Movie Review – The Faceless Man

TL;DR – A film with some good ideas that is unfortunately bogged down some truly frustrating elements    

Score – 2 out of 5 stars

Post-Credit Scene – There is a mid and post-credit scene

The Faceless Man. Image Credit: Chapter 5 Studios.

Review

This is one of those films that is really difficult to review for a number of reasons. First I feel that I am far from the target audience also I am not an expert in Ozploitation sub-genre of horror films. However, while I might not be able to be as sophisticated in my critiques as usually, I’ll give it my best.

So to set the scene, we open in on Sophie (Sophie Thurling) as she sits in a hospital waiting for treatment for cancer. While she waits a man comes up to her, her father Harrison (Brendan Bacon) and it is clear from the first moment that their relationship is very estranged. Three-years-later and Sophie have beaten cancer enjoying a life of alcohol and drugs and living every moment. She, Kyle (Lucas Pittaway), Dave Eddison (Martin Astifo), Chad Blavinski (Sunny S. Walia), Brad Barns (Daniel Facciolo), and Nina Hancock (Lorin Kauffeld) head off into the countryside to Orange Lodge to have a quiet weekend only to find themselves in the crossroads of different warring parties.

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Movie Review – Late Night

TL;DR – It has strong characters, a great story, and some of the best laughs so far this year while still having substance behind it.   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Late Night. Image Credit: Amazon Studios.

Review

Well, 2019 has not been the best year for comedy, with very few films getting that double goal of being both funny but also having some substance to it. However, when I walked into Late Night I was more than a little optimistic about its prospects. That is because the writer and star Mindy Kaling is an amazing comedian and Emma Thompson is always bringing her A-game. Well, as I walked out it was nice to realise that I was able to get at least something right this year.

So to set the scene, Katherine Newbury (Emma Thompson) is the first-ever female host of a late-night talk show and has been a mainstay of the late-night world for decades. She has won multiple Emmys and awards but the show has stagnated over the last couple of years and her new boss Caroline Morton (Amy Ryan) is looking to shake things up with a replacement host. Meanwhile, Molly Patel (Mindy Kaling) works at a chemical plant and uses the plant’s connections to interview for a job she has always wanted as a writer at a late-night comedy show. Her interview went poorly, but Katherine now needs to shake things up and well this might be it.

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TV Review – Cannon Busters: Season 1

TL;DR – This is a well-made animation, with an interesting story, world and characters. Full of interesting juxtapositions like magic and technology. 

Score – 4 out of 5 stars

Cannon Busters. Image Credit: Netflix.

Review

I was thinking the other day of my joy at the old Monkey Magic stories. It had me wonder that it has been a long time since I have seen a good travel story where a group of disparate people are brought together through fate and then discover all their flaws and joys in the face of shared adversity. Well as fate would have it just a couple of days later a little surprise dropped on Netflix which was everything I didn’t know I wanted.  

So to set the scene, we open in on a desert wasteland on an alien (maybe) planet with a disintegrating moon floating in orbit. Our first clue that this is an interesting place is the image of a giant bull trampling across the plains in search of a toilet. We cut to a town on the frontier full of dust, wood, and a casual disregard for life. There are humans and other creatures, and all sorts of robots, mechs, and mechanical augmentations. In the streets walks Sam (A Special Associate Model) (Kamali Minter) from the faraway kingdom of Botica. She does not seem to fit the tone of the local area, making friends in a land of gunfights and wanton murder. But she is on a mission to find a lost prince and the one person who can help her do that Philly the Kid (Kenn Michael). One issue is that he does not really want to help, also he is cursed and can’t die, also he had a large bounty on him that everyone is trying to collect. So Sam, Philly, and Casey (Kamali Minter) a maintenance droid head off on the mission in their pink coin-operated Mustang that can transform into a bull. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.

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Movie Review – Uyare (Rise)

TL;DR – A powerful look at overcoming adversity thrust upon you by a cruel and uncaring world     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Uyare (Rise). Image Credit: S Cube Films.

