Tag Archives: Vampiers

Vampire Zombies…from Space! – Movie Review

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TL;DR – A delightful parody of 1950s pulp fiction that is unfortunately a bit too long in the tooth.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Vampire Zombies…from Space!

Vampire Zombies From Space Review Introduction –

There are many ways a film can entice you to watch it. In the past, it was through who they cast as their leads, but that seems to be decreasingly crucial as the 21st century progresses. It could be the genre or the premise, or a multitude of things. Or maybe, the title of the film is so absolutely bonkers that you feel almost required to see just what they will do. Today, we are looking at Vampire Zombies From Space, and I think you know what category I would put that under.

So, to set the scene, one night a long time ago in the time of black and white, a dog ran into a tobacco field, and the family followed only to be confirmed by the impossible: a vampire and their flying saucer. While the mother was murdered in a wave of blood, a crucifix saved the rest of the family from certain doom. Ten years later, in a slightly more up-to-date-yet-still-black-and-white time, the family is a pariah in town. Little did they know that they would be the ground zero for something even more terrifying … zombies, sent by Dracula (Craig Gloster) to take over the world.

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Sinners – Movie Review

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TL;DR – Soulful, Sanguine, Sensual, and more than a little Scandalous. It is the kind of film that one second will seduce you with the nectar of the Blues as your whole body moves along with the music but then horrify you with its brutality in the next instant.

Rating: 5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

People dance in ecstasy as fire whips around them.

Sinners Review –

Sometimes in life, you discover, ‘Ryan Coogler is making a vampire film set in 1930s Mississippi,’ and the moment you hear it, you know that you want to see it. Few directors have had such a remarkable track record as Ryan Coogler, and that alone would make this a must-see film. But add in a cast list like this and all the world and themes you know are going to be fascinating. Goodness, what a film this could be.

So, to set the scene, Smoke (Michael B. Jordan) and Stack (Michael B. Jordan) are two legendary twins from the Mississippi Delta who left to make their names in Chicago nine years ago. But they are back with a truck full of assorted booze and enough money to make even the most racist guy in the town still want to sell them the old mill. They have a plan to create a club/bar/gambling den/music hall for the people of the plantations. Part of that was getting the best food from Grace Chow (Li Jun Li) and her family, cooked by the one person all can trust, Annie (Wunmi Mosaku), with some of the best music around headlines by their cousin Sammie (Miles Caton). It was a glorious night, but sometimes music can be so good that it can pierce the veil, and not all that is good can flow from it.   

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Beneath Us All – Movie Review

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TL;DR – While there was a lot of promise with this scenario, you can tell that there were factors like the budget that held it back.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Warning – Contains scenes that may cause distress.

Left overs from a mauling.

Beneath Us All Review –

Today, we dive back into the world of Vampires, a world of shadows and screams. I have quite liked vampire films in the past because they are this blend of bloody action with profound lore. There are many versions of vampires, and I am interested to see where we will land in today’s film.

So, to set the scene, it is Scandinavia back in 912 AD when a child is ripped apart by a monster that appeared from the woods. The Monster (Yan Birch) was captured, but they could not kill him, so he was buried in a coffin, taken across the seas and then dumped in Vinland. In the modern day, Vinland is now North America and is full of rural Americans. Some of them are Todd (Sean Whalen) and Janelle Gibbs (Maria Olsen), who foster several kids and are not the nicest people in the world. But one day, their foster daughter Julie (Angelina Danielle Cama) is walking in the woods when a perceived noise impacts her head after she touches an amulet, which leads her to something buried in the ground.    

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Abigail – Movie Review

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TL;DR – A bloody joy when it is working and a bit of a slog when it is not.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film

Abigail reveals herself.

Abigail Review –

Have you ever heard a film premise and immediately thought, “I need to see that”? Well, that is what happened to me when I first heard about Abigail. A group of thugs think they are kidnapping a little girl, but they actually take a monster. I mean, there are whole fairy tales based around concepts just like this and how they turn out. Add in the team behind Ready or Not, and you will have me sold.

So to set the scene, one evening, a group of professionals start casing out a house, waiting to capture the person within. Frank (Dan Stevens) is the boss, Joey (Melissa Barrera) is client control, Sammy (Kathryn Newton) is their hacker, Rickles (William Catlett) is the sniper, Peter (Kevin Durand) is their muscle, and Dean (Angus Cloud) is their car man. But the person they are kidnapping is a little girl, Abigail (Alisha Weir), who just got back from ballet practice. People are not okay with kidnapping a kid, but $7 million is $7 million. However, when they arrive at the creepy house run by Lambert (Giancarlo Esposito) and must hold the child for 24 hours, it would be a shame if there was also a monster stuck in there with them.

