Tag Archives: Liz Kingsman

Project Hail Mary – Movie Review

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TL;DR – Project Hail Mary is everything a sci-fi film should be: bold, evocative, immersive, and wonderous.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Some scenes contain flashing lights.

Warning – Contains scenes which may cause distress.

The Hail Mary floating next to a much larger alien ship.

Project Hail Mary Review Introduction –

As I sit down to write this review, I feel like I am floating a touch on air, as if I had just witnessed something glorious to behold. Something I hoped would be good, but which delivered in ways not even I was expecting. It’s a rare film that not only meets expectations but exceeds them.   

So, to set the scene, a man wakes up sealed in a bag, not able to talk, and is accosted by some persistent medical device. He does not know who he is. He does not know where he is. He does not know why there are two dead bodies with him. And you better believe he does not know why he is on a spaceship, or why the star he is looking at is not Sol. There are flashes of memory, of a dying Sun, a Petrova line to Venus, and microbes called Astrophage eating it away. But the man whom the computer says is Dr Ryland Grace (Ryan Gosling) doesn’t have much time to think about things when the computer alerts him to Blip-A, and he realises he is not the only spaceship out here.     

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F1 (F1: The Movie) – Movie Review

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TL;DR – The Daddist Dad Film that ever Dadded

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

Looking at an F1 Race from the cockpit of an F1 car.

F1 Review –

In the pantheon of cinema, some films are Dad films. Now, that does not mean only men will enjoy them, only that the movie in question is very Dad-coded. If you have ever sat down to watch a film and thought: ‘My dad would like this’ well reader and a fine, elegant, and clearly one of good taste reader at that, have just watched a ‘Dad film’. Today, we look at a film that might be the most ‘Dad Film’ I have ever seen ‘Dad Film’, and it was excellent to boot.  

So, to set the scene, Sonny Hayes (Brad Pitt) was an up-and-coming F1 racer in his youth before a brutal crash took ten years of his life. Since then, he has been chasing different racing challenges, almost like he is knocking off a list of the world’s best races. Indeed, we meet Sonny in the middle of The 24 Hours of Daytona, and he crushes it. But as he makes his way across America to the next race, Ruben Cervantes (Javier Bardem), a former friend from his F1 days and current F1 APXGP team owner, pops in for a visit. For you see, Ruben has a problem: his team has never won a race, their second driver has just quit, and they are sitting on 0 points for the season. If they fail to win a race, shareholders like Peter Banning (Tobias Menzies) could force a sale. All Ruben needs Sonny to do is become the second driver for the rest of the season and help give his experience to their very talented yet very young other driver, Joshua “Noah” Pearce (Damson Idris). Sonny left that world behind thirty years ago, but the allure of one last crack at it can’t help but call him back.

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