Review

Today we are looking at a film that charts the lows and highs of someone who is recovering from one of the worst breaches of trust imaginable. This is a film that knows how to cast a light on a real problem in society by creating strength rather than spectacle.  

So to set the scene, we open in as Pallavi Raveendran (Parvathy Thiruvothu) who is taking her first flight in a plane and in that moment she found that joy that is discovering your passion. This is what she wanted to be when she grew up and she focused her life on becoming a pilot. When she finally gets to flight school, everything is going well until her boyfriend Govind (Asif Ali) could no longer accept the fact that she is the successful one in the relationship.  

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TV Review – Les Norton: Wrongside

TL;DR – Continues one of the best Aussie pilots I have seen in a while by taking everything up a notch.

Score – 4 out of 5 stars

Les Norton: Wrongside. Image Credit: ABC TV.

Review

Last week I kind of stumbled upon a new gem in Australian TV with the show Les Norton that immediately stamped its presence in the media landscape. It was brash, it was funny, it also was a little absurd at times all while a friendly narrator (Angus Sampson) told us how bad poor old Les (Alexander Bertrand) was doing. However, getting out of the gate is one thing, but can you keep running the race, well that is a different question that we will try to find the answer today as we politely ignore why a horse racing metaphor is an apt description.

So to set the scene, in last week’s You Wouldn’t Be Dead For Quids, Les inadvertently helped cover up the murder of a local brothel madam Doreen Bognor (Rebel Wilson) by filling up a foundation at a new handball court for his boss Price Galese (David Wenham). All well and good, well sorry no, just one small problem, local muscle and slightly off quilter bodyguard Eddie Salita (Justin Rosniak) accidentally dropped his boss’ keys, for his expensive car, in the concrete with all that incriminating evidence. Well at least nothing else can go wrong, but wait what is that strapped to the engine of Price’s car. From here we will be looking at the episode as a whole, so there may be [SPOILERS] ahead.

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Movie Review – Jaoon Kahan Bata Ae Dil

TL;DR – It is said that a film succeeds if it makes you feel something, well if that is all it took than this film would be a success, but considering this made me feel revulsion and anger, I think it takes more than that.    

Score – 1 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Warning – This film contains extensive scenes of abuse

Jaoon Kahan Bata Ae Dil. Image Credit: Netlifx.

Review

Okay I’m going to be honest right from the start, I am coming to this film as someone who is from outside of India and does not have the most extensive experience with Indian cinema, so there may be some context I am missing. Also, by writing this review I feel like I am positioning myself in the same position as some of the people criticised in the film, an irony that is not lost on me. But all of that being said, you can skip to the end if you want because I do not in any shape or form recommend this film.

So to set the scene, we open in on a couple a man (Rohit Kokate) and women (Khushboo Upadhyay) who are walking along a coastal boardwalk in Mumbai. They are in a relationship but they are not married so they need to be discreet given the conservative aspects of Indian society. But as they talk it is clear that both of them want different things out of the relationship.

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Movie Review – Rocko’s Modern Life: Static Cling

TL;DR – This is a very interesting reboot of a beloved cartoon from the 1990s but I am not sure that it hit its mark.  

Rocko's Modern Life: Static Cling. Image Credit: Netflix.

Review

I grew up in the 1990s, so for me when I think about those cartoons that situated my life for the weird and abstract toons of the peak-Nickelodeon. Shows like Aaahh!!! Real Monsters, The Angry Beavers, and of course the weirdly absurd Rocko’s Modern Life were very much a part of that. Rocko’s Modern Life is/was a show that used its abstract art style and storytelling to shine a light on the world. Now, it has been years since I have watched an episode so when a new special was released, well I knew it was time to jump back in.  

So to set the scene, since the end of the last season of Rocko’s Modern Life, Rocko (Carlos Alazraqui), Heffer Wolfe (Tom Kenny), Spunky, and Filburt (Mr. Lawrence) have spent the last twenty years flying around space after a rocket took their house into space. After all that time, at least their mutual love of the Fat Heads brings them together. But tragedy strikes when the VCR of the show dies, the one thing keeping them sane. Thankfully, at that moment they find the remote for the rocket lodged in Heffer’s posterior. But when they arrive back to O-Town, a lot has changed.

