Movie Review – Outlaw King (Outlaw/King)

TL;DR – It is a film that is completely serviceable, with some amazing action, but just comes off feeling lacking in many ways

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Outlaw King. Image Credit: Netflix

Review

This is a real odd duck of a film, even before it came out there were questions about its runtime and how it was edited together, with reports that over 20 minutes got cut for its final release. Add to this the only other thing it was noticeable for was a certain alleged scene involving Chris Pine and well, that was not a strong platform to release a film on. So, my real concern was – did taking a hatchet to the film trim it down to only its best parts, or did it turn it into a hacked up mess – and the answer is a bit of both. Now just a quick thing, I will let others more versed in Scottish history to comment on whether or not the film is accurate with history or not.

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Movie Review – Bad Times at the El Royale

TL;DR – A really strong ensemble piece that works like a puzzle getting reveal one piece at a time, which you will enjoy depending on how long you are willing to let the premise of the film take its time to get going.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Bad Times at the El Royale. Image Credit: 20th Century Fox

Review

I am always a sucker for a good ensemble film, where you have a group of actors working together to make a better whole of a film. Indeed having a look at my Top 10 Films of All Time (see here) all of them fall on the spectrum of being ensemble films. However, Bad Times at the El Royale is not just an ensemble film, it is also a puzzle where we get to see parts of the story revealed one at a time, and they are all trapped there as a storm rolls in, and there are different motivations and, well I think you know that this is a film for me. However, it might not be a film for everyone, with that in mind let’s dive into the world of the late 1960s and one fateful night.

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Movie Review – Venom

TL;DR – There are moments when Venom comes together and is a really entertaining film. However, those moments are spread in-between a dull story with some bland action, and an anti-climactic ending.

Score – 3 out of 5 stars

Post-Credit Scene – There is a mid-credit scene, and a post-credit trailer thingy (that you should totally stick around for)

Venom. Image Credit: Sony.

Review

I don’t think I have seen a film that gave such a bad first impression in quite a while. As a rule, I try to avoid trailers where possible, because of both the spoilers and also because they could taint my view of the film before I have even walked into the cinema. But even with that policy, it was hard to escape the “like a turd in the wind” quote, one of the worse lines of dialogue uttered in a blockbuster film in recent memory. Add to this the filmmakers are trying to build a universe around just Venom, after failing to do the same thing with Spider-Man. All of this was a recipe for disaster. However, walking out of the cinema I have to admit I might have been a bit too harsh on Venom … well, only just a little bit.

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Movie Review – Searching

TL;DR – A film that is both revolutionary filmmaking, but also deeply centred on the question of what would you do if you lost everything

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Searching. Image Credit: Sony

Review

Films can be revolutionary for a number of reasons, maybe they have a new actor that blows the world away, maybe they are looking at a subject that no one dared venture before, or maybe they revolutionise filmmaking in some way. With Searching, we have the later because this is a film that is shot entirely from the perspective of a computer screen. We see the YouTube video, the webcam, the documents as if we were living in the screen and peering out in the world. It is both disorientating but also oddly comfortable as it has all the tactile notions of the world we live in. With that in mind, today we are going to see if this is a film that is just a gimmick, or if it is using this new technique to tell a story.

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Movie Review – Mandy

TL;DR – This is a film that is all about the style, and if you dig it you find it to be one of the best movies ever, or like me you if you don’t, well then it turns out to be a dull frustrating mess

Score – 2.5 out of 5 stars

Post-Credit Scene – There is a post-credit thing, but you don’t need to stay for it

Warning – There are several scenes that have extensive strobe effects

Mandy. Image Credit: RLJE Films

Review

Style is something that can make or break a film for people, it is one of the reasons that you tend to see a lot of dull monotonous films pumped out, desperately trying to be something for everyone. So in this regards, I deeply respect Mandy, for in no way playing it safe, and committing to its style like there is no tomorrow with a full line-up of sex, violence, and nudity. Unfortunately, the style did not gel with me at all, so while I appreciate what the film was trying to do, I cannot say I found it to be a particularly good film at all.

