Tag Archives: Comedy

Saturday Night – Movie Review

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TL;DR – A movie that embraces the chaos of its subject matter with such reverence it ends up hurting the final product.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

30 Rock.

Saturday Night Review –

Today, we are looking at a bit of an odd duck of a film. One that swings wildly, stampeding through the chaos of its subject material with the gusto of a rhino in full tilt. However, that approach is going to be a boon or a detriment for you, depending on how you are approaching this film. For me, I am not someone who religiously tunes into Saturday Night Live. Sure, occasionally, a sketch from the show will bubble into the subconscious like Natalie Portman, Undercover Boss, or the recent Mother. Also, the most impacting sketch for me and my comedy journey came almost wholly disconnected from the show. So, you always know it is there, and its legacy in the movies that have and have not worked and the comics it has brought to the forefront. It is within that framework we look at the film today.

So, to set the scene, it is October 11, 1975, and Lorne Michaels (Gabriel LaBelle) is out in front of 30 Rockefeller Plaza trying to get an audience to see his show with an NBC Page (Finn Wolfhard). That is because it is 90 minutes before his first show goes to air, and nothing is going right. The studio is having less and less faith in his vision, the cast is in chaos, the crew is in a state of revolution, oh, is that a fire, and why is there a llama? There are only 90 minutes to pull this all together, but that is going to be hard when there is not even a runtime yet.

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Double or Nothing – Movie Review

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TL;DR – Snippets of chaos that never come together as a whole

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

The Gold Coast skyline

Double or Nothing Review –

We are currently in the midst of the Brisbane International Film Festival, or if you are friends, BIFF. It is a cozy festival where I always find a gem or two every year. Today, we are looking at a small Aussie movie filmed in my backyard (metaphorically) about what happens when you get trodden on over and over again.

So, to set the scene, Turbo (Andrew Ian Pope) and Nick (Rowan Howard) are cousins who never quite can get their luck together. Turbo always owes people money, and Nick is just trying to get through his parole without rocking any feathers. But they both need money to survive, and this means doing jobs for their boss, Col (John Jarratt), of a more explosive nature. But when there is a shift in management, the boys find themselves up a certain creek without a paddle.

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Shrinking: Season 1 – TV Review

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TL;DR – This is a delightfully sad, yet also uplifting, series of broken people doing broken things, yet finding the strength to be better in each other.  

Rating: 4 out of 5.

Disclosure – I paid for the AppleTV+ service that viewed this series.

Paul on a couch reflecting on his life.

Shrinking Review –

Recently, there has been a running theme of there being a lot of good shows on AppleTV+ that absolutely no one is watching because the channel cannot seem to advertise anything that is not Ted Lasso. Now, while I have jammed with a lot of the sci-fi that they have, like Silo and Foundation, I think this would be an excellent time to see what else the service has to offer. The first stop in this exploration is a show that has been heavily recommended to me, and with that cast, I can understand why.  

So, to set the scene, it is late one night, like 3 a.m., and Liz (Christa Miller) and her husband Derek (Ted McGinley) are trying to work out who is going to go down and tell their neighbour Jimmy (Jason Segel) to turn off their music and stop making noise in the pool. Jimmy clearly looks to be an emotional mess who is trying to self-medicate via illicit substances and people you hire late at night for their professional services. That looks even worse in the morning when you see that disaster unfold with his daughter Alice (Lukita Maxwell) ghosting him, there being no petrol in his car, and a bike that does not quite fit. The good thing is that it looks like Jimmy is going to therapy until you realise that he is the therapist.   

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Wolfs – Movie Review

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TL;DR – This is a film that should have knocked the ball out of the park home run; instead, it just felt like a safe walk most of the time.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid for the AppleTV+ service that viewed this film.

Brad Pitt and Georgy Clooney draw guns on each other.

Wolfs Review –

Some films just excite you when you hear who has been cast in it. Some actors have built this reputation that if you see both in the same movie, then you know it is going to be good. For example, you know if N. T. Rama Rao Jr. and Ram Charan appear in the same film, it will cause a stir. Well, today, we look at a movie that should have captured that same vibe but instead just fell flat.

