TV Review – Game of Thrones: The Iron Throne and Season Eight

TL;DR – While there has been patchy moments this season, I do think they stuck the ending.

Score – 3.5 out of 5 stars

Game of Thrones: The Iron Throne. Image Credit: HBO.

Review


Well, here we are, the final ever episode of Game of Thrones (if you don’t count the multiple prequels in preproduction at the moment). I can still remember that day when I first watched the very first episode as a group of men from The Watch go north past The Wall and discover there was something worse than wildlings waiting for them. A lost queen forced to marry into a barbarian horde to secure her ungrateful brother an army to retake their throne. A drunkard ruling a kingdom though all he wants to do is hunt and joust and fornicate with people who are not his wife. A family of noble people trying to do what is right, especially when it is hard, and being woefully unprepared for the mess they were walking into. Also, the things we do for love. All of those years of story have been building to this final episode, and I wonder can they stick the landing?

So to set the scene, during last week’s The Bells a lot of things happen and a lot of people died. After the death of Missandei (Nathalie Emmanuel) in The Last of the Starks, Daenerys (Emilia Clarke) had become inconsolable, and Missandei’s final word Dracarys sat in her mind so that even when she heard the bells of surrender Dany decided to burn Kings Landing to the ground, not really caring who or what got in her way. The complete slaughter of the capital is something she has threatened since she arrived and finally showed what damage even one dragon can do, insert the nuclear weapons analogies. The capital is in ruins, Jon (Kit Harington) tried to do the right thing and failed, Cersei (Lena Headey) and Jamie (Nikolaj Coster-Waldau) had their whole worlds crash down on them, oh and Euron (Pilou Asbæk) is finally gone. We open with the aftermath as ash and snow still fall in the ruins of Kings Landing and the dead and dying lay among the wreckage. Here Tyrion (Peter Dinklage), Jon (Kit Harington), and Davos (Liam Cunningham) walk and see the damage their actions have wrought and the potential hell that they have unleashed. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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Article – Masters of Cinematic Music: Ramin Djawadi

TL;DR – We explore the wonders of Ramin Djawadi’s musical score through the lens of Light of the Seven

Masters of Cinematic Music: Ramin Djawadi. Image Credit: HBO.

Article

Today we are starting out the first entry in a series about modern cinematic composers. For me at least, one of the factors that emotionally connects me to a piece of visual media, whether that be, a video game, a television show, or a film is the music. The right musical choice can make or break scenes and can be one of the factors that make these moments resonate across the media landscape. We all remember that first time we heard the Imperial March or The Avengers theme explodes onto the screen. They help us get lost on the high seas, traverse galaxies far, far away, or in our first example help us delve into a world of fire and ice. Because this is an article about music, I have added links to the songs in question so you can listen along.

Ramin Djawadi is a German/Iranian composer and the key musical voice of Game of Thrones, the hugely successful HBO series based of George RR Martin’s Song of Fire and Ice series. As a composer, Ramin has been working for a long time in the musical world starting first as an assistant and then creating addition music for films such as Pirates of the Caribbean: The Curse of the Black Pearl and Ned Kelly, working under one of the defining voices in modern composition Hans Zimmer. Before moving onto working on his own films like Iron Man and Pacific Rim.

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TV Review – Game of Thrones: The Last of the Starks

TL;DR – An episode of two halves that don’t work together, but at least it nails the first part.

Score – 3.5 out of 5 stars

Game of Thrones: The Last of the Starks. Image Credit: HBO.

Review

One thing that always resonates in a good show is an impact. When you change the game what is the impact on the characters and the greater world. This is one area that historically Game of Thrones has excelled at, and this might be the biggest impact we have had so far. After the battle comes a moment of reflection, but then what if there is no time because there are still enemies on the board?