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Movie Review – Mile 22

TL;DR – This is a film that fails at almost everything it sets out to do bar maybe one or two decent action sequences

Score – 1.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Mile 22. Image Credit STX Entertainment

Review

I really enjoy action films, I appreciate the skill that has gone into the fight choreography, the explosions, and gunfights, brawls, all of it. While films that are about something are better for incorporating those themes, I don’t think it is necessarily barrier to enjoy an action film if the craft is there. This week I had not been feeling the best so I thought I would go see Mile 22 as I kind of pick me up, and well the fact I was the only one in the cinema should have been the first clue that this was not going to go as planned.

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Movie Review – The Predator (2018)

TL;DR – There is a lot of great production here, and strong acting, but it has clearly been hacked apart in the edit leaving a disjointed mess.

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Predator. Image Credit: 20th Century Fox

Review

The first Predator film was maybe the pinnacle of the 1980s macho-action film genre, I can remember watching it for the first time, probably far younger than I should. It was Arnie at his best hunting down an alien hunting people for sport and while there were sequels nothing ever captured the intensity of the first film. When I heard they were bring it back and giving it to Shane Black I had high hopes that at the very least it would be an interesting film … and then the last week happened and I can’t believe how disappointed I could be at such a promising director. Now the film is here and well, you can see the vision, but you can also see where the studio has taken a hatchet to it.

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Movie Review – A Simple Favor

TL;DR – Crazy, absurd, ridiculous, tense, and an amazing ball of fun

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

A Simple Favor. Image Credit: Lionsgate

Review

The tone is something that can make or break a film, and you would think it would be an easy thing to get right, but alas it can be a tightrope to walk at times. This is especially important when you are blending genres and still trying to make it feel like a constant whole. Today we look at a film A Simple Favor that walks that tightrope from absurdity to high strung tension and makes it look effortless. Now before we get into the review proper, I do want to say that I have not read the book so I will leave it to others more knowledgeable than me to let you know if it is a good adaption or not, and I’ll just focus on the film.

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Movie Review – Crazy Rich Asians

TL;DR – During the film, I along with the whole cinema, laughed, cried, gasp ‘oh no you didn’t and I can’t remember a film that had that same reaction

Score – 5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Crazy Rich Asians. Image Credit: Warner Bros.

Review

There are some films that simply be being made are making a statement of intent. These are films like last year’s Black Panther (see review) and Wonder Women (see review), films that “conventional” Hollywood wisdom states that they shouldn’t be made because they won’t make any money. There is a long history of information coming from focus groups that people are not interested in films helmed by women and people of colour, information which is inevitable proven wrong time after time when the box office numbers are released. To put this in perspective, the last live-action film from Hollywood to feature a predominately Asian cast was The Joy Luck Club twenty-five years ago in 1993. This means a whole generation of people have grown up and not seen their stories or people like themselves up on the big screen, and well folks this is why representation matter. So while Crazy Rich Asians is important for just existing, it is even more power from the fact that it is also a fantastic film in its own right and one of my films of the year so far.

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Movie Review – The Happytime Murders

TL;DR – Take everything wrong with Bright, smash it into Who Framed Roger Rabbit with all the charm removed, and sprinkle in some jokes about puppet sex and you pretty much have this film.

Score – 1.5 out of 5 stars

Post-Credit Scene – There is some behind the scenes footage during the credits

The Happytime Murders: Image Credit: STK Films/Roadshow Films

Review

Well … that was an experience, I’ll tell you that much. I mean it has a lot of bits that usually I really like, like the noir setting, a ‘who done it’ mystery, and a story that is wanting to subvert a genre. I also really like Melissa McCarthy as an actor, and well they also upset Sesame Street and well that’s interesting all in itself. However, none of this matters because at no point does the film come together and at best it hits moments of being mediocre.

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