Beverly Hills Cop: Axel F – Movie Review

TL;DR – This is a film that entirely knows what it wants to be and completely nails that delivery. How much you will like that will depend on how you gel with the premise.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Detroit Jacket.

Beverly Hills Cop: Axel F Review

Well, here is a blast of the past, and even in our reboot-obsessed culture, this feels like a deep cut. Well, that is, until you hear the music, and then you 100% understand why. However, it had been 30 years since the last entry, and that is a lot of ground to make up for. There is only so much that synth can do, but let us see if there is a story that can work, given the shifts in the police force since the last outing.

So, to set the scene, Axel Foley (Eddie Murphy) is still a cop who is completely fine with causing mass destruction to capture his crooks in Detroit. However, times have changed; a snowplough is indiscriminate in its chaos, and this is the last time Jeffrey Friedman (Paul Reiser) can cover for him. But when an old friend (Judge Reinhold) lets him know that his estranged daughter Jane’s (Taylour Paige) life has been threatened in Beverly Hills. Axel takes the first flight back to his old stomping grounds, and they discover that they might be more alike than they want. They both know Detective Sam Abbott (Joseph Gordon-Levitt), but Billy is missing, and it might be time to cause some mayhem in Beverly Hills.      

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Hundreds of Beavers – Movie Review

TL;DR – It was a completely wild ride from start to finish. I am not sure I have ever seen a film like this before, and I doubt I will ever again.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Jean Kayak pops out of a hole.

Hundreds of Beavers Review

For the last year, I kept hearing rumblings of this weird Beavers film that everyone needed to see. It is super low budget, weird in every way, yet utterly engaging. It is the sort of film that never gets a theatrical realise in Australia; well, that is, it does not usually get one. I was fundamentally surprised to see this was not the case here, but more than that, I was excited to see just how a film like this could come together, and I am not sure if anything prepared me for this.  

So, to set the scene, deep in the 19th century, Jean Kayak (Ryland Brickson Cole Tews) is an applejack producer, a very alcoholic liquor that everyone near and wide travels to, given how good it is. However, a stray beaver damages the giant kegs storing the Applejack, destroying the store and orchard in the process. Jean has only one option: get even with the beavers. The only problem is that he will have to survive first, which might be easier said than done. It is not like it is a brutally cold winter, and he has nothing to his name but the clothes on his back and the ability to carve interactive sculptures out of wood with his teeth.  

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The Convert – Movie Review

TL;DR – A very compelling narrative of finding oneself far away from home.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

The New Zealand coastline.

The Convert Review

There was a whole wave of unintended consequences when the British gallivanted around the world, sticking their flag on any spot of land that they could. You know, other than the conquest, murder, and resource exploitation, that is. In what is now New Zealand, one of these was the Musket Wars, where tribal structures across the islands were ripped apart. Today’s film jumps into the heart of this and the world it is creating.  

So, to set the scene, it is 1830, and Thomas Munro (Guy Pearce) is on a dangerous journey across the Tasman Sea to his new home on the Islands of New Zealand in the town of Epworth. He has been hired as the new lay preacher, but before he reaches there, he saves the life of Rangimai (Tioreore Ngatai-Melbourne) as the rest of her town is slaughtered by the warlord Akatarewa (Lawrence Makoare). Even when in Epworth, danger lurks, and not just from the “savages” in the bush.

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The Mountain – Movie Review

TL;DR – An emotional roller coaster that can have you laughing, crying, and uplifting all in the space of 30 seconds.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Mount Taranaki in poster form.

The Mountain Review

After a long and challenging week, I thought I would stop in at the movies on the way home from work on a Friday afternoon. I had a number of options, but then I noticed what looked like a fun kids flick out of New Zealand and thought that would be the perfect way to round out the week. I mean, it was, but it was also emotionally devastating on multiple occasions. While also being a delight at every turn. Well, let’s dive in and unpack Rachael House’s directing debut.

So, to set the scene, we open in a hospital as Sam (Elizabeth Atkinson) prepares a sneaky escape with the help of her friend Peachy (Sukena Shah). There is one thing that she wants to do in her life, and that is climb Mount Taranaki. On her way, she runs into Mallory Potts (Reuben Francis), a boy who has just moved to the area with their father Hugh (Bryan Coll), and Bronco (Terence Daniel), who is struggling with relating with his father Tux (Troy Kingi). Together, they decide to climb the mountain, no matter the obstacles in their way.

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Kalki 2898 AD – Movie Review

TL;DR – This is a film that had moments of dire boredom but also had me sitting on the edge of my chair. I wish we got more of the latter than the first.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film

The Complex hovering over everyone.

Kalki 2898 AD Review

Back when RRR came out two years ago, I realised that I needed to watch more Telugu Language films, and I have been found wanting on that front. Well, if I am going to dive back in, a substantial mythological/Science Fiction romp is 100% right up my alley. Today, we are going to come into this movie with a slight outsider perspective with all its strengths and weaknesses.

So to set the scene, back in the ages past, in 3102 BC, two groups, the Kauravas and the Pandavas, fought for the throne. But when Ashwathamma (Amitabh Bachchan) attempts to kill an innocent, lord Krishna (Krishnakumar/ Arjun Das) curses him to walk the world as an immortal, being never able to die until Vishnu’s last avatar returns. Thousands of years later, in 2892 AD, the world was scorched, and the only city left was Kasi, which lived under the shadow of The Complex, a vast megastructure in the sky. It is a brutal world where everyone is trying to make enough units to get into The Complex while they act with impunity, killing anyone and stealing all the women able to bear children. Bhairava (Prabhas) is a bounty hunter in this world, but when he captures a fleeing Luke (Harshith Malgireddy), little does he know the new trajectory his life will now be on and the dangers he might have incited.

