave to limit reprisals. However, no matter how far you run, your responsibilities or a genetically resurrected hellspawn that will try to hunt you down.

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Andor (Star Wars: Andor): Season 1 – TV Review

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TL;DR – Some of the best Star Wars I have seen since the original trilogy.  

Rating: 4.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

Post-Credit Scene – There is a Post-Credit scene at the end of Rix Road.

A star destroyer a[[ears over the skies of Aldhani

Andor Review –

When I heard that they would do a prequel to Rogue One, which was already a prequel to the Original Trilogy, I was concerned. Add to that, it was going to be based on Andor, a character I wouldn’t say I liked all that much in Rogue One, and concern moved to real hesitancy. However, when I sat down to watch the first episode, Kassa, I knew instantly how wrong I was and what a ride it was.  

So to set the scene, on a dark and rainy night, we see Cassian Andor (Diego Luna) make his way across a boardwalk to the glittering city Morlana One, part of the Preox-Morlana Corporate Zone in the Morlani system. He is going to the ‘leisure district’ to find out any information about his missing sister when two local security forces or Corpos accost him. Taking his leave, Andor returns to his ship when the two Corpos accost him again, not willing to leave him alone. But this time, there are lethal consequences. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.   

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1899: Season 1 – TV Review

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TL;DR – A dark and compelling tale full of mystery and ‘wait… what?!?!’ moments.

Rating: 4 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

Warning – Contains scenes that may cause distress.

The Kerberos

1899 Review –

One of the shows recommended to me is Dark, and I have always meant to give it a look, but finding time to watch three seasons has been elusive. However, when I heard that the creators of Dark had a new series that hit all the same feels, well, it was time to give it a watch. Also, for some reason, Netflix defaults to the English dub of this series. Please, before you watch, make sure you change the language from English – Dubbed to English – Original.

So to set the scene, it is 1899, and in the middle of the Atlantic Ocean is the Kerberos, a large steamship taking passengers to New York City. The ship itself is light on with passengers because the Kerberos’ sister ship Prometheus disappeared on the same route a month ago with no trace. One night as all the first class passengers are eating their dinner, a young boy Krester (Lucas Lynggaard Tønnesen), bursts into the dining hall saying they need help because his pregnant sister Tove (Clara Rosager) is going into shock. No one will help but Maura Franklin (Emily Beecham), who rushes to assist, even though the dreams of her being locked up and tortured in a psychiatric institution bare heavily upon her. Captain Eyk Larsen (Andreas Pietschmann) is annoyed that Maura broke the rules, but that is all put aside when the ship has a sudden communication from the Prometheus, which might not be at the bottom of the ocean as most people thought. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead. 

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