TL;DR – You may have been told how wild this film is, but trust me, whoever was talking to you was completely underselling it.
Rating: 5 out of 5.
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid to see this film
Everything Everywhere All at Once Review –
The word surreal gets thrown around quite a bit and usually means something that might be a bit cerebral or weird or maybe both. But for something to be genuinely surreal, it needs to challenge the nature of reality, to contest the very bedrock we live our lives on. Films will often dip their toes into the surreal, but every now and again, a film will dive in headfirst. Today, we are looking at just such a film that just might nail everything it sets out to do.
So to set the scene, in a city in America, Evelyn Wang (Michelle Yeoh) lives above the laundromat that she runs with her husband Waymond (Ke Huy Quan). Things are pretty stressful for Evelyn at the moment. The IRS is auditing the business. She is trying to put together a party for he estranged father, Gong Gong (James Hong), she is feuding with her daughter Joy (Stephanie Hsu), and Waymond is about to drop divorce papers on her. As they arrive at the IRS to be audited by Deirdre Beaubeirdra (Jamie Lee Curtis), Waymond suddenly changes into a completely different person. He declares that Evelyn is in trouble because a force from another universe is hunting her down, and it just might have found its prey, and that is when the alarms go off.
TL;DR – The legacy of Blade Runner is not overstated, even if parts of the film have not aged well.
I continue my look into the gems of films from the past that I missed the first time round by today looking at the most topical of films Blade Runner. Like 2001: A Space Odyssey (see review), Blade Runner is one of those films that came out before I was born, so I missed it the first time around, and due to its content it didn’t get a lot replay on TV as I was growing up. Now while I haven’t seen the film before today, I have read the book Do Androids Dream of Electric Sheep? As well as this, Blade Runner has appeared in so many countdown and best of lists, and multiple parodies and had homages have been made of it over the years. So even though I have never see the film, I have seen so many separate bits that I have probably seen a decent chunk of the film over the years. So with all of this I was a bit apprehensive before sitting down and watching it, would it live up to the huge cultural impact it has had, well could anything really, let’s find out. Now before we go on just a moment of clarification, the version I saw was The Final Cut, which as far as I can tell is the cut that Ridley Scott prefers, so there is likely to be differences between this and the theatrical release.
TL;DR – A beautifully animated film with real heart and warmth, that elevates it above most ‘kids’ films that you see in cinemas.
Score – 4 out of 5 stars
Before we start, let’s be honest for a moment, it is not that hard to make a successful kid’s film. Kid’s love simple slapstick humour, vibrant colourful characters, and hey chuck in a sing-along CD and a toy line and you’re set. Indeed parents like anything that they can sit their kid’s in front of so they can have a moment of peace to clean up the carnage that kids leave in their wake. This is why Angry Birds will be a financial success and parent’s cabinets are filled with DVDs of whatever Cars knockoff is going at the moment. Making a successful kid’s film, not that hard, making a good kid’s film, well that’s another thing entirely. However, after last week’s Zootopia and this week’s Kung Fu Panda 3 we can see that it is possible to create a kid’s film that is both successful and in fact really quite good. Indeed it is a really good time for animated films at the moment, and kid’s films in general, because people are actually taking the time to create thought-provoking quality work, see Inside Out, Wreck-it Ralph, Big Hero 6, How To Train Your Dragon, literally anything by Studio Ghibli and indeed today’s film Kung Fu Panda 3.