Tag Archives: Madman

Movie Review – Mirai (Mirai no Mirai, 未来のミライ)

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5

TL;DR – Mirai is a film that ricochets from one emotion to the next, from joy, to despair, from excitement, to an existential crisis, but at no point does it lose its heart, and that is such a tough act to get right.

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Mirai. Image Credit: Studio Chizu/Madman

Review –

Have you ever walking into a film with absolutely no idea what it was going to be about? No TV ads, no trailers, no opinion peaches, a complete blind experience. For me, it has only truly happened once with The Forbidden Kingdom. Well, today I have another entry for that list with Mirai. Not only did I have no idea what it was going to be about, I had no idea it was about to hit me in the feels in a very complex way.

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Movie Review – The Breaker Upperers

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5

TL;DR – At times hilarious, at times incredible farcical, and at times a deeply moving look at the trials of friendship.

Score – 4 out of 5 stars

Post-Credit Scene – There is a post-credit scene

The Breaker Upperers. Image Credit: Piki Films/Madman.

Review –

For a long time, there has been this growing bubble of particular dry absurdist comedy coming out of New Zealand. You see it in the work of Taika Waititi, Jemaine Clement, Bret McKenzie, Rhys Darby, Rachel House, and also some of Peter Jackson’s early films. These are films that mix comedy and emotional understanding in equal measures. Whenever one of these movies like Hunt for the Wilderpeople (see review) or Hibiscus & Ruthless (see review) make it across the ditch I always really look forward to seeing it. Well, today we get the chance to look at a new entry into this wonderful genre The Breaker Upperers, from the comedic team of Madeleine Sami and Jackie van Beek.

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Movie Review – Maquia: When the Promised Flower Blooms (Sayonara no Asa ni Yakusoku no Hana o Kazarō, さよならの朝に約束の花をかざろう)

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1

TL;DR – While it can be frustrating at times, it is a beautifully created animated film with an emotionally resonate heart that will punch you right in the feels at times.

Score – 3.5 out of 5 stars

Post-Credit Scene – There is a final frame after the credits

Maquia banner

Review –

‘Animation’ is a genre that does not get the credit it deserves, for many it is just the purview of children and as such it is not something of quality. However, this is a real shame because we have seen with films like Coco (see review), Moana (see review) and Studio Ghibli that even when aimed at children, they can still be works of art. As well as this, there are more and more fascinating animated films that are targeted at adults and today we are looking at one such with Maquia.

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Movie Review – Gurrumul

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10

TL;DR – This might be one of the most important cultural touchstones of Australian cinema that I have ever seen, a beautifully honest look at the intersections that exist in Australia, and a powerful call to action.

Score – 5 out of 5 stars

Post-Credit Scene – Watch all the credits

Gurrumul

Warning – Aboriginal and Torres Strait Islander readers should be advised that the following review contains depictions, images and voices of people who have died.

Review –

I truly did not know what to expect when I walked into the cinemas today. I had heard of Geoffrey Gurrumul Yunupingu but I honestly to my own shame while I had heard of some of his more famous songs, and the work he did in the opening song for Cleverman, it is clear that this has barely scratched the surface of his body of work. What I was not expecting was that I was about to have one of the most emotional experiences that I have ever experienced watching a work of cinema. I think I spent most of the film with tears rolling down my face. So today we will look at what I feel is one of the best cinematic touchstones to encapsulate Australia, its past, present, and future.

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