Tag Archives: movies

The G – Movie Review

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TL;DR – This is a wonderful character piece that maybe promises a touch more on what it can deliver.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Two men burring a person.

The G Review –

In the current cinema landscape, it can be easy to go for style over substance. We can do the flash and bang and also the alakazam, but we linger on the surface. Things only become interesting once you dig a little deeper. Today, we look at a film that completely understands that even if it does not quite stick that landing.  

So, to set the scene, we open with two men digging in the snow, only to find them burying a body. These are people who know how to get their way. Their next victim is Ann Hunter (Dale Dickey), an elderly retiree who cares for nothing but her granddaughter Emma (Romane Denis). She is struggling to cope with the pressures of looking after her ill husband Chip (Greg Ellwand), but her life is upturned when Rivera (Bruce Ramsay) pushes them into a home with a trumped-up court order so they can steal her house. But there is no way she is going to let them do that to her.    

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The Delicate Cycle – Movie Review

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TL;DR – It makes the most of its one location to explore the emotions of significant life changes.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A washing machine about to start.

The Delicate Cycle Review –

While a short film can be constraining, those limitations can be turned into strengths. You can concentrate things down into their core forms. For example, that transient information that gets passed down from generation to generation. Today, we are looking at a film that is working in that space.  

So, to set the scene, it is just a typical day for Lance (Fred Mancuso) as he gets into the laundromat as early as possible to get his clothes done. Usually, there is no one there, bar maybe Anita (Yassmin Flores), but today there was someone new, a young kid called Adam (Dean Norris Jr.) who is in the process of trying to win at Ms Pacman but also struggling with his emotions.

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Kill – Movie Review

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TL;DR – A bloody rampage of action that perfectly uses the medium of a train to tell its story of revenge.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Warning – Contains scenes that may cause distress.

Amrit, bloodied on the floor surrounded by bandits.

Kill Review –

There are times when you want to sit down and watch a bloody action romp on screen. Fists throwing, legs kicking, knives slashing, and all that jazz. But what if you could get that and get something a little new that you have never seen before? Well, that is what we are getting today with one of the bloodiest action romps I have seen in an age.

So, to set the scene, Amrit (Lakshya) and Viresh (Abhishek Chauhan) are captains and commandos in the Indian Army. When they return from the field, they find out that Amrit’s love Tulika (Tanya Maniktala) has been betrothed to another. Amrit and Viresh try to rescue her from the engagement party, but there are too many families with assorted weapons. However, the next day, Tulika, her sister Aahna (Adrija Sinha), her father Baldev Singh Thakur (Harsh Chhaya), and the rest of her family are taking an overnight train back to Delhi. So, Amrit and Viresh tag along, hoping for a better chance there. The only problem is that Fani (Raghav Juyal) and his extended family are also on the train, and they are about to rob it.    

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Arena Wars – Movie Review

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TL;DR – This is an ambitious film, and while I don’t think it ever reached that ambition, it was fascinating to watch.

Rating: 3 out of 5.

Post-Credit Scene – There is a scene throughout the credits.

Disclosure – I was sent a screener of this film.

The Big F##king City

Arena Wars Review –

Today, we are looking at a difficult film to review because you get pulled in two different directions. On the one hand, as a critic, I need to review what is on the screen, but as a human being, you can also see the potential that could have been.

So, to set the film, it is 2045, and in The Big F##king City, there is only one way that convicted felons can get out: by appearing on Arena Wars, a TV show that everyone watches, well everyone used to watch. The convicts have to fight through seven different rooms with seven violent killers in them to be able to go free. The brand is on life support, and they need to win back the audience that is becoming bored of death. In the Rodimus Federal Prison in the Washington DC City State, Luke Bender (John Wells) is sitting with a 200-year sentence, covering for their superiors who stuffed up. But they need a hero for the arena, and Luke is in the wrong place at the wrong time.     

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Breakwater – Movie Review

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TL;DR – There are a lot of elements here that work; the cast is fantastic, and the setting lands. It is just the narrative glue that is meant to hold all that together starts peeling off far too early in the film.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A boat slinks through the sound.

Breakwater Review –

Today, we are looking at a film with two halves, a strong cast and setting, but then a narrative that misses the mark. Quite often, you will hear people say that a film really needs only one of the two. Well, today, we will see that feeling put to the test, and I am not sure it will hold up.  

So, to set the scene, it is Dovey’s (Darren Mann) last day at the St. Brides Correctional Facility and his mentor Ray Childress (Dermot Mulroney) gives him a mission. A storm washed an old ship mast up on the beach, and in the photo, Ray spotted his estranged daughter. As Dovey tries to reacclimatise to the world outside, he is haunted by what he had to do to survive. But Ray can’t wait for the year of parole to be up, so Dovey has to choose: not keep a promise or potentially go back to jail because he broke his parole conditions.

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Beverly Hills Cop: Axel F – Movie Review

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TL;DR – This is a film that entirely knows what it wants to be and completely nails that delivery. How much you will like that will depend on how you gel with the premise.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Detroit Jacket.

Beverly Hills Cop: Axel F Review –

Well, here is a blast of the past, and even in our reboot-obsessed culture, this feels like a deep cut. Well, that is, until you hear the music, and then you 100% understand why. However, it had been 30 years since the last entry, and that is a lot of ground to make up for. There is only so much that synth can do, but let us see if there is a story that can work, given the shifts in the police force since the last outing.