So, to set the scene, we open with the sound of a crash, a scream, and then a string of obscenities, as something has clearly gone wrong. What could be so bad, you say, how about a recently dead body of the Kid (Austin Abrams)? Well, after an appropriate length of time freaking out, Margaret (Amy Ryan) phones a contact that she was given years ago, one that can make things disappear. That man is Jack (George Clooney), a cleaner. The only problem is that the owner of the hotel, Pamela Dowd-Henry (Frances McDormand), also witnessed what happened and hired her own cleaner, Nick (Brad Pitt). Now, the two of them must work together as this relatively simple case starts falling apart.  

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Divorce (Rozwodnicy) – Movie Review

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TL;DR – This was a delightfully fun look at trying to work your way through many layers of church bureaucracy.  

Rating: 3.5 out of 5.

Disclosure – I paid for the Netflix service that viewed this film.

the school band plays in hard hats.

Divorce Review –

If there is one area that deserves a little comedic exploration, it is religion. However, it might also be the most fraught area to explore. To pull it off, you have to have an intimate understanding of the subject matter because it needs to hit home in a realistic manner. Today, we look at a film that might do just that as it explores trying to get a divorce, sorry, an annulment, in Poland.    

So, to set the scene, Małgosia (Magdalena Popławska) and Jacek (Wojciech Mecwaldowski) have been divorced for a long time. So long that Małgosia has married again to Andrzej (Tomasz Schuchardt). Małgosia is struggling to relate to her daughter Ala (Oliwia Drabik), who has a defiant streak. But when her ex-husband Jacek wants to get re-married, he needs a favour. Because his new in-laws want a church wedding, and that means not just a civil divorce, but Andrzej needs the church to sign off on an annulment in an Ecclesiastical Court. It is clear that the marriage has broken down completely and irretrievably, and Małgosia has re-married, so it should be easy … right?    

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My Old Ass – Movie Review

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TL;DR – This is a film that swims through the nostalgia of youth when significant changes are about to come, and you don’t know what the future might hold

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Elliott (39) talks to Elliott (18)

My Old Ass Review –

Today, we look at a slightly sweet film that tries to ride the line between a bombastic juvenile comedy and a quieter coming-of-age work. It is a very fine line to walk because there is not a lot of safe ground between those two points. Indeed, I know people who have entirely disagreed on where this film landed. I think I am more in that first category, but that might be just because this film is laser-targeted on who I am.

So, to set the scene, Elliott Labrant (Maisy Stella) has just turned 18, and in just 22 days, she is going to leave the life she has lived on a lake in Canada harvesting cranberries on her family’s farm to move to the big city. But before she leaves, she wants to have one more trip with her friends Ro (Kerrice Brooks) and Ruthie (Maddie Ziegler) out to an island on the lake to camp, chat, and, oh, maybe dabble in some hallucinogenic mushroom. While her friends see many interesting things like rabbit orchestra, nothing quite prepares Elliott to look over and see her 39-year-old self (Aubrey Plaza) looking back at her. They talked about life and love, and her older self warned her not to fall in love with Chad. “Well, that was an odd trip”, thought Elliott, until she found Chad (Percy Hynes White) working on her dad’s farm as a summer farmhand. Oh, and someone put a new contact ‘My Old Ass’ in her phone.

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Jackpot! – Movie Review

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TL;DR – This is a fun film, anchored by a charismatic cast, but you could also feel it was a bit of missed opportunity.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes and end credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

Katie win the Lotto.

Jackpot! Review –

There are a lot of ways you can anchor a film, and one of those ways is through an interesting narrative hook. Today we wonder: what would happen if a government authorised a state-wide Hunger Games that was completely opt-in? When you have a good premise, its very existence invokes questions that you want answered, which is what we will do today.


