Movie Review – The Perfect Date

TL;DR – While it is a bit stodgy at times, it has a real heart to it and an interesting premise.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Perfect Date. Image Credit: Netflix.

Review

In recent times, one strength that Netflix has really leaned into is producing quality rom-coms a genre that had been left wanting in the cinematic landscape recently. Indeed we have even been getting the highs of To All the Boys I’ve Loved Before and given that our lead here with the impressive eyebrows is finding a niche in this genre I was interested to see how it would go. Well, it was fine, but the more it meant on the more it felt like while it had an interesting premise, it didn’t quite stick the landing in parts.  

So to set the scene, as high school is coming to the end, the world is finding out what to do next. For Brooks Rattigan (Noah Centineo), it trying to get into Yale, he wants to change the world, even though he has no idea what it is that he needs to change. He has the chance to go to a public college but he wants to go to Yale but how is he going to pay for it or even get in. Things change one day when one of the rich kids at his school Reece (Zak Steiner) was lamenting that he had to take his cousin Celia (Laura Marano) to a high school social and Brooks steps in because he needs money. During the ‘date’ Celia mentions that he would make a great stand-in boyfriend, well one app made by his friend Murph (Odiseas Georgiadis) later and a new business is made.

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Movie Review – To All the Boys I’ve Loved Before

TL;DR – It looks at the complicated emotions of love and how we respond to it.

Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

To All the Boys I've Loved Before. Image Credit: Netflix

 

Review

The teen romance is a genre that use to be very popular but you don’t see it as much anymore in recent times. Part of the reason is that quite often these were the mid-tier films falling between Indy and Blockbusters that got squeezed out of oblivion in the rush for everyone to make their tent pole crossover franchises. Also the genre has gone through some shifts in the wake of works like John Green’s The Fault In Our Stars. However, as people realise that the big multi-film franchise can’t happen all the time, we have started to see the resurgence of these mid-tier budget films and all of this brings us to today’s film To All the Boys I’ve Loved Before a Young Adult/Coming of Age film about love and loss and the need to hide your letters better from well-meaning but potentially destructive siblings.

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