Tag Archives: Egyptian Mythology

Mummies – Movie Review

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TL;DR – While there are moments here, nothing saves this film that stumbles in all the most odd places.     

Rating: 2 out of 5.

Post-Credit Scene – There is an end-credit scene

Disclosure – I was invited to a press screening of this film.

the land of the living dead.

Mummies Review –

Whenever you translate a film from one language to another, there is always a danger that something can get lost in translation. At least with an animated movie, you can edit the lip flaps and lose the synch issue that happens with dubbed films. Today we look at a movie that had its moments, but something did not make the jump from Spanish to English.

So to set the scene, thousands of years ago in Ancient Egypt, Thut (Joe Thomas) was racing around a stadium in a chariot. It is a brutal race with cheating and wheels full of spikes. Through some clever manoeuvring, Thut almost gets over for a win, that is, until his chariot disintegrates, sending him flying. Today, Lord Carnaby (Hugh Bonneville), a pompous archaeologist, is looking for the tomb of Princess Nefer (Eleanor Tomlinson). But when he opens the sarcophagus, he finds it empty. Because for some of the mummies, death was not the end.

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The Mummy (1999) – Exploring the Past

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TL;DR –.While some parts of the film have not aged well, it is still a fun romp from start to finish.   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Stan service that viewed this film.

Camels in the desert crossing sand dunes.

The Mummy Review –

There are those films from your childhood that should stay there because revisiting them can never come back to those heights. One of those films is The Mummy. I have fond memories of over everyone crowding around the VCR to watch it and then the unfortunate moment when someone decided to hand out tea and coffee. Every couple of years, I will think about watching it again but then wonder if too much time has passed. But then, when they keep remaking it both in name with The Mummy and in spirit with films like Jungle Cruise means that no matter what, there is a core here that is timeless.

So to set the scene, in Thebes, the capital of the Ancient Egyptian Empire in 1260 BC and home to Pharaoh Seti I (Aharon Ipalé) and his High Priest Imhotep (Arnold Vosloo). One fateful day, the Pharaoh’s mistress Anck-su-namun (Patricia Velásquez) and the priest were caught in their affair when Imhotep brushed the makeup from her shoulder, and they struck the Pharaoh down with his own blade. Soon they were all captured at Hamunaptra, the City of the Dead, and cursed for their crimes. In 1923 AD, Hamunaptra is at most a ruin, but for many, just a legend. But the French Legion found it and was massacred, with only Rick O’Connell (Brendan Fraser) and Beni Gabor (Kevin J. O’Connor) surviving to tell others of the treasure and curse that may await you there. Three years later, one Evelyn Carnahan (Rachel Weisz) might just take them up on that.

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Moon Knight: Gods and Monsters and Full Series/Season – TV Review

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TL;DR – After a while, the show has finally hit its stride, and while I wish it had happen sooner, it was good while it lasted.  

Rating: 4 out of 5.

Disclosure – I paid for the Disney+ subscription that viewed this series.

End Credit – There is a mid-credit scene in Gods and Monsters.

Marc and Steven in the Duit

Moon Knight Review –

We have come to the end of the complete series of Moon Knight, or indeed just its first season. At this point, it is hard to tell. However, as we have reached the end, it is time to look back at the final episode and how it wraps the series up, and how the season worked from start to finish, all as we explore the world of Egyptian Mythology, Mental Illness, and the underground artifact trade.

So to set the scene,  we follow up from The Tomb & Asylum with Marc (Oscar Isaac) and Steven (Oscar Isaac) being very much dead after being shot in the chest by Harrow (Ethan Hawke) in the tomb of Alexander the Great. There is a chance of getting out, but that fails when Marc gets lost in the Duat and turned into a statue, while Steven finds himself in the Field of Reeds. Meanwhile, back in Egypt, Layla (May Calamawy) has tagged along with Harrow’s entourage, looking for a moment to kill him, when the goddess Taweret (Antonia Salib) speaks to her from dead corpses telling her to free Khonshu (Karim El Hakim/F. Murray Abraham). Now from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead.  

Steven and Taweret in the Field of Reeds.
Oscar Isaac helps sell every moment of this some times absurd film. Image Credit: Disney+.
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Moon Knight: The Tomb & Asylum – TV Review

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TL;DR – After a while, the show has finally hit its stride, and I am here for the ride.

Rating: 4.5 out of 5.

Disclosure – I paid for the Disney+ subscription that viewed this series.

