TL;DR – This might be one of the most important cultural touchstones of Australian cinema that I have ever seen, a beautifully honest look at the intersections that exist in Australia, and a powerful call to action.
Score – 5 out of 5 stars
Post-Credit Scene – Watch all the credits
Warning – Aboriginal and Torres Strait Islander readers should be advised that the following review contains depictions, images and voices of people who have died.
I truly did not know what to expect when I walked into the cinemas today. I had heard of Geoffrey Gurrumul Yunupingu but I honestly to my own shame while I had heard of some of his more famous songs, and the work he did in the opening song for Cleverman, it is clear that this has barely scratched the surface of his body of work. What I was not expecting was that I was about to have one of the most emotional experiences that I have ever experienced watching a work of cinema. I think I spent most of the film with tears rolling down my face. So today we will look at what I feel is one of the best cinematic touchstones to encapsulate Australia, its past, present, and future.
TL;DR – It’s not the worse film I have ever seen, but it’s not that great, the last third is even pretty good, it is unfortunate that you have to sit through the rest of the film to get to it.
Score – 2.5 out of 5 stars
So at the start of this film, you are reminded that the first Zoolander came out in 2001, wow, it has been a long time between sequels. So the question is, was it worth the wait? did we need a sequel to a reasonably good comedy from 2001?, will the fact that they killed of Justin Beiber in the first 5 minutes of the film absolve it of all wrongs? well not really. With that being said it’s not the worse film I have ever seen, it is just, well, to be honest, a bit of a disappointment. Continue reading →