TL;DR – A haunting look at the damage that fame can do set in the beautiful world of the Chilean coast.
Score – 4 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Fame, it is a thing that many people want, and in the world of Twitch, YouTube, and TikTok it is almost more obtainable than in any other point in history. However, fame can come with a cost, fame can come with damage, and fame can have lasting effects. Today we look at a film that explores these issues and the legacy that can leave in their wake.
So to set the scene, a child musical prodigy Memo (Lukas Vergara) had a lot of hope at one point but now all grown up Memo (Jorge Garcia) spends time breaking into houses and not doing much else. The rest of his time is spent working on his uncle’s Mr Braulio’s (Luis Gnecco) sheep farm on a coastal island of Southern Chile. His past haunts Memo as the damage of his youth lives through every part of his life.
There are those moments in life where we get to see the full depths of human cruelty and few moments have exemplified it more than the Holocaust. It was a moment where human depravity was industrialised and weaponised in the endeavour to exterminate an entire race. Today we explore a film that deals with the aftermath and trauma through the eyes of the children that survived it.
So to set the scene, we open in on a bus full of children as they make their way through the British countryside at night. The bus is full of children refugees rescued from Holocaust camps. One thousand children brought from the camps to Brittan and 300 of them came to Calgarth Estate on the shores of Lake Windermere. As they arrive, there is a real fear that they have swapped one camp of despair for another. Their families are likely all dead, and all of them have suffered travesties that make every dog a threat and food something you hide when you can. They only have funding for four months to help them with their trauma, which is not enough time given everything they had gone through.