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Trigger Warning – Movie Review

TL;DR – When things click into place, this can be quite an entertaining film. Unfortunately, a lot of the connective tissue is full of awkwardness that holds it back.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Parker mourns her father.

Trigger Warning Review

Okay, so I am going to be upfront with you right from the start. The reason I sat down to watch this film is because it has been an age since I have seen Jessica Alba in anything. She was one of those tent pole stars when I was growing up, and I am always here for a new renaissance.   

So to set the scene, we open in the Bādiyat al-Shām Desert, Syria, as two pickup trucks with machine guns chase down an aid vehicle that clearly is not delivering aid. Instead, it is driven by spec-ops operative Parker (Jessica Alba), who is very handy with a knife. But when an apparent cave-in kills her father at the mine he works in, Parker travels all the way home to deep rural America to find out what really happened. However, one look shows that the cave-in might be a very convenient conclusion.   

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Deadland – Movie Review

TL;DR –  It is a film with a lot of intrigue, but I wish it had a bit more going on under the hood.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

A man standing on the river's shore.

Deadland Review

I do love when films get weird, when they play with your perceptions of what is real or not, though I should maybe stop playing them before bed. Today, we are looking at a film that does just that with the people in the movie, but does it have the same effect on the audience?

So, to set the scene, we find ourselves on the USA/Mexico border with US Customs and Border Patrol, where they find a suspicious van trying to cross. Agents Angel Waters (Roberto Urbina) and Ray Hitchcock (McCaul Lombardi) find just a kid behind the wheel and a whole lot of drugs in the back. It was just a routine day for The Patrol, but when Angel is alone and finds the body of The Stranger (Luis Chávez) floating dead in the river, he is the most surprised when the man wakes up out of his body bag on the drive home. But when Angel’s father, Ignacio Coronado (Manuel Uriza), returns and the dead man, now alive, turns up dead again, things start falling apart, and this is when Internal Affairs starts to sniff around.  

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Despicable Me 4 – Movie Review

TL;DR – Look, the kids started laughing with the title card and stopped with the end credits, and I am not sure that anything more than that truly matters in the grand scheme of things.

Rating: 3 out of 5.

Post-Credit Scene – There are mid credit sequences but you don’t need to stay for them.

Disclosure – I was invited to a press screening of this film.

Minions in a pool.

Despicable Me 4 Review

Well, it is time to get the banana papayas out because it is Minions time. Look, I have generally liked these films because there is an almost charm to the slapstick comedy that permeates every frame. Also, while my mother is not a fan of this, I don’t have any kids, so I only have to watch this film once—my deepest sympathies to those well into the double-digit viewings. But now we are six films deep into this world, can there be any more fun to be found? Well, that is what we will find out today.   

So to set the scene, Gru (Steve Carell) is still working for the Anti-Villain League, and this time, his mark is Maxime Le Mal (Will Ferrell), a heavily ‘French’ accented villain and former classmate of Gru. Indeed, Gru takes him down in the middle of their class reunion. Things are also looking up at home, where he and Lucy (Kristen Wiig) have welcomed a new child into the family, Gru Jr. But when Maxime escapes and threatens to ‘cockroach-ize’ the baby, well, the whole family has to go undercover to keep safe. You better hope your new neighbours are not secret supervillain fans.

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Hit Man – Movie Review

TL;DR – A wild film with commitment in the subtext, the literal text, and also a promise to the audience.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Gary just got promoted.

Hit Man Review

There has been a lot of talk about who is going to be the next leading man in Hollywood. Indeed, I think the last person to claim that honestly might have been Tom Cruise, maybe Robby Downer Jr., but then the question is always who is going to fill that role in the near future. When it came to raw power, we have seen that Glen Powell has that in spades, but does he have the range? Well, that is the question I think we will get an answer about today.   
So to set the scene, Gary Johnson (Glen Powell) is the epitome of a mild-mannered professor. Who spends the day teaching psychology and philosophy and nights feeding his cats. Oh, and he just shop happens to have a side hustle working undercover for the New Orleans Police Department. Traditionally, he stayed in the van working on all the tech stuff he installed. Still, one day, when the undercover officer Jasper (Austin Amelio) was not able to make it, his boss Claude (Retta) was out of options. In a moment, Gary was a hitman for hire. At least, that is what he pretends to be.  

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Furiosa: A Mad Max Saga – Movie Review

TL;DR – It is a film that roars to life and explodes on to the screen, captivating you with every turn.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit sequence.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Furiosa stands alone in the desert.

Furiosa: A Mad Max Saga Review

Well, this was always going to be an interesting film for me. The last entry in the Mad Max Saga, as we are now calling it, Fury Road, blasted onto the world and had a profound effect on me. It is one of those rare films that I have watched over and over again, and each time, I found a new detail I had missed before. It is in my Top 10 Films of All Time list for a reason. This means that there was some trepidation when I walked into the theatre wondering how a prequel to that film could stand up, but the second my seat reverberated with a motorcycle roar, I knew that I was in for something exciting.

So, to set the scene, a young Furiosa (Alyla Browne) is living in the green land of many mothers when she comes across three bikers who have discovered their hidden sanctuary. Being captured, her mother (Charlee Fraser) chases Furiosa across the desert till they make it to the roving camp of Praetorian Jack (Chris Hemsworth). He sees her value as the one person who knows where the place of abundance is and brings her into his collection, which is where she first meets the leader of the Citadel, Immortan Joe (Lachy Hulme).

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