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Renfield – Movie Review

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TL;DR – At times, it is a delightful bloody mess, but it does struggle in places

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Dracula.

Renfield Review –

Some genres in cinema are almost timeless and resurge from time to time. The last time vampires surged to the front, they were sparkly and problematic for various reasons. But with the recent strengths of What We Do in the Shadows, it was only time until someone took that energy into the cinema space, and that is what we are looking at today.

So to set the scene, we open with Renfield (Nicholas Hoult) giving a little back history of his life since he rocked up to Count Dracula’s (Nicolas Cage) castle at the start of the 20th century. When Dracula gets injured by sunshine when hunters attack, Renfield moves the two to New Orleans to set up in the dilapidated Charity Hospital. Renfield needs to find victims to help Dracula heal, so he attends a co-dependent relationships self-help group where he hunts for abusers. However, one day while protecting Rebecca (Awkwafina) from Tedward Lobo (Ben Schwartz) and his henchmen, he saves many innocent lives, sending him on a crash course with his master.  

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The Invitation – Movie Review

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TL;DR – A completely generic story slightly elevated by a cast understanding what type of film it is and playing to it.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

A DNA Test.

The Invitation Review –

There is a whole world of mythology waiting to be mined for ideas, yet we always seem to come back to one or two touchstones, one of which is vampires. The question then becomes, can you do something new in a space that has been mined for hundreds of years? Probably not, but can you still make it entertaining? Well, that is the question we get to explore in today’s film, The Invitation.

So to set the scene, we open in a dark mansion on a stormy night. A woman in a white dress breaks out of her locked room and runs through the building but not seeing an escape, she decides to kill herself than stay where she is. Moving to New York City, we meet Evelyn “Evie” Jackson (Nathalie Emmanuel), a struggling ceramics artist who takes up catering jobs to make a living. After one of those jobs, she gets one of the leftover goodie bags with a DNA kit. Lo and behold, she discovered that she had a relative, a cousin called Oliver (Hugh Skinner), who happened to be coming to New York from England on business. When they meet up, Oliver invites her to the social wedding of the century at the estate of Walter De Ville (Thomas Doherty). There be red flags a plenty, but without any family of her own left, Evie takes the trip, unsure of what she will find on the other side of the pond.  

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Morbius – Movie Review

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TL;DR – A soulless husk of a film that is barely made watchable by the fact that at least Matt Smith is having fun  

Rating: 1.5 out of 5.

Post-Credit Scene – There are two mid-credit scenes

Disclosure – I was invited to a screening of this film

Morbius. Image Credit: Sony Pictures.

Morbius Review –

There are moments when the credits roll, and you sit back in your chair and wonder, what did I just waste my time with? Then, of course, you immediately go, well, maybe I am having a bad day, perhaps the film is targeting a different audience, or did I just miss something. But then you look around and feel the audience’s tone and discover that you are not alone with your disbelief. Well, today, we have a film that, when the credits rolled, a whole room of people collectively shrugged at the very meh-ness that they just watched.

So to set the scene, 25-years ago in Greece, two boys who needed three blood transfusions a day to live met in a clinic. The head of the clinic, Emil Nikols (Jared Harris), discovers that young Michael (Charlie Shotwell) is a prodigy and gets him into a private school, and he promises his friend Milo (Joseph Esson) that he will find a cure. In the now, Michael (Jared Leto) takes a helicopter ride to a cave in Costa Rica to capture some bats that only feed on blood. He is hopeful that inserting bat DNA into a human might cure him and Milo (Matt Smith). It works … but at what cost? Well, a boat full of mercs, at least.

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Movie Review – Underworld: Blood Wars

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TL;DR – Honestly this was a surprisingly good film, though that may have something to do with my super low expectations I had going in and that I have never seen an Underworld film before.

Score – 3 out of 5 stars

Underworld: Blood Wars. Image Credit: Sony.

Review –
I think I need to start this review off with this small issue, while I have always been meaning to watch all of these Underworld films until now I have never actually gotten around to it. You know each time a new one would come out in cinemas, I would endeavour to marathon the ones I missed and then watch the new movie, but alas I never actually ever got around to it. Also then Twilight was released and that killed any drive I might have had to watch the battle of werewolves and vampires. However it’s been four years since the last entry so this time instead of making the commitment to marathon the previous films I went blow it, let’s just go for it and see how good it is going in blind. I wanted to make that clear because not only did I come to Underworld: Blood Wars without seeing any of the previous films, I also come to it with really low expectations, like Leo McGarry going to a vice-presidential debate low. But despite this (or likely because of it), I have to say I was quite surprised how well I actually enjoyed Blood Wars. I mean let’s be clear here, this is not a cinematic masterpiece, but it is the best of this type of film I have seen in quite a while.

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