TL;DR – This is a great
episode that shows the strength of the Short Trek formula with some truly
delightful moments
Score – 4 out of 5 stars
Review –
We are back with another season of Short
Treks, one of the more novel experiments that have come out of this third Star Trek TV resurgence. These are a
number of shorts in and around the Star
Trek universe (mostly but this season not exclusively around Star
Trek Discovery). Like last year’s The
Escape Artist that looked at Harry Mudd. Today we get to dive
back into this world with a fun look at someone’s first day on the job.
So to set the scene, it is Ensign Spock’s (Ethan Peck) first day on the job.
After a long flight to Starbase 40, he beams aboard and is welcomed by Number
One (Rebecca Romijn). After some pleasantries, Number One decides to show the
new ensign the Bridge only for the turbolift to fail on transit giving them a
lot of time to chat.
TL;DR – A fascinating experimental film that I think would work much better as three short films that one complete future
Score – 3 out of 5 stars
Warning – There is extensive use of Strobe Lighting in the second part of the trilogy.
Post-Credit Scene – There is no post-credit scene
Review –
Today we look at a film that is truly experimental in scope and form. It is a
film that has taken footage from the past (I believe) and then repurposed it
into something new. This transformation in tone and purpose through editing is
not something I have seen before.
So to set the scene, in the distant future the human race has become extinct,
replaced instead by quantum humans and their universal connection to the hive.
However, there are some quantum humans that due to a genetic quirk have
reverted a little back to their long-dead human ancestors. These Quickeners
have gathered together in Area 23 in the long-abandoned American continent to practice
old rituals and to find some meaning away from the hive.
TL;DR – This might be the
most joyous, charming, and a little bit absurd series I have seen in a very
long time.
Score – 4.5 out of 5 stars
Review –
Comedy is one of those genres that is so difficult to get right. Sure it is not
hard to make people laugh uncomfortably at gross-out jokes and the like. But
for something to be truly funny you have to care about the characters involved.
This is how shows like Brooklyn Nine-Nine,
The Good Place, Parks and Rec, and Futurama
(to name but a few) work. Today I get to look at a show that did all of that
and more, but it did it in only 8 minutes.
So to set the scene, we open in Western Sydney in a carpark of the local
doughnut stand Double Dee’s. Bonita (Monica Kumar) and her friends are getting
ready to go out to the city when a mixup at the shop leaves her doughnuts with
Sokhey (Sophea Op). Hoping on over to her car to sort it all out she gets left
behind by her friends and decides to wait there while her Uber is coming. Which
is the point when Nashrah (Tasnim Hossain) gets kicked out of her learner
driver lesson and then there was three.
TL;DR – A very erotic look at the past and what choices led us to where we are and where we could have been
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
So when you blindly pick from a film festival line up without researching
anything about films you are about to see, there are some interesting choices
that you could end up watching. For me, it was sitting down at watching what
might be the most erotic film I have ever seen in a cinema. Like I don’t think
you could show this film on late night SBS. But while there is that component
it was also a look at what could have been.
So to set the scene, Ocho (Juan Barberini) is an Argentinean poet now living in
New York. After reaching the end of a 20-year long relationship he has decided
to take a short vacation to Barcelona after having to do some work in Madrid.
While looking out the balcony of his Airbnb he notices Javi (Ramon Pujol)
walking by in his Kiss shirt and well
one thing leads to another (this might be the most glossed over of details
sentence that I have ever written in a review). But as they are talking Ocho
discovers that this is not the first time they have met.
TL;DR – A deeply painful and confronting film about the damage we cause to others and more the damage we do to ourselves.
Score – 4 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
Oh boy, is this a difficult film to digest, it is one of those films that deal
with very important issues in a way that you cannot hide from them. But because
you can to hide from them they are shown without restraint and that is really
difficult to sit through. An important film dealing with important matters and
it made me feel joy and real pain. I also should say right from the start that
there are some very confronting scenes in this film and that some people should
be careful to check out a more detailed plot summary before watching.
So to set the scene, in a private school in the mountains of India Shay (Ali
Haji) is constantly bullied by the upperclassmen as a way of ‘making a man out
of him’ but there is one ray of hope because he has just been cast as the lead
in the school play of Merchant of Venice.
The only problem is the best friend of his main tormenter Arjun (Mohommad Ali
Mir) also wanted the role and Baadal (Shaan Grover) will stop at nothing to get
it. But that is easy for the upperclassmen, they just have to torment Shay
until he relents. Which starts a cycle with lasting consequences.
