Category Archives: Movie Reviews

The Last of Us – Long Long Time – TV Review

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TL;DR – A quiet contemplation of what love is in the face of loss.

Rating: 4 out of 5.

Disclosure – I paid for the Binge service that viewed this show.

Warning – Contains scenes that may cause distress.

Walking over a bridge.

The Last of Us Review –

In our exploration through the world of The Last of Us so far, we have had a pretty point-by-point adaptation from the source material. A fact that many, including me, have deeply respected. However, sooner or later, they were going to make a big swerve from the game’s story, and the question is, how would that work? Well, we will find out a little sooner than I expected with today’s episode.

So to set the scene, in When You’re Lost in the Darkness, Joel (Pedro Pascal) and Tess (Anna Torv) were charged with taking Ellie (Bella Ramsey) to the Fireflies in the old statehouse. Still, when they arrived in Infected, no one was left alive, and soon Tess had to sacrifice herself to let the others escape. On the road, Joel has few options, bar an old contact Bill (Nick Offerman), who lives in Lincoln, a town near Boston. But it has been a couple of years since he was last there, and Joel does not know if he is still welcome alone. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show.

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The Wandering Earth II (The Wandering Earth 2/流浪地球2) – Movie Review

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TL;DR – While frustratingly slow to build, I must say that it captured me in the end.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to see this film.

MOSS

The Wandering Earth II Review –

Back in 2019, this fascinating film slipped onto the scene and fascinated me. The Wandering Earth was one of the most unique scenarios I have ever seen put to film, and a movie with some of the most frustrating characters put to screen. It was this juxtaposition that both delighted and annoyed me. However, we now have a second bite at the pie, and it is time to see if they have learned from the issues of the last film.

So to set the scene, tragedy is brewing on Earth as it is clear that the Sun has prematurely entered its final phase and will soon expand to engulf the planet in the next 100 years. The United Earth Government was formed to find a solution with some form of Digital Life and The Moving Mountain Project being proposed. Time is of the essence as the globe slowly descends into chaos. In Libreville, Gabon, a test engine and space elevator is the first step towards The Moving Mountain Project, but this means it is at a critical phase, and if you could disrupt it at the source, then the whole thing could come crumbling down.

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The Post-Truth World (罪後真相/Zui Hou Zhen Xiang) – Movie Review

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TL;DR – A compelling tale of murder and coverup, where there are many potential suspects, and in the end, the truth might be the biggest casualty.     

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

The computer monitor.

The Post-Truth World Review –

One of the most essential topics in modern times is the notion of truth and whether we can find it in our news anymore. Can you trust what you see in the news, read in the papers, or skim from the internet? With people yelling fake news at everything, how can you find the real in all the noise? Does the media care about the truth or just a narrative that can sell papers or subscriptions? It is within these questions we find our film today.  

So to set the scene, it is 2012, and all the bases are loaded, as a stadium dresses in yellow to support their team. As the game plays out below, different people’s lives start intersecting and collapsing. It is here where Zhang Zheng-yi (Edward Chen) walks out covered in blood, the blood of his now-dead girlfriend Wang Shi-yun (Tzu Hsuan Chan) and is promptly arrested and incarcerated for life. In 2019, Chang escaped jail by luring Liu Li-min (Joseph Chang), a journalist who ran the popular Dissecting the Society program back in 2012 and was at the stadium at the time of the murder. Today Li-min is trying to get a new title, True Standpoint, off the ground, and the biggest story of the year just kidnapped him. As the city begins a manhunt for Li-min, it is a moment of reflection on whether the truth matters.        

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Transfusion – Movie Review

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TL;DR – It is a film trying to explore some essential issues. However, it felt like we only got a surface-level analysis.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Stan service that viewed this film.

Blood in the sink.

Transfusion Review –

It is one of modern society’s great tragedies, actually no, not a tragedy, embarrassments, that we send people off to war and wars with dubious pretensions, and then we ignore them when they return home. We give lip service to trying to do something about it, but the damage remains. Today’s film shines a light on that trauma and how it can have generational effects.     

So to set the scene, an Australian special forces team in The Middle East infiltrates a secured compound at night. The mission was a success until a surprise combatant sneaks up on the team, and Ryan Logan (Sam Worthington) is shot protecting his team. Back home, Ryan must adjust back to life with his wife Justine (Phoebe Tonkin) and son Billy (Gilbert Bradman), but where the trauma of the past still lingers. But when tragedy strikes, the bond between a father and a son is stretched to breaking point.     

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Jung_E (정이) – Movie Review

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TL;DR – It sets up an interesting conundrum about a world of combat AIs and then revels the story.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

Many Jung_E's in a row.

Jung_E Review –

We are thankfully back at the point where there are multiple new films every week. While this is great, it leads to the problem of trying to find which one of the many you take the time to watch? Well, when you hear that the creator behind Train to Busan has a new film out, that choice becomes quite easy.

So to set the scene, it is the far future of 2194, where humanity has wrecked the planet, and after climate change leads to drastic sea level rises, most humans escape to shelters built near the Luna orbit. With those left on Earth working in the factories. But this respite would not last as some banded together to create the Adrian Republic waging a decades-long war against The Allied Force. Everyone is trying to find a way to win the battle before humanity is wiped out, and for Yoon Seo-hyun (Kang Soo-youn), that weapon is the cloned android of a great leader of the past Jung_E (Kim Hyun-joo), or as she knows her as, mum.

