TL;DR – A sequel that improves on the first in every way, full of action, and a ride from the start till finish
Rating: 4 out of 5.
Post-Credit Scene – There is no post-credit scene
Disclosure – I was invited to a screening of this film.
Occupation: Rainfall Review –
A couple of years ago, I got to see this little Australian Science Fiction which was punching far above its weight. It was a movie filmed on a minuscule budget that did more with that budget than those with a much larger purse. It was a good representation of an alien invasion film, and full of some great action set pieces. So it was great to see that it was getting a sequel, and I am glad to say it improves on the first film in every way.
In the years since the first film Occupation, the resistance movement has fought from the hillside towns and villages down to Sydney’s heart. It is a war of attrition and small hit-and-run operations, trying to take the city back one small section at a time. For Matt Simmons (Dan Ewing), this is a battle of zero compromises because it is a fight for their lives. But for Amelia Chambers (Jet Tranter), she is trying to find a diplomatic answer or try to find a cooperative way to work with the other subjugated aliens. However, when Wing Commander Hayes (Daniel Gillies) calls a retreat, and all hope seems lost, a rumour about a new weapon called Rainfall starts to spread. Rainfall could be their one hope, or humanities final downfall.
TL;DR – During the film, I along with the whole cinema, laughed, cried, gasp ‘oh no you didn’t and I can’t remember a film that had that same reaction
Score – 5 out of 5 stars
Post-Credit Scene – There is a mid-credit scene
There are some films that simply be being made are making a statement of intent. These are films like last year’s Black Panther (see review) and Wonder Women (see review), films that “conventional” Hollywood wisdom states that they shouldn’t be made because they won’t make any money. There is a long history of information coming from focus groups that people are not interested in films helmed by women and people of colour, information which is inevitable proven wrong time after time when the box office numbers are released. To put this in perspective, the last live-action film from Hollywood to feature a predominately Asian cast was The Joy Luck Club twenty-five years ago in 1993. This means a whole generation of people have grown up and not seen their stories or people like themselves up on the big screen, and well folks this is why representation matter. So while Crazy Rich Asians is important for just existing, it is even more power from the fact that it is also a fantastic film in its own right and one of my films of the year so far.