Tag Archives: Drama

Movie Review – Queen and Slim

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TL;DR – It is a provocative and powerful film, while it does not hit every note right, when it excels it does so with gusto   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards –

Nominated: All The Tension.

Queen and Slim. Image Credit: Universal Pictures.

Review –

Some films are just there to provide a little entertainment and then to be done and there is nothing wrong with that because everyone needs a little fun in their lives. However, other films want to be provocative, some films that want to educate, some films that want to hold a mirror up to society, and some that want to all of that and more.  

So to set the scene, we open in a diner in Ohio as two people start the awkward banter of getting to know each other. Slim (Daniel Kaluuya) is interested to know why Queen (Jodie Turner-Smith) picked tonight to respond to his Tinder request after leaving it on hold for weeks, well Queen just didn’t want to be alone that night. After dinner Slim is taking Queen home when they are pulled over by police Officer Reed (Sturgill Simpson) for a very minor traffic infraction. While the officer is checking the car for drugs (which are not there nor was there any reason to believe there was) Queen, a defence attorney gets out of the car and the officer shoots her in her leg. A scuffle ensues and Slim in self-defence shoots the officer in the head killing him. What do you do? Do you stay and try to explain what happens, or do you run? You run!

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Movie Review – I am Jonas (Jonas/Boys)

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TL;DR – There is an interesting film here, but it just does not quite come together   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

I am Jonas (Jonas/Boys). Image Credit: Netflix.

Review –

In a film, time can be just as much part of the narrative landscape as the words the actors say. It can shape a film, it can direct a film, it can hide and it can reveal. Today, we look at a film that plays with time in its narrative, and while it never quite works it is interesting.

So to set the scene, we open in on a young Jonas (Nicolas Bauwens) playing Tetris on the Gameboy, while his dad fills up the car. Rage quitting he sees something out in the darkness and is attacked by a memory one he can’t shake. Many years later, Jonas (Félix Maritaud) is a very different person, but he is still haunted by the past.   

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Movie Review – The Way Back (Finding the Way Back) (2020 film)

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TL;DR – A film that feels more personal than I have seen in a while and at the very least a loot messier     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Way Back. Image Credit: Warner Brothers.

Review –

There are many things that make reviewing The Way Back a difficult prospect. Part of that comes from intentional narrative devices that help the film in some ways and hinder it in others. Also, this is just a really raw film at times looking at a subject material that is both important but also deeply relevant to the lead actor. Which gets us into the realm of how much of this is performance and how much of this is reality thrown up on the screen. All of these are difficult things, but they were because in many respects this is a difficult film.

So to set the scene, Jack Cunningham (Ben Affleck) spends his days alone, even when he is surrounded by people. He wakes up with a beer, he showers with a beer, he drinks on the way to work, he hides booze while he is working, and he drinks himself silly when he gets home. After Thanksgiving dinner with his sister Beth (Michaela Watkins) who is clearly concerned that he is not seeing anyone after his marriage with Angela (Janina Gavankar) fell apart he arrives home to find an odd message on his phone. His old school wants him to come back and be the new basketball coach.

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Exploring the Past – Consequences (Posledice) (2018)

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TL;DR – An exploration of the effects of toxic masculinity and all its consequences.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Consequences (Posledice). Image Credit: Temporama.

Review –

There are films out there that sometimes you can see the trajectory coming a mile away, you see the pain incoming and like a crash in slow motion you can’t look away. Today we look at just such a film, one of pain and sadness and inevitability.

So to set the scene, we open in on Andrej (Matej Zemljic) who spends his days not being at school and his nights parting away. One night ends with him punching a woman and that rightly is that. He is sent to a juvenile correction facility as a last chance before jail time. Here he meets Žele (Timon Sturbej) the local ringleader and it is here when we see that this story is not going to end well.

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Movie Review – Dark Waters

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TL;DR – A film that comes at you like the rising tide, slow at first and then before you know it you have become overwhelmed     

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Dark Waters. Image Credit: Universal Studios.

Review –


Having grown up in the era of Erin Brockovich, I am hard-wired to like a good biopic, especially one where someone takes down a major corporation that should have known better. Well, today we get to see a film that does pretty much all of that and does it very well indeed.

So to set the scene, we open back in the 1970s as a bunch of kids go skinny dipping in a lake in Parkersburg, West Virginia only to get shoed away from the site by men from the DuPont Corporation in a boat firing foam at a residue building up on the surface. Sometime later, in Cincinnati, Ohio, Robert Bilott (Mark Ruffalo) has just been made a partner in the Taft Stettinius & Hollister law firm when he is interrupted in a meeting by Wilbur Tennant (Bill Camp) an old friend of Robert’s grandmother. He has a problem with his farm, ever since DuPont built a rubbish tip next door to his property all of his cattle have been dying of odd diseases. Robert is reluctant to intercede but he makes a trip out to Parkersburg and finds things are not what they seem.

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Movie Review – Shubh Mangal Zyada Saavdhan (Extra Careful of Marriage)

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TL;DR – A fascinating if a little blunt film about love in India  

Score – 4 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Shubh Mangal Zyada Saavdhan (Extra Careful of Marriage). Image Credit: T-Series.

Review –

In my endeavour to watch more non-English language films, I had been spending a lot of time with those coming out of Europe, but this week I want to shift things by focusing on India. With that in mind, today we look at the first of two Indian films out this week that really intrigued me and this is a film is all about finding love even in the face of your family.