So, to set the scene, Axel Foley (Eddie Murphy) is still a cop who is completely fine with causing mass destruction to capture his crooks in Detroit. However, times have changed; a snowplough is indiscriminate in its chaos, and this is the last time Jeffrey Friedman (Paul Reiser) can cover for him. But when an old friend (Judge Reinhold) lets him know that his estranged daughter Jane’s (Taylour Paige) life has been threatened in Beverly Hills. Axel takes the first flight back to his old stomping grounds, and they discover that they might be more alike than they want. They both know Detective Sam Abbott (Joseph Gordon-Levitt), but Billy is missing, and it might be time to cause some mayhem in Beverly Hills.      

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Hundreds of Beavers – Movie Review

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TL;DR – It was a completely wild ride from start to finish. I am not sure I have ever seen a film like this before, and I doubt I will ever again.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Jean Kayak pops out of a hole.

Hundreds of Beavers Review –

For the last year, I kept hearing rumblings of this weird Beavers film that everyone needed to see. It is super low budget, weird in every way, yet utterly engaging. It is the sort of film that never gets a theatrical realise in Australia; well, that is, it does not usually get one. I was fundamentally surprised to see this was not the case here, but more than that, I was excited to see just how a film like this could come together, and I am not sure if anything prepared me for this.  

So, to set the scene, deep in the 19th century, Jean Kayak (Ryland Brickson Cole Tews) is an applejack producer, a very alcoholic liquor that everyone near and wide travels to, given how good it is. However, a stray beaver damages the giant kegs storing the Applejack, destroying the store and orchard in the process. Jean has only one option: get even with the beavers. The only problem is that he will have to survive first, which might be easier said than done. It is not like it is a brutally cold winter, and he has nothing to his name but the clothes on his back and the ability to carve interactive sculptures out of wood with his teeth.  

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The Convert – Movie Review

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TL;DR – A very compelling narrative of finding oneself far away from home.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

The New Zealand coastline.

The Convert Review –

There was a whole wave of unintended consequences when the British gallivanted around the world, sticking their flag on any spot of land that they could. You know, other than the conquest, murder, and resource exploitation, that is. In what is now New Zealand, one of these was the Musket Wars, where tribal structures across the islands were ripped apart. Today’s film jumps into the heart of this and the world it is creating.  

So, to set the scene, it is 1830, and Thomas Munro (Guy Pearce) is on a dangerous journey across the Tasman Sea to his new home on the Islands of New Zealand in the town of Epworth. He has been hired as the new lay preacher, but before he reaches there, he saves the life of Rangimai (Tioreore Ngatai-Melbourne) as the rest of her town is slaughtered by the warlord Akatarewa (Lawrence Makoare). Even when in Epworth, danger lurks, and not just from the “savages” in the bush.

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The Mountain – Movie Review

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TL;DR – An emotional roller coaster that can have you laughing, crying, and uplifting all in the space of 30 seconds.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Mount Taranaki in poster form.

The Mountain Review –

After a long and challenging week, I thought I would stop in at the movies on the way home from work on a Friday afternoon. I had a number of options, but then I noticed what looked like a fun kids flick out of New Zealand and thought that would be the perfect way to round out the week. I mean, it was, but it was also emotionally devastating on multiple occasions. While also being a delight at every turn. Well, let’s dive in and unpack Rachael House’s directing debut.

So, to set the scene, we open in a hospital as Sam (Elizabeth Atkinson) prepares a sneaky escape with the help of her friend Peachy (Sukena Shah). There is one thing that she wants to do in her life, and that is climb Mount Taranaki. On her way, she runs into Mallory Potts (Reuben Francis), a boy who has just moved to the area with their father Hugh (Bryan Coll), and Bronco (Terence Daniel), who is struggling with relating with his father Tux (Troy Kingi). Together, they decide to climb the mountain, no matter the obstacles in their way.

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Kalki 2898 AD – Movie Review

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TL;DR – This is a film that had moments of dire boredom but also had me sitting on the edge of my chair. I wish we got more of the latter than the first.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film

The Complex hovering over everyone.

Kalki 2898 AD Review –

Back when RRR came out two years ago, I realised that I needed to watch more Telugu Language films, and I have been found wanting on that front. Well, if I am going to dive back in, a substantial mythological/Science Fiction romp is 100% right up my alley. Today, we are going to come into this movie with a slight outsider perspective with all its strengths and weaknesses.

So to set the scene, back in the ages past, in 3102 BC, two groups, the Kauravas and the Pandavas, fought for the throne. But when Ashwathamma (Amitabh Bachchan) attempts to kill an innocent, lord Krishna (Krishnakumar/ Arjun Das) curses him to walk the world as an immortal, being never able to die until Vishnu’s last avatar returns. Thousands of years later, in 2892 AD, the world was scorched, and the only city left was Kasi, which lived under the shadow of The Complex, a vast megastructure in the sky. It is a brutal world where everyone is trying to make enough units to get into The Complex while they act with impunity, killing anyone and stealing all the women able to bear children. Bhairava (Prabhas) is a bounty hunter in this world, but when he captures a fleeing Luke (Harshith Malgireddy), little does he know the new trajectory his life will now be on and the dangers he might have incited.

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