TL;DR – Conflict switches from the internal to the external as Snowpiercer comes under attack from Big Alice
Disclosure – I paid for the Netflix subscription that viewed this series.
Snowpiercer Review –
Last year there was an odd experiment that hopped on our screens. It was to take a cult classic film and re-imagine it into a TV show. Overall, I felt that Season One had some interesting moments but never got the heights it was aiming for. However, there was some promise here, and that promise was enough to make me want to have a look at Season Two.
So to set the scene, at the end of last season after a protracted revolution Melanie Cavill (Jennifer Connelly) and Andre Layton (Daveed Diggs) agreed to fix the society that runs on steep class divisions. However, a surprise appears with another train coming into the mix at that moment of triumph, an old supply train that somehow has survived the seven years of cold. On that train is none other than Mr Wilford (Sean Bean) who is here to take back the train stolen from him. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – All tease when it probably should be starting to deliver.
Score – 3.5 out of 5 stars
Review – Well, Snowpiercer the show started in an odd place, with a murder-mystery at the core of the narrative. I was not sure how it could all jell together, but as it has continued, those lines in the sand have become more evident as power shifts have come into the light. This brewing tension has led to an interesting premise, though it is still not clear if they can pull it off.
So to set the scene, the Snowpiercer has continued on its journey in the frozen appocalype of Earth, now steaming through the former Amazon. However, for Andre Layton (Daveed Diggs) the discovery that Lilah Jr (Annalise Basso) was the real murderer was not the end of his mission because he stumbled onto something else. For he found out the real power behind Melanie Cavill (Jennifer Connelly) and ended up in the draws for his trouble. However, everything marches on, and there needs to be a trial because there have been murders, and people want justice. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This an okay start, but nothing really captured me with the opening episodes.
Score – 3.5 out of 5 stars
A couple of years ago, there was this truly fascinating film from Korean filmmaker Bong Joon Ho who would go on write/direct last year’s Oscar winner Parasite. I found the film to be fascinating right up until that ending which I am still going back and forth on. So when I heard they were going make a TV show out of it I was intrigued how they would pull it off, the setting is there, but is the story?
So to set the scene, as the world started to crash as global warming and sea levels swamped the coasts. To fix this the world’s scientist had a plan to cool the world down … and they went too far. The world was freezing over and one man had a solution, Mr Wilford who built a 1001 car train for the world’s rich. However, as it was about to take off on its never-ending journey across the world those who could not afford it boarded the train in the last-ditch effort to save themselves from the coming death. Six years later, those who made it on still live in the tail, living off meagre food bars, trying to find the right time to rebel. They are ready to make their move when their leader Layton (Daveed Diggs), is taken by the hospitality team led by Melanie (Jennifer Connelly) because he is the only homicide detective left on the train and someone just got murdered. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – Filled with excited characters, and interesting action, it is almost a great film, that is until it fails to stick the landing
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Alita: Battle Angel is one of those films that has been bubbling in and out of
the film scene for almost twenty years now. It would get so close to being made
and then another setback, and once it was filmed we would get these little titbits
every month or so. With all this, I was
wondering what we would actually get with the final product because I had not seen the original Manga it is based on so
I was coming in blind. Well now that I have had some time to think through it,
I can say that it is a film with some truly beautiful moments, some really
intense ‘oh damn’ moments, and also is a movie that it falls into the same trap
as many films these days and sacrifices the narrative of this film to set up potential
sequels in the future.
So to set the scene, in the far future the Earth is covered in large sky cities
until one day called ‘The Fall’ everything came crashing down bar one city
called Zalem. With the Earth devastated many flock
to the one remaining bastion of civilization creating the great Iron City that
sprawls out underneath Zalem. No one from the Iron City can enter Zalem, but
they all work for the city, in the farms, factories, or as Hunter-Warriors who
are bounty hunters in a world where the police no longer exist. In the centre
of Iron City is the junkyard, where the people of Zalem throw out all their
junk raining it down on the city below. One day Dr Dyson (Christoph Waltz) was scavenging
the junkyard for parts for his cybernetic limbs clinic when he comes across a
cyborg core with a still functioning brain. He brings her home and repairs her body when she awakes she has no idea what her
name was, or what her past was, but she accepts the name Alita (Rosa Salazar)
and begins to learn about the dangerous world around her.
TL;DR – A brilliant relaunch of a much-loved character, which tells an origin story without telling an origin story
Score – 4.5 out of 5 stars
P.S. – There is a Mid and Post Credit scene.
So here we are with our first big standalone Spider-Man feature now that he is in the Marvel Cinematic Universe. Before we go on, we should probably take a moment and talk about how amazing it is that we actually got Homecoming at all. Indeed a lot had to fall into place to make this work. I’ve not seen companies work like this, and as well as this since, well maybe since Who Framed Roger Rabbit. Props have to be given to both Sony and Marvel to being able to put aside their differences and making this work, because that would not have been an easy set of negotiations, but they have made the integration almost seamless. So let us begin as we swing into the world of high school proms, alien weapons, explosions, and award conversations about life changes when you become a teenager.