TL;DR – Today we countdown my Top 10 films of all time; from towns where there are a lot of ‘accidents’, to all forms of Sci-Fi, to do you know the man with six fingers on his right hand, and everything in between.
Recently I watched the CineFix crew countdown their Top 10 films, and it had me thinking what are mine? Now it was at this point where I of course naturally spiralled as how can you reduce thousands of films that you have seen into only a Top 10. Just before I threw my hands up in resignation and chucked in the towel I happened to catch an episode of Movies with Mikey on how he determined the best sequel. With this in mind I wondered if there was a set of criteria that I could use to categorise the films into a list that I would be happy with, and after some work, I came up with the following criteria that work for me.
Films that are beautifully constructed
Films that mean something to me
Films that are always re-watchable
Films that have added to my love of the craft of cinema
With this criterion in mind I went through all the likely candidates and with a bit of a struggle I think I have been able to come to a final list, well at least until I change my mind next week, which is always a chance.
TL;DR – While it can be frustrating at times, it is a beautifully created animated film with an emotionally resonate heart that will punch you right in the feels at times.
Score – 3.5 out of 5 stars
Post-Credit Scene – There is a final frame after the credits
‘Animation’ is a genre that does not get the credit it deserves, for many it is just the purview of children and as such it is not something of quality. However, this is a real shame because we have seen with films like Coco (see review), Moana (see review) and Studio Ghibli that even when aimed at children, they can still be works of art. As well as this, there are more and more fascinating animated films that are targeted at adults and today we are looking at one such with Maquia.
TL;DR – A beautifully realised world that blends the magical and the real, and while it needed a bit more work structurally it was a joy to watch.
Score – 3.5 out of 5 stars
Post-Credit Scene – No
Back in 2014, there was one of those announcements that come up every now and again that rocked the cinematic community, Studio Ghibli was halting production after the notice that Hayao Miyazaki one of its founders was retiring. Now in the preceding years, Miyazaki has returned to Studio Ghibli, but with the studio being in a state of flux many of its animators struck out on their own and formed Studio Ponoc. Well, today we are taking a look at this new studio’s first feature film Mary and the Witch’s Flower.
So That is quite a bold statement in the title, however, as the year has gone on there seems to have been a number of independent decisions in Hollywood that has led to five different films using John Denver as part of their soundtracks. However, these are not just songs on the soundtracks, each film has incorporated them into their plots in unique and interesting ways. So today we are going to look at the films and how they used their songs. Now because we are talking about films released this year there will be [SPOILERS] for Kingsman, Logan Lucky, Aliens: Covenant, Okja & Free Fire. Before we dive in let’s take a look at the man who you may not know, but you have more than likely heard in your lives.
So it has been an amazing few weeks here in the great Down Under as local cinemas have brought all of Studio Ghibli’s (株式会社スタジオジブリ) films back to the big screen. This has meant that for the first time I got to see some of my favourite films on the big screen and it has had me thinking, what is it about these films that has engendered so much love around the world? For many people in the world, Studio Ghibli films are their first introduction into the world of Japanese animation or anime, and what an introduction they are. After much thought as to why they work as well as they do, for me, I think it distils down to one factor, on the whole, Studio Ghibli films are full of beauty. So today we are going to look at the different factors that make that so, by taking a broad brush stroke across Studio Ghibli’s entire catalogue from Nausicaä of the Valleyof the Wind¹ (風の谷のナウシカ) to today. To do this we are going to look at the stories, art, and music. Now while we will be talking about these components there may be some minor [SPOILERS] ahead for some of the films.