Tag Archives: Science Fiction

The Mandalorian: Chapter 17 (The Apostate) – TV Review

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TL;DR – A bit of a disjointed episode, but still with the flashes of joy that this series has nailed.  

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this show.

Grogu.

The Mandalorian Review –

Well, when we last left you in Chapter 16 (The Rescue), we were at a high point for the series, where they made a significant creative decision that would have ramifications throughout any future show. Or at least, that is what we thought at the time, and then The Book of Boba Fett sort of became The Mandalorian season 2.5 and then backslid on all that growth. For the first time I can remember, I started this week with more than a bit of trepidation, which was not completely gone when the end credits rolled.

So to set the scene, after The Mandalorian (Pedro Pascal) found the Jedi and completed his quest of returning Grogu to his people, he found himself at a loss as to what to do. But in The Book of Boba Fett: Chapter 5 (Return of The Mandalorian), he found The Armourer (Emily Swallow) and discovered a new calling, one of redemption. Because he once removed his helmet, he is now an exile from his people. The fact that it was for a noble reason was not good enough to break his sacred oath. Now he needs to bathe in the waters under the mines of Mandalore. The only problem is that The Empire glassed the planet altogether, leaving it poisoned … or maybe not. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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Star Trek: Picard: Disengage – TV Review

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TL;DR – This episode was full of electric moments that I could not look away from.

Rating: 5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

The Shrike comes out from the nebular.

Star Trek: Picard Review –

There are many things I look for in an episode of Science Fiction. Sometimes I am in the mood for an action scene, sometimes, it is a character marching into an entire soliloquy captivating the screen, and sometimes I just want to be shocked by what just happened. Well, today, we get an episode of Star Trek that does all this and more.   

So to set the scene, in The Next Generation, Picard (Patrick Stewart) is almost on his way off-world to spend some time with his love when he gets a message from Beverly Crusher (Gates McFadden) and old friend, an old flame, and someone who he has not talked to in 20 years. But she was in trouble, and with the help of Riker (Jonathan Frakes) and Seven (Jeri Ryan) [and no thanks to Captain Shaw (Todd Stashwick)], they went past the edges of Federation space to mount a rescue. But when they got there, they found a couple of surprises, including Beverly’s son Jack (Ed Speleers), but also that they might have led the person hunting Beverly right to her. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show.    

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A Girl and an Astronaut (Dziewczyna i Kosmonauta): Season 1 – TV Review

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TL;DR – This is a fascinating romantic science fiction romp. I wish had spent a little less time on the love triangle and a bit more on worldbuilding.

Rating: 3 out of 5.

Disclosure – I paid for the Netflix service that viewed this film.

A fighter jet releases flares.

A Girl and an Astronaut Review –

One thing about the Science Fiction genre that I love is just how flexible it can be. It has the facility for anyone to tell a story, which is why I love seeing how different countries and film traditions tackle sci-fi concepts. It can also be a gateway for me to cinematic worlds I have never visited before. With that in mind, today we take our first look into Polish television and a story about a long-lost love.

So to set the scene, in 2052, a space capsule appears in Earth orbit, with the astronaut Captain Nikodem Borowski (Jędrzej Hycnar) waking up from hibernation. What is odd is that the space orbiter Niko-One vanished mysteriously 30 years ago, and the company running it SkyCom, said it was lost. The whole world is waiting to see what comes of the orbiter, now it is reentering the Earth’s atmosphere, but for Marta (Magdalena Cielecka), it is more than that. It is the return of a love lost to time and space. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.

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Star Trek: Picard – The Next Generation – TV Review

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TL;DR – A beautiful start to the final season.

Rating: 4.5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

Commander Seven of Nine

Star Trek: Picard Review –

I have enjoyed the first two seasons of Star Trek Picard, even though they have been very uneven. But I did have some hesitations coming into Season 3 because it felt like the show was dumping most of its supporting cast to give The Next Generation crew one last run. Was this nostalgia going to be a lovely swan song for the final season or an anchor to drag it all down? Well, this first episode makes it feel like it is not the latter.

So to set the scene, we open in the 25th Century as we zoom through a nebula to the SS Eleos XII, where Captain Beverly Crusher (Gates McFadden) is under attack from unknown assailants. After dispatching them but gravely wounded, Beverly sends an encoded message to Jean-Luc Picard (Patrick Stewart), a man she has not spoken to in 20 years. Jean-Luc needs to go help his old friend, but how else are you going to do that by bringing in some help from old friends in the form of Captain Will Riker (Jonathan Frakes). Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show.

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The Wandering Earth II (The Wandering Earth 2/流浪地球2) – Movie Review

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TL;DR – While frustratingly slow to build, I must say that it captured me in the end.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to see this film.

MOSS

The Wandering Earth II Review –

Back in 2019, this fascinating film slipped onto the scene and fascinated me. The Wandering Earth was one of the most unique scenarios I have ever seen put to film, and a movie with some of the most frustrating characters put to screen. It was this juxtaposition that both delighted and annoyed me. However, we now have a second bite at the pie, and it is time to see if they have learned from the issues of the last film.

So to set the scene, tragedy is brewing on Earth as it is clear that the Sun has prematurely entered its final phase and will soon expand to engulf the planet in the next 100 years. The United Earth Government was formed to find a solution with some form of Digital Life and The Moving Mountain Project being proposed. Time is of the essence as the globe slowly descends into chaos. In Libreville, Gabon, a test engine and space elevator is the first step towards The Moving Mountain Project, but this means it is at a critical phase, and if you could disrupt it at the source, then the whole thing could come crumbling down.