Marc and Steven Scream

Moon Knight Review –

After watching the first couple of episodes of Moon Knight, including The Goldfish Problem & Summon the Suit, I found it to be interesting, but nothing was hooking me into the narrative. I liked what Oscar Isaac and Ethan Hawke were doing, but I needed more. To the point that I kind of stopped watching it weekly, assuming I would catch up at some point. But I had some time one night, and I thought I’d watch the latest episodes back to back, and I am glad I did because the show has finally landed.

So to set the scene, in a last attempt to outmanoeuvre Arthur Harrow (Ethan Hawke), Khonshu (Karin el Hakim/F. Murray Abraham) sacrificed himself by turning back the skies and letting Steven (Oscar Isaac) and Layla (May Calamawy) know where Ammit’s tomb is. They raced across the desert to find that Harrow’s men had already entered the tomb, but as they loaded up with supplies, they missed the sprays of blood that showed they were not alone in the tomb. Now from here, we will be looking at the episodes as a whole, so there will be some [SPOILERS] ahead.  

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Moon Knight: Summon the Suit – TV Review

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TL;DR – An intriguing opening, more tease than substance, which could be a good sign for the future

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ subscription that viewed this series.

Moon Knight: Summon the Suit. Image Credit: Disney+.

Moon Knight Review –

One of the best things about coming into Moon Knight is that I have absolutely no idea what to expect. With other areas in the MCU, I have some vague understanding, and when they finally get the X-Men running, well, that will be my jam. But for better or worse, Moon Knight is an entirely blank slate.

So to set the scene, at the end of The Goldfish Problem, Steven (Oscar Isaac) finds himself stuck in a bathroom with an approaching Egyptian jackal and, honestly, not a lot of choice as to how he will get out of there alive. In that last moment of desperation, he lets Marc (Oscar Isaac) take control of his body, leaving carnage in its wake. Steven wakes up the following day, hoping the last night was a dream. Which almost worked right up until he got into work and saw the carnage unfold.

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Moon Knight: The Goldfish Problem – TV Review

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TL;DR – An intriguing opening, more tease than substance, which could be a good sign for the future

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ subscription that viewed this series.

Moon Knight: The Goldfish Problem. Image Credit: Disney+

Moon Knight Review –

While I thought I had a reasonably good idea of the realms in the MCU and Marvel in general, as we get into the wilds of Phase Four, we are starting to get into areas that I do not know about. Today is an excellent example of this because coming into Moon Knight, I don’t think I had ever really heard of the character bar one or two comic stills of him being sassy that pop up as memes now and again. Meaning we are diving into the deep end this week.

So to set the scene, on all accounts, Steven Grant (Oscar Isaac) is a perfectly average person. He goes to work at the London Museum, has dinner out, enjoys that town, and loves ancient Egyptian history. The only issue is that he straps himself to his bed at night, puts sand around his bed, and seals the door multiple ways. Because Steven suffers from dissociative identity disorder, which manifests when he is asleep, leading to him waking up in random places. His steps at control are working, right up until one night he wakes up not in his bed but outside a castle somewhere in Europe, and everyone is shooting at him. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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Movie Review – The Mummy (2017)

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TL;DR – This is a good start for the Dark Universe and I really enjoyed it, but there were just a couple of things that needed to be worked on that held it back a bit

Score – 3.5 out of 5 stars

P.S. – There is NO end credit scene

The Mummy. Image Credit: Universal.

Review –

Now from the start, I have to say I do have a lot of love for the 1999 Brendan Fraser Mummy film, I mean I even like its only follow up The Mummy Returns because they were wonderful camp fun with a horror veneer. Indeed I will always remember the first time I saw The Mummy as a kid, it was at a friend’s place and there was a whole lot of people crowded around the TV and VCR and someone was passing around cups of tea when the mummy awoke and it scared them so much tea went everywhere. So whether I like it or not, I’m going to bring those memories and that nostalgic feeling with me when I go see The Mummy because it has to hold up to the ones that came before and for the most part I think that it does. So today we will breaking down how well The Mummy does as a standalone film, how well it does as the starting point for the Dark Universe, and also look at some areas where the film needed improvement.

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Movie Review – Gods of Egypt

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TL;DR – You will forget this movie within moments of watching it, I mean I had to take notes so I didn’t forget, average in every possible way.

Score – 2 out of 5 stars

Gods of Egypt. Image Credit: Lionsgate.

Review –

Ah Gods of Egypt, you are the very embodiment of mediocracy, you are the ‘slice of white bread’ of cinema, nothing wrong with white bread, but it is inherently lacking in substance. So before I go ahead and rip into the film for the next few paragraphs I should make it clear that Gods of Egypt is just average, not necessarily bad, but just tremendously average. So what I am going to do is use Gods of Egypt as a case study on how an expensive film can come out just so bland.

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