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TV Review – Wu Assassins: Season 1

TL;DR – A good start to a season however it struggles to keep the momentum moving in the back half of the season.

Score – 3.5 out of 5 stars

Wu Assassins. Image Credit: Netflix.

Review

Sometimes in life, it is the simple things that really work. For me, that is a show with a well-crafted story, strong characters, clear action, and with the fundamentals of filmmaking down pact. Now, once you have that, if you want to spice it up with some deep lore, building upon some grand mythology, I am also here for it. Today we look at a series that has the characters, has the action, and the filmmaking, but does not quite nail that story component.   

So to set the scene, we open in on San Francisco and Kai Jin (Iko Uwais) who works as a chef at his friend Tommy’s (Lawrence Kao) place (well actually his friend’s sister Jenny’s (Li Jun Li) place but it is complicated). Tommy is throwing a party for his Triad friends and when something goes wrong Kai steps in to stop one of the cooks getting attacked. This means that the Triad has to respond, attacking Kai while he works in a food truck. As he is escaping he hits a woman, instead of finding someone injured on the street, he finds a woman (Celia Au) who gives him the power of 1000 monks to fight an oncoming storm. So let’s break the Wu Assassins down, using those four categories we mention in the introduction.  Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.

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TV Review – Wu Assassins: Drunken Watermelon

TL;DR – A good start to a season and a good promise for the things to come

Score – 4 out of 5 stars

Wu Assassins: Drunken Watermelon. Image Credit: Netflix.

Review

It has been a long time since I have seen someone attempt a martial arts TV series in the west and it not be mostly a disappointment. With that in mind, I came into Wu Assassins with a little apprehension but after watching the first episode I have some hope.  

So to set the scene, we open in on San Francisco and Kai Jin (Iko Uwais) who works as a chef at his friend Tommy’s (Lawrence Kao) place (well actually his friend’s sister Jenny’s (Li Jun Li) place but it is complicated). Tommy is throwing a party for his Triad friends and when something goes wrong Kai steps in to stop one of the cooks getting attacked. This means that the Triad has to respond, attacking Kai while he works in a food truck. As he is escaping he hits a woman, instead of finding someone injured on the street, he finds a woman (Celia Au) who gives him the power of 1000 monks to fight an oncoming storm.     

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Movie Review – Danger Close: The Battle of Long Tan

TL;DR – A powerful and deeply compelling film that explores a key moment in Australia’s military history and the cost it took.

Score – 4 out of 5 stars

Post-Credit Scene – There is a credit sequence and a mid-credit scene

Danger Close: The Battle of Long Tan. Image Credit: Transmission Films.

Review

Australia has a long history of making truly excellent war films. From works such as the pivotal Gallipoli to Beneath Hill 60 to The Rats of Tobruk and many more. So walking in I knew that there was a level of quality that was going to be there no matter what. However, for me, I can either be drawn in fully to war film or I can bounce off it like Andy Dwyer off an ambulance, so there was still a little hesitation. But I should not have been concerned because this is some of the best of Australian cinema at the moment.  

So to set the scene, it is 1966 and it is the height of the Vietnam War, a Cold War proxy conflict between the USA and the Soviet Union played out in the context of a civil war between North and South Vietnam. The 1st Australian Task Force headed by Brigadier David Jackson (Richard Roxburgh) is set up in Nui Dat where they send patrols out into the local countryside. One night the camp is attacked by mortars and while the Royal Regiment of New Zealand Artillery were able to target them, the 1st Field Regiment, need to follow up the next day to find the source. Alpha Company didn’t find much, so part in punishment Harry Smith’s (Travis Fimmel) Delta Company was sent out to chase them down while a musical performance was happening back at camp. All was going well until at the rubber plantation at Long Tan the 11th Platoon of D Company came under heavy fire and it is soon discovered that this is not just a raiding party but a full battalion of the North Vietnamese Army heading their way, 100 men against and advance of 2000 and a monsoon is just about to hit.

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