Pretty Lethal – Movie Review

TL;DR – An absolutely solid action film that understands the visual language it wants to engage with and makes it shine.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime subscription used to watch this film.

The ballerinas.

Pretty Lethal Review Introduction

I have been on the hunt for a good action film lately, and unfortunately, I have been hit by a wave of disappointments. When you are on a bad run, it is time to remove your preconceptions and try for something outside of the box and today that means dancing as if your life depended on it.

So, to set the scene, a group of ballerinas, Zoe (Iris Apatow), Princess (Lana Condor), Chloe (Millicent Simmonds), Grace (Avantika), Bones (Maddie Ziegler), and their instructor Thorna Devonport (Lydia Leonard), were on their way to a showcase in Budapest when their flight got diverted, and the transfer bus broke down in the middle of the forest 300-odd kilometres away from the capital. No service, cold and drenched from rain, they stumble into the one hotel in the little town in the mountains. A short wait for a minibus should have been fine, but when bullets start flying, it will be a fight for their lives.

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Coyote vs. Acme – Movie Review

TL;DR – A delightfully fun time that did something I never thought possible; it made me care about the Coyote.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A Rocket Skates blueprint.

Coyote vs. Acme Review Introduction

Today I have the joy of reviewing a film that almost was lost to time, buried as a tax write-off by a company that chose profit over what has turned out to be a common-sense business choice given how well the film has done. But the tax write-off was the film’s past; the new theatrical run is its future, and I am here today to talk about that future.

So, to set the scene, Wile E. Coyote (Himself) has spent an age trying to catch and eat the Road Runner (Eric Bauza/Paul Julian) using just about every ACME contraption known to man and toon alike. His latest gambit involves magnetic gloves, rocket boots, some metallic baubles, and of course a lot of bird seed. It fails, like catastrophically. But out of his defeat, he sees a TV ad for Kevin Avery (Will Forte), a lawyer from Avery, Jones & Maltese who specialises in Toon disaster cases. However, what Avery really specialises in is doing as little as possible and getting an automatic small outcome for his clients so as to never ruffle those ACME feathers. However, when Wile E. Coyote dumps every failed ACME product into the evidence box, Avery, Jones & Maltese suddenly finds itself suing the biggest corporation in the world for every defective toon product ACME has ever made. Thus, Avery is now a very famous lawyer and is completely unprepared for the wrath that is Buddy Crane (John Cena).

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Movie Review – To All the Boys I’ve Loved Before

TL;DR – It looks at the complicated emotions of love and how we respond to it.

Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

To All the Boys I've Loved Before. Image Credit: Netflix

Review –

The teen romance is a genre that use to be very popular but you don’t see it as much anymore in recent times. Part of the reason is that quite often these were the mid-tier films falling between Indy and Blockbusters that got squeezed out of oblivion in the rush for everyone to make their tent pole crossover franchises. Also the genre has gone through some shifts in the wake of works like John Green’s The Fault In Our Stars. However, as people realise that the big multi-film franchise can’t happen all the time, we have started to see the resurgence of these mid-tier budget films and all of this brings us to today’s film To All the Boys I’ve Loved Before a Young Adult/Coming of Age film about love and loss and the need to hide your letters better from well-meaning but potentially destructive siblings.

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