So to set the scene, during the Great Depression of 2026, governments were desperately looking for a way to make money. Enter The California Grand Lottery©. You can be the winner of the jackpot, that is if you can survive until sundown. Until then, you are free game from anyone, and if they kill you, they take your winnings. Just no guns. It is Los Angeles in 2030, and a winner just got taken out by a grandma. But as the jackpot hits $3.6 Billion, child actor Katie (Awkwafina) has just arrived back in town on Lottery Day to try and get back into the business. But when Katie accidentally touches a lottery ticket and wins, then all of Los Angeles turns against her, bar maybe Noel (John Cena) who is protecting her … for money.

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Beverly Hills Cop: Axel F – Movie Review

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TL;DR – This is a film that entirely knows what it wants to be and completely nails that delivery. How much you will like that will depend on how you gel with the premise.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Detroit Jacket.

Beverly Hills Cop: Axel F Review –

Well, here is a blast of the past, and even in our reboot-obsessed culture, this feels like a deep cut. Well, that is, until you hear the music, and then you 100% understand why. However, it had been 30 years since the last entry, and that is a lot of ground to make up for. There is only so much that synth can do, but let us see if there is a story that can work, given the shifts in the police force since the last outing.

So, to set the scene, Axel Foley (Eddie Murphy) is still a cop who is completely fine with causing mass destruction to capture his crooks in Detroit. However, times have changed; a snowplough is indiscriminate in its chaos, and this is the last time Jeffrey Friedman (Paul Reiser) can cover for him. But when an old friend (Judge Reinhold) lets him know that his estranged daughter Jane’s (Taylour Paige) life has been threatened in Beverly Hills. Axel takes the first flight back to his old stomping grounds, and they discover that they might be more alike than they want. They both know Detective Sam Abbott (Joseph Gordon-Levitt), but Billy is missing, and it might be time to cause some mayhem in Beverly Hills.      

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Hundreds of Beavers – Movie Review

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TL;DR – It was a completely wild ride from start to finish. I am not sure I have ever seen a film like this before, and I doubt I will ever again.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Jean Kayak pops out of a hole.

Hundreds of Beavers Review –

For the last year, I kept hearing rumblings of this weird Beavers film that everyone needed to see. It is super low budget, weird in every way, yet utterly engaging. It is the sort of film that never gets a theatrical realise in Australia; well, that is, it does not usually get one. I was fundamentally surprised to see this was not the case here, but more than that, I was excited to see just how a film like this could come together, and I am not sure if anything prepared me for this.  

So, to set the scene, deep in the 19th century, Jean Kayak (Ryland Brickson Cole Tews) is an applejack producer, a very alcoholic liquor that everyone near and wide travels to, given how good it is. However, a stray beaver damages the giant kegs storing the Applejack, destroying the store and orchard in the process. Jean has only one option: get even with the beavers. The only problem is that he will have to survive first, which might be easier said than done. It is not like it is a brutally cold winter, and he has nothing to his name but the clothes on his back and the ability to carve interactive sculptures out of wood with his teeth.  

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Despicable Me 4 – Movie Review

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TL;DR – Look, the kids started laughing with the title card and stopped with the end credits, and I am not sure that anything more than that truly matters in the grand scheme of things.

Rating: 3 out of 5.

Post-Credit Scene – There are mid credit sequences but you don’t need to stay for them.

Disclosure – I was invited to a press screening of this film.

Minions in a pool.

Despicable Me 4 Review –

Well, it is time to get the banana papayas out because it is Minions time. Look, I have generally liked these films because there is an almost charm to the slapstick comedy that permeates every frame. Also, while my mother is not a fan of this, I don’t have any kids, so I only have to watch this film once—my deepest sympathies to those well into the double-digit viewings. But now we are six films deep into this world, can there be any more fun to be found? Well, that is what we will find out today.   

So to set the scene, Gru (Steve Carell) is still working for the Anti-Villain League, and this time, his mark is Maxime Le Mal (Will Ferrell), a heavily ‘French’ accented villain and former classmate of Gru. Indeed, Gru takes him down in the middle of their class reunion. Things are also looking up at home, where he and Lucy (Kristen Wiig) have welcomed a new child into the family, Gru Jr. But when Maxime escapes and threatens to ‘cockroach-ize’ the baby, well, the whole family has to go undercover to keep safe. You better hope your new neighbours are not secret supervillain fans.

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