So to set the scene, we begin in the moments after the end of last week’s The Long Night. At the end of the battle, Arya (Maisie Williams) was the one who finally stopped the Night King (Vladimir Furdik) destroying all of his minions. However, this was not before thousands of lives were lost, including the leader House Mormont Lyanna Mormont (Bella Ramsey). It was a major victory but also a stunning loss, one that might have set the scene for a safer world but at the cost of putting Cersei (Lena Headey) in maybe an unbeatable position. However, when you have gumption on your side (and also some dragons) anything is possible, maybe. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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TV Review – Game of Thrones: A Knight of the Seven Kingdoms

TL;DR – A moment to catch our breath before the onslaught is unleashed.

Score – 4.5 out of 5 stars

Game of Thrones: A Knight of the Seven Kingdoms. Image Credit: HBO.

Review

You know, Game of Thrones is known for its sweeping storylines that explore events happening across continents. However, there are times in the show’s history where a bunch of main and supporting cast find themselves in the one location, and if you know anything about the history of the show, that is never a good thing. Well today, we look at an episode that is the calm before the coming storm, when everything is still but you can see the dark clouds and cracking lighting on the horizon.  

So to set the scene, at the end of last week’s Winterfell a number of big plot bombs got dropped on us. There was the big news of John (Kit Harington) finally finding out who his real mother and father from Samwell (John Bradley). There was the growing sense that The North is not fond of being under anyone’s rule again. After fleeing from the destruction of The Wall in The Dragon and the Wolf Tormund (Kristofer Hivju) comes across the dead ruins of the Last Hearth and also finds the survivors of The Night’s Watch where they discover that the dead are on the move and heading straight for the Capital of the North. In the final shot, Jamie (Nikolaj Coster-Waldau) arrives in Winterfell only to find Bran (Isaac Hempstead-Wright) waiting for him, and this is where today’s episode starts off. Jamie is fighting for his life after pretty much betraying, or being at war at some point with everyone in the room. With only Tyrion (Peter Dinklage), who no one cares about in this case, and Brienne (Gwendoline Christie) who people do care about, standing for him. However, while revenge would be nice, the dead are coming and they need every sword. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.  

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TV Review – Westworld: Season Two

TL;DR – When it works it is some of the best TV on the planet at the moment, when it doesn’t well at least it is still well shot and acted.

Score – 4 out of 5 stars

 

Season Two. Image Credit: HBO

 

Review

With The Passenger (see review) coming to a close we have reached the end of Westworld’s Season Two. It was a season of competing timelines, the coming of a war, a mother searching for her child, and a lone warrior standing up when everyone needed him too. Today we are going to look at the highs and lows of Westworld’s sophomore season as we return to the holiday destination now turned into a massacre. So say goodbye The Maze and hello to The Door.

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TV Review – Westworld: The Passenger

TL;DR – It is the end and more than I expected they actually brought the timelines to a conclusion, whilst providing more and more questions for every answer they answered.

Score – 4 out of 5 stars

Post-Credit Scene – There is a Post-Credit Scene.

 

The Passenger. Image Credit HBO.

 

Review

It started all the way back in Journey into Night (see review) with someone washing up on a beach while surrounded by death at every turn and as the season has gone on it has been more of the same. There has been slaughters, a jaunt into The Raj and Shogun World, betrayals, love, loss, and a threat of a mecha bison. Well after all this time, today we come to the end of Season Two as multiple timelines rush together and we finally make it to the Valley Beyond.

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TV Review – Westworld: Vanishing Point

TL;DR – We are back to where the rest of this second half of the season has left us, and well I just wish at this point it was a bit more.

Score – 3.5 out of 5 stars

 

Vanishing Point. Image Credit: HBO.

 

Review

Today we get into the pointy end of the season with the penultimate episode, where lines are drawn, armies marshalled, and the endpoint is in sight. I do have to say coming into this episode I am much more optimistic than I have been for a while. As Season Two has progressed it has felt like it has been a season of diminishing returns as the Dolores (Evan Rachel Wood) and Man in Black (Ed Harris) storylines really started to drag. Indeed, one of the few things that have been getting me through the season has been Maeve’s (Thandie Newton) story of trying to get back to her daughter (Jasmyn Rae). However, all of that changed in last week’s Kitsuya (see review) when we were introduced to Akecheta (Zahn McClarnon) properly was a jolt to the system, but can it continue, well let’s see.

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