TL;DR – A strong follow up at
the start of the season with some really powerful moments.
Score – 4 out of 5 stars
Review –
We continue our look at the final chance to save humankind and … well … it’s not been going well so far. With the clock both figuratively and literally running out for both the character and us the viewers it makes even the smallest set back feel larger and that is only the first few minutes.
So to set the scene, at the end of Part 1, we got a bit of a reset with The Bad Place’s mole being discovered. However, all the problems still remain, Simone (Kirby Howell-Baptiste) still thinks this is all the figment of her imagination and is acting accordingly with chaotic abandon. Also Brent (Ben Koldyke) is a mediocre white man from privilege, so of course he thinks the world revolved around him. It is a tough nut to crack but at least Eleanor (Kristen Bell) has the backing of the team … right … Just a reminder that we will be looking at the episode at the whole, so there will be [SPOILERS] ahead.
TL;DR – An interesting idea, and full-on creepy, but it did leave me feeling a bit hollow at the end.
Score – 3 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
Well it is October and that means it is Halloween month, so it is time for the
many, many new horror films to make their way into the world. It is the perfect
time for horror and what goes bump in the night but it can be hard to get your
head above the crowd. However, if there is any way to do that basing your work
on something written by Stephen King is sure one way to do it.
So to set the scene, we open in on a brother Cal (Avery Whitted) and sister
Becky (Laysla De Oliveira) as they make their way across the country to San Diego.
They are moving to a new life, getting ready because Becky is quite pregnant.
They stop on the side of the road because Becky gets morning sickness and needs
to let heave. As they wait they hear a voice call out from the long grass on
the side of the road. A young boy called Tobin (Will Buie Jr.). They run into
grass to try and help the boy but get separated, but that’s okay because they
are really close. But soon voices get warped, people get moved around, and
there is more than whispers out there in the long grass.
TL;DR – An interesting concept that is held back by deeply unlikable characters. Score – 2.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
I should open this up with the clear proviso that I am not the target audience
for this film so that might have had a big impact on my enjoyment or lack
therefore of. However, I really struggled with this film from the start until
maybe the last ten minutes.
So to set the scene, Ana (Cassandra Ciangherotti) is the last of her
friends/cousins to get married, but that is okay because she is in a long term
relationship with her boyfriend Gabriel (Pablo Cruz). Well she was right up
until he dumped her in the middle of a wedding. Well, during the middle of the
alcohol drinking stage of her break up she discovers her ‘less attractive’
cousin Tamara (Lucía Uribe Bracho) is also getting married. After an
altercation, Tamara gives her the details and she shows up not quite ready for
what is about to happen.
TL;DR – This is and continues
to be the gold standard to adaptations of literature, capturing the heart of
the books, even if it does not hit every plot beat along the way.
Score – 4.5 out of 5 stars
Review –
I mentioned back in my look at the New
Golden Age of Science Fiction that The Expanse is one of the best adaptations on TV at the moment. Here
in Australia, I got to watch the first two seasons on Netflix and was
constantly entranced with just what a good job they did of bringing James S. A.
Corey’s books to life. The third season has been tricky to find but today I was
able to hunt it down on Amazon and gave it a watch. Well, how does it do? Well,
I can tell you that I watched the entire first arc of the season in one
session, being so completely engrossed that I didn’t realise how late in the
evening it had gotten … so that it is always a good sign.
So to set the scene, we open in the aftermath of season two and the turn that
put Chrisjen Avasarala (Shohreh Aghdashloo) from a position of absolute power
to her running for her life after being betrayed by Sadavir Errinwright (Shawn
Doyle). Stuck on a ship that has just been fired upon by her own side there is
not much hope for escape but then that is why she brought Bobbie Draper (Frankie
Adams) a former Martian marine along. They manage to escape, but they are still
under pursuit, and while they were gone the whole solar system has erupted into
war and the Jupiter planetary system is ground zero for the conflict. Meanwhile,
on the Rocinante the crew are dealing
with two big problems, the fact that Naomi (Dominique Tipper) lied to them, and
they have done nothing really to help Prax (Terry Chen) find his daughter. With
everything falling apart the question is: will James Holden (Steven Strait) going
to step in and help stop this war, or is he going to sit back and let others
make the tough calls?