The Northman – Movie Review

TL;DR – The Northman is unrelenting, uncomfortable, unyielding, and uncompromising

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Bjork as a witch in a wheat headdress

The Northman Review

When I heard that Robert Eggers was making a new film, I was interested because his last work, The Lighthouse, well, it was ‘a lot’, but it was also fascinating from start to finish. Then I heard it would be a Norse epic tale of revenge and carnage. Well, I was intrigued. But when I heard that early reviews were calling it ‘impenetrably Norse’, I had to check it out because that is my jam.

So to set the scene, in 985AD, on the Atlantic coast, young Prince Amleth (Oscar Novak) looks out into the sea and sees that his father, King Aurvandill War-Raven (Ethan Hawke), has returned from his raids. With his Mother, Queen Gudrún (Nicole Kidman), he greets his father and discovers that he was wounded in the last battle. After Aurvandill’s brother Fjölnir (Claes Bang) arrives, Gudrún counsels her husband that Amleth needs to start the process of becoming a man. Aurvandill takes Amleth to the Heimir (Willem Dafoe), the fool and seer, to have a vision. But as they leave the temple, Aurvandill is ambushed and murdered, and as Amleth runs, he sees that the murderer is his uncle Fjölnir. Many years later, in the Lands of the Rus, Amleth (Alexander Skarsgård) is a berserker taking out villages when he is reminded of his duty to avenge his father’s murder.

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Movie Review – Destroyer

TL;DR – This is a film that holds its cards very close to its chest but that makes the slow burn that much better   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Destroyer. Image Credit: Madman.

Review

Okay … wow, this is a difficult film to parse because its structure and tone jump all over the place and it is a film guards its biggest conceit at all times. This also makes it a difficult film to review because there are vignettes throughout that I really like and really didn’t and it is hard to conceptualise that without immediately running into spoilers. However, that is what we will attempt to do.

So to set the scene, we open on Erin Bell (Nicole Kidman) a detective in the LAPD who has clearly had a tough life, and is clearly worse for wear after a long night of drinking. She is arriving at a murder scene of a John Doe that had been shot multiple times. The police on site were not happy to see Erin, and even less so when she implies she knows who did it because she recognises the tattoo on the back of his neck and the money covered in die spread around the body as a warning. All of this is confirmed when we next see Erin at her office and she gets a letter with one of the dyed bills revealing a past that haunts her to this day.

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Movie Review – Aquaman

TL;DR – Bombastic, silly, overly long, but still by far some of the best fun DC has made so far.    

 Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Aquaman. Image Credit: Warner Bothers.

Review

To say that the DC Expanded Universe has had a rough launch up to this point would be a bit of an understatement. Indeed, of all the past films, only Wonder Woman (see review) felt like a coherent film in any great sense. So, more than ever, the first film after Justice League had to hit the ground running, even more so after background conversations that the expanded universe was losing a lot of its big-name talent. Now while Aquaman is not a perfect film, it is a film with a lot of style, and more than most of the films that have come before it was just fun.

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Movie Review – Boy Erased

TL;DR – This is at times a very difficult film to watch, but it is an important film because abuse is abuse and that is what this is.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Boy Erased. Image Credit: Focus Features

Review

There are many reasons you can make a film, okay well other than making a profit, it is a business after all. It can be to entertain, it can be to inform, it can be to titillate, it could be to scare, or even to keep the kids entertained for 90 minutes so the parents can clean the house. However, sometimes a film exists to shine a light on a subject people might not know about, but they should. Today with Boy Erased we are looking a just such a film as explores the Pray the Gay Away industry in the United States and the dangerous harm it does to people.

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Movie Review – The Killing of a Sacred Deer

TL;DR – No matter how well it is filmed or acted, I can’t recommend it on the story alone which is a deeply disturbing slog with no real redeemable features.

Score – 1.5 out of 5 stars

The Killing of a Sacrificial Deer. Image Credit: 20th Century Fox.

Review

Oh boy, is this is a tough film to review, and I am going to be honest right from the start that I’ll be quite negative towards the film because of its subject material. Now you might agree with this or not, but for me personally, I found this film to be deeply disturbing and frankly I completely understand why people walked out of my showing. Just a warning that there will be major spoilers in this review.

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Movie Review – Lion

TL;DR – A beautiful story of loss, exploitation, grief, and trying to find out what home means, in the absence of any real information of where it could be.

Score – 4.5 out of 5 stars

Lion. Image Credit: Transmission Films.

Review

It might be one of those universal experiences, you’re walking through a shopping centre, theme park, city street, etc. with your parents and then you look up and realise you don’t know where they are. That feeling of being lost as a real and palpable fear and thankfully for most of us it short lived. However, this is not the case for Saroo, indeed for Saroo it was not a momentary fear, for him it was a life changing event. Lion tells the story of Saroo Brierley (Sunny Pawar & Dev Patel) who one day after working in rural India with his brother Guddu (Abhishek Bharate), joins him on a train ride to a nearby settlement so Guddu can find some night work for them to help their mother Kamla (Priyanka Bose) who works as a labourer to make ends meet. Then Saroo ends up getting stuck on a train which is not going to the next station, but instead travelling 1500km to Calcutta, a place where no one speaks the same language, and as you are five years old as far as you know your mum’s name is ‘mum’. This is a heartbreaking tale of loss, exploitation, and the struggle to find what home means. Now due to the nature of the film, its structure and the very nature that it is based off a true story it becomes quite hard to talk about aspects of the film without discussing the second half of the film. So for this reason from here on into the end, a SPOILER warning is now in place.

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