Tag Archives: Korean Cinema

Goodbye Earth (Jongmalui Babo/종말의 바보): Season 1 – TV Review

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TL;DR – This is an interesting premise that is well acted, but the glacial pace holds it back when there is such a specific counting clock driving all the motivations.  

Rating: 3 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

Warning – Contains scenes that may cause distress.

The destruction of the Earth mural.

Goodbye Earth Review –

In the past couple of years, there have been two huge surprises. The first was how emotional Greenland turned out to be, and the second was how impactful All of Us Are Dead turned out to be. When I heard that there was a series that could be the Venn diagram between these two, well, I had to check it out. In today’s review, we will be looking at the first six episodes to see if it captures us.    

So to set the scene, we opened in an abandoned construction site for apartments, with cranes left standing, swaying in the wind mid-load, as if society shifted in an instant. In this world, a young girl lives alone on the top floor in a society that is starting to collapse around them because on February the 22nd, 2026, an asteroid Dina is going to crash into Earth, striking the Korean Peninsula, and there is nothing anyone can do about it. There are just 201 days before the end of most life on Earth. While anyone who can get out of Asia is in the city of Woongcheon, Korea, at Cheondong Middle School, people are trying to go on. Now from here, we will be looking at the series as a whole, so there may be [SPOILERS] ahead.  

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Badland Hunters (Hwang-ya/황야) – Movie Review

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TL;DR – While some moments hit hard, it felt like we had a world that was only ankle-deep deep, and you really wished you could dive in.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The destruction of Seoul.

Badland Hunters Review –

The thing that makes the post-apocalypse setting such an excellent world to explore is that you can explore human stories without the frameworks that hold everything in place. But if you are going to dive into that world, you need to bring something to the table.

So to set the scene, a scientist, Yang Gi-su (Lee Hee-joon), was involved in many unethical experiments in an attempt to bring back his daughter. However, just as the authorities reach him, Seoul is struck with an earthquake so severe that it destroys most buildings and leaves much of the Korean Peninsular a barren wasteland. If you are lucky, you will find a place to barter on what food and water is left. If you are unlucky, you will see yourself set upon by cannibals. Nam-san (Ma Dong-seok) and Choi Ji-wan (Lee Jun-young) work as hunters bringing food to the local settlement, but when people kidnap Han Su-na (Roh Jeong-eui) with a bad habit of not dying, well, that is not on.   

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The Moon (더 문/Deo Mun) – Movie Review

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TL;DR – A film that is fundamentally frustrating, but even with all that, you can’t help but get caught up in the emotion.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Warning – contains scenes that may cause distress.

Disclosure – I paid to see this film.

Hwang Sun-woo on The Moon.

The Moon Review –

Today we have a fundamentally exciting film because it strikes two vast divides. On the one hand, it was a compelling work of fiction that captured my imagination and emotions. However, it was also an entirely frustrating endeavour at times. These two halves should not work in the same film, but today we see an example where it does.

So to set the scene, in 2029, five years after South Korea decided to strike out on their own in the space race that led to their first mission exploding and killing all three astronauts, they are back for a second attempt. Everything has gone well as the craft approaches the Moon until a large coronal explosion from the Sun fries everything onboard. Lee Sang-won (Kim Rae-won) and Cho Yoon-jong (Lee Yi-kyung) have exited to fix the ship when tragedy befalls them, and Hwang Sun-woo (Doh Kyung-soo) is left alone on a failing vessel where no one can help.   

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Jung_E (정이) – Movie Review

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TL;DR – It sets up an interesting conundrum about a world of combat AIs and then revels the story.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

Many Jung_E's in a row.

Jung_E Review –

We are thankfully back at the point where there are multiple new films every week. While this is great, it leads to the problem of trying to find which one of the many you take the time to watch? Well, when you hear that the creator behind Train to Busan has a new film out, that choice becomes quite easy.

So to set the scene, it is the far future of 2194, where humanity has wrecked the planet, and after climate change leads to drastic sea level rises, most humans escape to shelters built near the Luna orbit. With those left on Earth working in the factories. But this respite would not last as some banded together to create the Adrian Republic waging a decades-long war against The Allied Force. Everyone is trying to find a way to win the battle before humanity is wiped out, and for Yoon Seo-hyun (Kang Soo-youn), that weapon is the cloned android of a great leader of the past Jung_E (Kim Hyun-joo), or as she knows her as, mum.