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M3GAN – Movie Review

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TL;DR – A weirdly wonderful film, full of camp and tension.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

M3GAN in a pile of soft toys.

M3GAN Review –

Artificial life discovering sentience is one of those thematic moments that can land you on the whole spectrum of cinema. It can be thought-provoking life After Yang, menacing like 2001: A Space Odyssey, or could flip about in between, such as Lost in Space. Today we look at a film that skews more towards the menacing, where we see that Asimov might have been on to something.

So to set the scene, Cady (Violet McGraw) is travelling with her family when tragedy strikes, and she is left alone to go live with her aunt Gemma (Allison Williams). Her aunt is not ready to be a parent, and both struggle to bond until Gemma shows Cady what she is working on. A new toy and AI robot girl called M3GAN (Amie Donald/Jenna Davis) that pairs and bonds with her primary user. Everything is going well until one day, when they have a conversation about death.

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The Pale Blue Eye – Movie Review

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TL;DR – It has a mood and the performances to match, but the narrative just didn’t hook me.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Cadets in formation.

The Pale Blue Eye Review –

It is time to jump back in time when women’s dresses came in many layers, the army was dressed in blue, and mutton chops were everywhere. It is an era I like when we jump into mysteries because it feels like a world where everyone is prim and proper, but that is just a veneer. It is in this world we find ourselves in as people start dying in the most unpleasant ways.   

So to set the scene, it is a foggy night, but from the gloom, we can see a man hanging from a tree. It is 1830 in Hudson Valley, New York, and Det. Augustus Landor (Christian Bale) has just been summoned to West Point Military Academy by Superintendent Thayer (Timothy Spall). They need someone with discretion. A cadet killed himself, and then his body was violated. This is a political timebomb, and the academy is desperately trying to get the case solved before certain senators in Washington find out.                   

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Mummies – Movie Review

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TL;DR – While there are moments here, nothing saves this film that stumbles in all the most odd places.     

Rating: 2 out of 5.

Post-Credit Scene – There is an end-credit scene

Disclosure – I was invited to a press screening of this film.

the land of the living dead.

Mummies Review –

Whenever you translate a film from one language to another, there is always a danger that something can get lost in translation. At least with an animated movie, you can edit the lip flaps and lose the synch issue that happens with dubbed films. Today we look at a movie that had its moments, but something did not make the jump from Spanish to English.

So to set the scene, thousands of years ago in Ancient Egypt, Thut (Joe Thomas) was racing around a stadium in a chariot. It is a brutal race with cheating and wheels full of spikes. Through some clever manoeuvring, Thut almost gets over for a win, that is, until his chariot disintegrates, sending him flying. Today, Lord Carnaby (Hugh Bonneville), a pompous archaeologist, is looking for the tomb of Princess Nefer (Eleanor Tomlinson). But when he opens the sarcophagus, he finds it empty. Because for some of the mummies, death was not the end.

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The Woman King – Movie Review

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TL;DR – A powerful film of courage in the face of insurmountable odds.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to watch this film

The Agojie rise from the grass.

The Woman King Review –

It is now time for us to take a look at the final film before we finalise our best of 2022 lists. The Woman King was a film that I tried to see several times when it was in cinemas, but the times never lined up. Indeed, I could only add it to the run-down because it just dropped on-demand. But in a year of stellar action films, we have another understanding contender to add to the mix.

So to set the scene, in West Africa in 1823, a new king Ghezo (John Boyega), has just ascended to power in the Kingdom of Dahomey. But they are under attack from the Oyo Empire, who have been pillaging Dahomey villages using proxies to sell the people to the Europeans as slaves to work in the plantations of Brazil. Ghezo is on the losing side of this war, but he has one last strength: the Agojie, led by Nanisca (Viola Davis). It is a time of castigation as many forces move inside and outside the palace, and it is uncertain if Dahomey can survive the coming storm.    

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The Banshees of Inisherin – Movie Review

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TL;DR – A odd yet sad film of life in a small village that escalates out of all control

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

Looking across the water to the mainland.

The Banshees of Inisherin Review –

Today I have a slightly frustrating film to review, and unfortunately for them, it is not their fault. I work out of Australia, and for some reason, this year, many of the big Oscar chances got released a lot later than the rest of the world. For example, today’s film was already out streaming in some places before it got its theatrical release here. I had avoided all spoilers for this film until yesterday when someone ruined a single plot point for me, and I think it ruined a big chunk of this film for me.  

So to set the scene, it is 1923 on an island off the Irish coastline, where they are isolated from much of the world, bar the odd explosions from the Irish Civil War they can hear echoing across the water from the mainland. Pádraic Súilleabháin (Colin Farrell) spends his days working with his dairy cows and nights at the pub with his best friend, Colm Doherty (Brendan Gleeson). That is until one day, Colm stops talking to him. The town wonders if they have been rowing again, but Pádraic can’t remember them fighting, and his sister Siobhán Súilleabháin (Kerry Condon) is concerned that something has gone very wrong. But Colm insists, ‘I just don’t like you no more’, but that is not an answer for Pádraic.

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