TL;DR – The Seatbelts are doing live versions of classic Cowboy bebop songs and they slap
I don’t think it will be a surprise to anyone to say that I have been finding the last few months to be quite difficult. Indeed, I think it has been hard for most people and it is only increasing as the days, weeks, and months go on. I have been trying to find something to spark my joy, and while binge-watching old shows like The Nanny and Scrubs has helped, and having a watch list that might be 90% Bon Appétit videos is just the nature of the times. Nothing has really brought that smile to my world, well nothing until now.
At the end of last year, I talked a lot about how much I loved Cowboy Bebop, an anime out of Japan that might be many of my generation’s first introduction into that art style but it is still something resonates in my heart today. One of the core components of that series that may even outlast the show is its music. It was a show that deeply wove its music into the tapestry of the show, nothing was just dumped in as filler. At the core of this musical work was composer and instrumentalist Yoko Kanno and her band the Seatbelts which has gone by シートベルツ, Shītoberutsu, Seat Belts or SEATBELTS depending on which version of the soundtrack you got. It was the smashing together of so many genres of music from jazz to pop to rock to even country and all in-between that stuck in my mind for decades.
Well in the age of COVID and Zoom meetings, shudders Zoom meetings, there has been one ray of joy, as the SEATBELTS came back together perform songs from the soundtrack and it is just a sheer delight and everyone can listen to it here.
One factor that I will always look out for with a film and that is the musical score. I can get caught in the world of the music, as it sits in my head in the days, weeks, months, and even the years that come. There is immense artistry in weaving emotions from music, having us slip into the world that is created, fear the oncoming dread even if we do know why, or rejoice in the triumph of that final victory.
Music charts the cinematic world, it guides us, it can lift us up, and it can crush our souls, this is its power. So without further ado, these are the musical score that moved us in 2019. Be warned that there may be some slight spoilers ahead for the films in question and if you click on the banners you will be taken to the full review.
TL;DR – I countdown all of my top 40 moments in cinematic music from Moana to Dunkirk to Tron and more.
As we think back to the decade that was, I have been musing about the amazing films that we have gotten to see and hear. While I was putting together my Top 100 Films of the Decade list one thing that I kept coming back to was the impact that the musical scores had on me so I decided to do a list focused just on them.
In this countdown, we will look at those musical moments that defined the decade for me. Most of these will be instrumental moments, but a couple of songs written for films also make their way into this list as well. For me, these are the moments that I think about long after the film is over, the moments I hum in my head or take me back to the cinema in those first moments I was watching the film. They show the power of the musical form to convey emotion, to tell stories, and to bring excitement.
With this list, we are going to focus on one individual song rather than the score as a whole because these are the moments that punched through for me. If there is a banner, you can click on it and get taken to our review of the film, as well as this, I have added Spotify links so you can listen to the songs yourself. It was really difficult to keep the list to just 40, so I would be really interested to hear what would be on your list, so let me know in the comments below. Well, without any further ado, let’s dive in.
– We explore the
wonders of Ramin Djawadi’s musical score through the lens of Light of the Seven
Today we are starting out the first entry in a series about modern cinematic composers. For me at least, one of the factors that emotionally connects me to a piece of visual media, whether that be, a video game, a television show, or a film is the music. The right musical choice can make or break scenes and can be one of the factors that make these moments resonate across the media landscape. We all remember that first time we heard the Imperial March or The Avengers theme explodes onto the screen. They help us get lost on the high seas, traverse galaxies far, far away, or in our first example help us delve into a world of fire and ice. Because this is an article about music, I have added links to the songs in question so you can listen along.
Ramin Djawadi is a German/Iranian composer and the key musical voice of Game of Thrones, the hugely successful HBO series based of George RR Martin’s Song of Fire and Ice series. As a composer, Ramin has been working for a long time in the musical world starting first as an assistant and then creating addition music for films such as Pirates of the Caribbean: The Curse of the Black Pearl and Ned Kelly, working under one of the defining voices in modern composition Hans Zimmer. Before moving onto working on his own films like Iron Man and Pacific Rim.
One factor that I will always look out for with a film and that is the musical score. I can get caught in the world of the music, as it sits in my head in the days, weeks and months that come. There is immense artistry in weaving emotions from music, having us slip into the world that is created, fear the oncoming dread even if we do know why, or rejoice in the triumph of that final victory.
Music charts the cinematic world, it guides us, it can lift us up, and it can crush our souls, this is its power.
Before we start, an honourable mention has to go to Deadpool 2 for having the gumption to get Céline Dion to sing a completely straight rendition of the title theme, over some of the most ridiculous film titles. So without further ado, these are the musical score that moved us in 2018. Be warned that there may be some slight spoilers ahead for the films in question.