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The Pirates: The Last Royal Treasure (해적: 도깨비 깃발/ Haejeog: Dokkaebi Gisbal) – Movie Review

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TL;DR –  A fun romp across the ocean that does lean quite heavily into that slapstick world but nearly always lands the joke.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this movie.

The Pirates: The Last Royal Treasure. Image Credit: Netflix.

The Pirates: The Last Royal Treasure Review –

Ever since the Pirates of the Caribbean franchise floundered, I have been looking for another film to step up and show just how good pirate films can be. Well, it turns out to find just such a film, I needed to dive up to Korea into a world of comedy and adventure.  

So to set the scene, in 1388 Goryeo Dynasty was collapsing, and some patriotic generals plundered the Dynasty’s wealth and took it far out to sea. Sometime later, we open with a group of bandits led by Woo Moo-chi (Kang Ha-neul) floating on a wreck ready for death when they are rescued by the famous pirate Hae-rang (Han Hyo-joo). Three months after the recuse, there is still friction between the two as they capture Japanese Pirate ships. However, this particular ship they captured is searching for a treasure, a lost ship of Goryeo treasures, and now they have the map.

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Minari – Movie Review

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TL;DR – It captures a snapshot of a life so perfectly that it is almost difficult to watch sometimes because you feel like a voyeur eavesdropping on someone else’s life.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Stan subscription that viewed this movie.

Minari. Image Credit: Madman Films.

Minari Review –

Some films you can tell are works of personal nature because of the breath intimacy at every turn. You feel it in the story, the world, and the characters. This makes it a more intimate film, but it also can be more challenging to watch. Today we look at a movie that might be the most personal film I have ever seen that wasn’t a direct autobiography.

So to set the scene, in the 1980s, the Yi family make the trek inland from California to Arkansas. Jacob (Steven Yeun) picked the house because of the land, but his wife Monica (Han Ye-ri) is less than impressed that Jacob bought a trailer and not a house. Jacob wants the land to be a farmer to grow Korean crops for the diaspora, while Monica is fearful that they are too far away from the cities as their son David (Alan Kim) has a heart problem. Things get better/worse when Monica’s mum Soon-ja (Youn Yuh-jung) arrives to watch David and his sister Anne (Noel Kate Cho) as Monica and Jacob spend their days sexing chickens in a local factory.  

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Space Sweepers (Victory, Seungriho, 승리호) – Movie Review

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TL;DR – An odd film that I loved from start to finish   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Nominated: Most Fun & Fascinating Worldbuilding

Disclosure – I paid for the Netflix subscription that viewed this film.

Space Sweepers. Image Credit: Netflix.

Space Sweepers Review –

I have seen a lot of excellent Science Fiction in the last little while. However, I have been looking forward to something different, something odd, something that does not fit the mould. Well, today we get just such a film out of Korea that blends the farcical with the serious all while screaming around Earth’s orbit.  

So to set the scene, in 2092 the biosphere started to break down on Earth, soon deserts spanned the globe as the plants died off. But all was not lost, led by UTS and its company director James Sullivan (Richard Armitage) people were able to escape into space. Well, the rich anyway got to flee to orbital biospheres in orbit while 95% of people are left on Earth or work on ships clearing up space debris hoping to earn enough money to buy UTS citizenship and escape. One such crew is of the ship Victory, including Captain Jang (Kim Tae-ri), pilot Tae-ho (Song Joong-ki), engineer Tiger Park (Jin Seon-kyu), and android Bubs (Yoo Hae-jin). All is going, well not well, when they open up a ship they salvaged and found Dorothy/Kot-nim (Park Ye-Rin) an android girl that everyone in the system is after.

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Peninsula (반도, Bando, Train to Busan Presents: Peninsula) – Movie Review

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TL;DR – A film that unfortunately cannot reach the heights of its past.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Peninsula. Image Credit: Well Go.

Review –

A few years ago, I stumbled across this fascinating Korean film called The Train to Busan. It was a zombie film where every character acted consistently and understandably throughout its run time. In a sea of mediocre zombie flicks, it instantly rose to the top, and since then maybe only Cargo has come close to meeting it. Thus, I was excited when I heard there was going to be a sequel to that great film. However, now I have seen it. I realise I should have modulated my expectations before going in.