So to set the scene, we open in on two guys making a last-minute rush to get to a train that is about to depart as we hear about just how much weddings cost in India. We then go back a bit in time to meet Kartik (Ayushmann Khurrana) and his partner Aman (Jitendra Kumar) who hide who they are from their families by living away in Delhi. One day as they are helping a good friend elope they get caught by her family and need to get out of town for a bit. Well, that’s good timing because Aman’s cousin Goggle (Maanvi Gagroo) is about to be married back in Ahmedabad. The only problem is that Aman’s family does not know he is gay and it goes about as well as you imagine it does.

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Movie Review – The Lighthouse

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TL;DR – One of the weirdest films I have ever watched and I don’t know if that is a good or bad thing, maybe both?

Score – I honestly don’t know out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Lighthouse. Image Credit: Universal.

Review –

Quite often a film will come across your desk that has elements of oddness to it, sometimes that oddness is a sprinkling of seasoning over the finished production, sometimes that oddness is a core component of the meal. However, I have never seen a film that had its oddness so baked into the film that it permeated every aspect of the filmmaking from start to finish. Well, that changes today with The Lighthouse.

So to set the scene, Ephraim Winslow (Robert Pattinson) has arrived by small boat onto a desolate island in the middle of the Atlantic. He is to be an assistant wickie or lighthouse keeper under Thomas Wake (Willem Dafoe). They have to work four hard long weeks isolated on the small island, but then they get to go home with decent pay. The work is hard and the close quarters start to come to bare on the two men, made worse when the winds turn and the waves crash and the island becomes isolated from everything and everyone. Now because of the nature of this film it hard to really discus it on any level without spoiling the film a little bit, so be cautious of that as you read on.

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Movie Review – Little Women (2020)

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TL;DR – I highly recommend this astounding film    

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography, Stunning Costumes & The Emotion
Winner: The Emotion

Little Women. Image Credit: Sony.

Review –

It has been a long time since I have had a good cry in the cinemas, and I don’t mean a good one solitary tear gallantly making its way down the side of my face as the music soars around. No I mean some good old fashioned weeping, the kind that makes you wish you had brought a hankie or at least some tissues as you try to compose yourself after as you thank God that you were not wearing any mascara because there would be no coming back from that. Well, today we look at a film that is all that and more. 

So to set the scene, we open in New York City back in 1868 where Josephine “Jo” March (Saoirse Ronan) works as a teacher in a boarding house as she tries to be published as a writer. The publisher Mr Dashwood (Tracy Letts) is interested in her work, but it needed to be more salacious and the female characters must end the book either married or dead. In France, Jo’s sister Amy (Florence Pugh) is enjoying some time painting and finding a husband under the guidance of her Aunt (Meryl Streep) when she spies Theodore “Laurie” Laurence (Timothée Chalamet) a childhood friend of her and her sisters Meg (Emma Watson) and Beth (Eliza Scanlen), as well as the former suiter of Jo, in the gardens of Paris. It is a moment of joy, but there and across the Atlantic, there is a cloud on the horizon because the past is not going to stay in the past.

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Movie Review – Star Wars: The Rise of Skywalker (Round Two)

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TL;DR – This is a film that feels both incredibly safe but yet also incredibly weird and that dissidence is really odd and is enhanced on a second viewing.     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Star Wars: The Rise of Skywalker. Image Credit: Disney.

Review –

I have been thinking a lot about Star Wars in the weeks since I first watched The Rise of Skywalker. Was I too harsh with it? Did I let one story beat distract me from the rest of the film? Do I want to see a buddy cop film starring John Boyega and Oscar Isaac? Okay, that last one was an easy answer, of course, I do. However, for the first two, I was truly left wondering, well that is until yesterday when I went with some friends as saw the same film twice in cinemas (not something I have done in quite a while). Which means it is time to explore if a second viewing of Star Wars helps or hurts it and what I found is that it focuses you into the good, the bad, and the ugly.  

So to set the scene, at the end of The Last Jedi everything is in flux. The Resistance has survived annihilation but has been stretched to almost breaking point as The First Order storms across The New Republic. However, all is not dandy for The First Order as well, as their leader was assassinated by Kylo Ren (Adam Driver) and their main battle cruiser was destroyed. However, just at the cusp of this, a dark voice from the past pierces into the vale. For it appears that Emperor Palpatine (Ian McDiarmid) has come back from the dead and is gunning for Rey (Daisy Ridley). Now in this review, we will be going FULL SPOILER discussing some really important plot points. If you want to read our spoiler-free review you can find it here.  

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TV Review – Star Trek Short Treks: Children of Mars

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TL;DR – An emotional gut punch as you watch it all unravel  

Score – 4.5 out of 5 stars

Star Trek Short Treks: Children of Mars. Image Credit: CBS Studios.

Review –

Can you tell a compelling and heartfelt narrative in seven minutes with very little dialogue? That would actually be quite a challenge but today we get to look at an episode that does just that as it builds to a moment that breaks you.

So to set the scene, we open in on April the 5th, First Contact Day, a day of celebration but for two girls living in San Francisco it is a day of sadness in part. For Lil (Sadie Munroe) her dad (Jason Deline) is stuck working on the Mars Orbital Facility and can’t make it downwell to see her. On the other side, we have Kima (Ilamaria Ebrahim) whose mom (Joy Castro) also works on Mars at the Utopia Planitia Fleet Yards. In a moment of sadness, Lil accidentally knocks over Kima on the way to the shuttle pick up making Kima late for school and then it all spirals in from there.    

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