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Jung_E (정이) – Movie Review

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TL;DR – It sets up an interesting conundrum about a world of combat AIs and then revels the story.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

Many Jung_E's in a row.

Jung_E Review –

We are thankfully back at the point where there are multiple new films every week. While this is great, it leads to the problem of trying to find which one of the many you take the time to watch? Well, when you hear that the creator behind Train to Busan has a new film out, that choice becomes quite easy.

So to set the scene, it is the far future of 2194, where humanity has wrecked the planet, and after climate change leads to drastic sea level rises, most humans escape to shelters built near the Luna orbit. With those left on Earth working in the factories. But this respite would not last as some banded together to create the Adrian Republic waging a decades-long war against The Allied Force. Everyone is trying to find a way to win the battle before humanity is wiped out, and for Yoon Seo-hyun (Kang Soo-youn), that weapon is the cloned android of a great leader of the past Jung_E (Kim Hyun-joo), or as she knows her as, mum.

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The Last of Us – When You’re Lost in the Darkness – TV Review

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TL;DR – A faithful and tense introduction to the series.

Rating: 4.5 out of 5.

Disclosure – I paid for the Binge service that viewed this show.

The Last of Us Review –

I came into this week’s The Last of Us with some trepidation. On the one hand, the series, especially the second game, holds a special place in my heart as it was the streaming event that sucked me into this world. However, since then, many shows have come into this post-apocalyptic space, and some, like Station Eleven, have been transcendent. My question is, has The Last of Us missed the bus, or is it the perfect time to jump back into this world?   

So to set the scene, it is September 26th, 2003, in Austin, Texas, and there is a sense of strange calm as Joel (Pedro Pascal), and his daughter Sarah (Nico Parker) celebrate his birthday as the news reports something weird happening in Jakarta. Joel and his brother Tommy (Gabriel Luna) have to work a double shift to get the house they are working on fixed. While Sarah is out getting her father’s watch mended, police start tearing up the streets. Hours later, things move from bad to worse as the city implodes, and Joel desperately tries to get his family to safety. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show and Schindler’s List.    

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M3GAN – Movie Review

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TL;DR – A weirdly wonderful film, full of camp and tension.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

M3GAN in a pile of soft toys.

M3GAN Review –

Artificial life discovering sentience is one of those thematic moments that can land you on the whole spectrum of cinema. It can be thought-provoking life After Yang, menacing like 2001: A Space Odyssey, or could flip about in between, such as Lost in Space. Today we look at a film that skews more towards the menacing, where we see that Asimov might have been on to something.

So to set the scene, Cady (Violet McGraw) is travelling with her family when tragedy strikes, and she is left alone to go live with her aunt Gemma (Allison Williams). Her aunt is not ready to be a parent, and both struggle to bond until Gemma shows Cady what she is working on. A new toy and AI robot girl called M3GAN (Amie Donald/Jenna Davis) that pairs and bonds with her primary user. Everything is going well until one day, when they have a conversation about death.

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After Yang – Movie Review

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TL;DR – There is a beautiful sadness to After Yang as you connect with the characters on the screen while also becoming introspective of your own life.   

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to watch this film.

Yang's memories.

After Yang Review –

At the start of the year, one of my colleagues recommended that I should check out After Yang, and well as is clearly apparent, I have been quite tardy on that request. But a promise is a promise, and also, a soft-science fiction film exploring the nature of sentience in a shifting world should be 100% my jam, so it is silly that I missed it up until now.  

So to set the scene, we open with a family in a green field trying to take a photo together. While things look fine on the surface, with father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith), and kids Mika (Malea Emma Tjandrawidjaja) and Yang (Justin H. Min) coming together to join in on a family dance-off contest. But Yang is an android built by the company Brothers and Sisters bought to help connect Mika with her Chinese culture. However, something has gone wrong with Yang’s central core, and he has shut down, and now Jake and Kyra have the difficult job of finding out what to do next.

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Avatar: The Way of Water – Movie Review

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TL;DR –  A visual masterpiece and powerful themes mark a solid return to Pandora   

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to watch this film

Swimming with the Tulkun

Avatar: The Way of Water Review –

Back in 2009, I might not have gotten all the themes Cameron was dropping, but I felt the power of narrative and the world of the first Avatar. However, I will be honest in that I have not really thought much of the film much since then. Every couple of years, there were mentions of going back into the universe, but they never eventuated. Well, I was surprised as everyone when this finally started coming together 13 years later, but then I re-watched the first Avatar in the cinemas and was reminded how good this world was. That screening primed me to return to Pandora, and I am glad I did.

So to set the scene, in the years since pushing the sky people back into orbit and skulking back to Earth, Jake Sully (Sam Worthington) and Neytiri (Zoe Saldaña) have started a family and live with the rest of the Na’vi people in the forests. But after many years of peace, the sky people return and begin a literal scorched earth policy. Jake fights back, but when his kids Neteyam (Jamie Flatters), Kiri (Sigourney Weaver), Spider (Jack Champion), Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss) are put in the line of fire as the family is directly targeted, they decide to leave to limit reprisals. However, no matter how far you run, your responsibilities or a genetically resurrected hellspawn that will try to hunt you down.

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