So to set the scene, we open in on the day that South Korea fell. With Seoul burning in the background, Captain Jung-seok (Gang Dong-won) is racing through mountainous back roads to get his family out on the last refugee boat. While driving, they came across a stranded family with a baby and just kept on driving. They make it to the boat in time, however, as it is leaving one of the passengers turns and before they can stop it all of Jung-seok’s family is dead bar his brother-in-law Chul-min (Kim Do-yoon). Four years later, in Hong Kong living in squalor waiting for refugee status, Chul-min and Jung-seok are offered an opportunity by a local gangster to make some real money. All they have to do is go back to Inchon, in what is now just known as The Peninsular, under cover of darkness and recover a food truck with 20 Million Dollars in the back. What could go wrong?   

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Movie Review – Parasite (Gisaengchung, 기생충)

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TL;DR – A truly brilliant work of cinema that works on a character, action, and story level.    

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Parasite (Gisaengchung, 기생충). Image Credit: Madman Films.

Review –

When you hear that a film has won the Palme d’Or at the Cannes Film Festival you immediately take notice. Because even though the voters at Cannes don’t always get it right, they always at least pick a film that is interesting. Well today not only do we get a film that is interesting, but we also get a film that made me feel multiple different emotions throughout its run time, and made an entire cinema audible gasp more than once, like the whole cinema. Well, Parasite is a more than just interesting film. Now in this review, we are going to avoid saying too much about the ending, but just, in general, this is a film that is best seen with as little information as possible.  

So to set the scene, we open in on the Kim family: father Ki-taek (Song Kang-ho), mother Choong-sook (Jang Hye-jin), son Ki-woo (Choi Woo-shik), and daughter Ki-jung (Park So-dam). They live in a semi-basement flat in the poorer part of Seoul trying to make a living from whatever odd jobs they can find, like folding pizza boxes into shape. Then one day one of Ki-woo’s old army friends who is now in university comes to visit. He lets Ki-woo know of a job as an English tutor to a rich family that would pay very well. The only problem is that Ki-woo never went to university, even though he is qualified for the job, so he gets his sister Ki-jung to fake him up some university records and shows up at the Park family house. Mr Park (Lee Sun-kyun) is a successful businessman who runs a company and spends a lot of time away from the house, so he leaves his wife Yeon-kyo (Cho Yeo-jeong) in charge of hiring and she is apparently a bit dim. Well, when she watching his lesson with her daughter Da-hye (Jung Ji-so) she mentions that they are looking for an art tutor for their son Da-song (Jung Hyun-joon) and Ki-woo knows just what to do.

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Movie Review – Svaha: The Sixth Finger (사바하, Sabaha)

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TL;DR – This is a film that starts of in this weird tonally mismatched place and then as we delve deep it reveals the strength on which it is developing.     

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Svaha: The Sixth Finger. Image Credit: Netflix.

Review –

There are times when a surprise is really good and then there are times when you unknowingly walk into a situation that you never expected. Today we have a bit of the latter as we look at the Korean film Svaha. I had absolutely no idea what to expect, nor even what genre of film I was about to watch, I just thought it would be a good idea to catch up on some world cinema before I went to bed. Well, there are many things forthcoming in the world, but after this film, a good night’s sleep is not one of them. With that in mind, to put off going to sleep, even though it is 6 degrees in Brisbane tonight, and hold off the nightmares for an hour or two, I’m instead going to write this review.

So to set the scene, we open in a small farming town in 1999 where a woman has given birth to twin girls. However, one of them is a monster, and the doctor doesn’t think it will last the night. Soon both Geum-hwa’s (Lee Jae-in) parents are dead but her sister did not die, she lives on hidden by the family not even taught how to speak. In the present day, Pastor Park (Lee Jung-jae) is given a lecture at a local theological college. Park is an expert on new religious movements and cults in particular. He is looking to make sure that they don’t become a danger as they have been in other countries. However, it feels like he is more drawn to scandal to make a quick buck than by any real spiritual connection. One of the many groups he is monitoring is a small Buddhist-adjacent organisation who has a symbol of a deer on their buildings. But his convictions are tested when he starts digging deeper and the bodies start piling up.

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