TL;DR – At times hilarious, at times incredible farcical, and at times a deeply moving look at the trials of friendship.
Score – 4 out of 5 stars
Post-Credit Scene – There is a post-credit scene
For a long time, there has been this growing bubble of particular dry absurdist comedy coming out of New Zealand. You see it in the work of Taika Waititi, Jemaine Clement, Bret McKenzie, Rhys Darby, Rachel House, and also some of Peter Jackson’s early films. These are films that mix comedy and emotional understanding in equal measures. Whenever one of these movies like Hunt for the Wilderpeople (see review) or Hibiscus & Ruthless (see review) make it across the ditch I always really look forward to seeing it. Well, today we get the chance to look at a new entry into this wonderful genre The Breaker Upperers, from the comedic team of Madeleine Sami and Jackie van Beek.
TL;DR – While it can be frustrating at times, it is a beautifully created animated film with an emotionally resonate heart that will punch you right in the feels at times.
Score – 3.5 out of 5 stars
Post-Credit Scene – There is a final frame after the credits
‘Animation’ is a genre that does not get the credit it deserves, for many it is just the purview of children and as such it is not something of quality. However, this is a real shame because we have seen with films like Coco (see review), Moana (see review) and Studio Ghibli that even when aimed at children, they can still be works of art. As well as this, there are more and more fascinating animated films that are targeted at adults and today we are looking at one such with Maquia.
TL;DR – This might be one of the most important cultural touchstones of Australian cinema that I have ever seen, a beautifully honest look at the intersections that exist in Australia, and a powerful call to action.
Score – 5 out of 5 stars
Post-Credit Scene – Watch all the credits
Warning – Aboriginal and Torres Strait Islander readers should be advised that the following review contains depictions, images and voices of people who have died.
I truly did not know what to expect when I walked into the cinemas today. I had heard of Geoffrey Gurrumul Yunupingu but I honestly to my own shame while I had heard of some of his more famous songs, and the work he did in the opening song for Cleverman, it is clear that this has barely scratched the surface of his body of work. What I was not expecting was that I was about to have one of the most emotional experiences that I have ever experienced watching a work of cinema. I think I spent most of the film with tears rolling down my face. So today we will look at what I feel is one of the best cinematic touchstones to encapsulate Australia, its past, present, and future.