TL;DR – You may have been told how wild this film is, but trust me, whoever was talking to you was completely underselling it.
Rating: 5 out of 5.
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid to see this film
Everything Everywhere All at Once Review –
The word surreal gets thrown around quite a bit and usually means something that might be a bit cerebral or weird or maybe both. But for something to be genuinely surreal, it needs to challenge the nature of reality, to contest the very bedrock we live our lives on. Films will often dip their toes into the surreal, but every now and again, a film will dive in headfirst. Today, we are looking at just such a film that just might nail everything it sets out to do.
So to set the scene, in a city in America, Evelyn Wang (Michelle Yeoh) lives above the laundromat that she runs with her husband Waymond (Ke Huy Quan). Things are pretty stressful for Evelyn at the moment. The IRS is auditing the business. She is trying to put together a party for he estranged father, Gong Gong (James Hong), she is feuding with her daughter Joy (Stephanie Hsu), and Waymond is about to drop divorce papers on her. As they arrive at the IRS to be audited by Deirdre Beaubeirdra (Jamie Lee Curtis), Waymond suddenly changes into a completely different person. He declares that Evelyn is in trouble because a force from another universe is hunting her down, and it just might have found its prey, and that is when the alarms go off.
TL;DR – During the film, I along with the whole cinema, laughed, cried, gasp ‘oh no you didn’t and I can’t remember a film that had that same reaction
Score – 5 out of 5 stars
Post-Credit Scene – There is a mid-credit scene
There are some films that simply be being made are making a statement of intent. These are films like last year’s Black Panther (see review) and Wonder Women (see review), films that “conventional” Hollywood wisdom states that they shouldn’t be made because they won’t make any money. There is a long history of information coming from focus groups that people are not interested in films helmed by women and people of colour, information which is inevitable proven wrong time after time when the box office numbers are released. To put this in perspective, the last live-action film from Hollywood to feature a predominately Asian cast was The Joy Luck Club twenty-five years ago in 1993. This means a whole generation of people have grown up and not seen their stories or people like themselves up on the big screen, and well folks this is why representation matter. So while Crazy Rich Asians is important for just existing, it is even more power from the fact that it is also a fantastic film in its own right and one of my films of the year so far.