Tag Archives: Neo-noir

Honey Don’t! – Movie Review

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Honey Don’t! – No matter how much style, Honey Don’t! has, and it has a lot, none of that makes up for the hollow narrative that meanders around before realising it needs to finish at some point.

Rating: 2 out of 5.

Post-Credit Scene – There is an audio sting at the end of the credits, but it’s not something you need to stay for.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress

HNYDONT number plate on a car.

Honey Don’t! Introduction –

Today, we are looking at a film that is confounding. Honey Don’t! has style, is filled with a strong cast, and an interesting setting. Throw in one of the Coen brothers, and this should have been absolute gold. But no matter what they threw at the screen, none of it stuck. To the point where it is almost interesting just how much it misses the mark
 
So, to set the scene, we arrive at a car crash, a lady drove over an embankment and ended up at the bottom of a canyon. Oddly, police detective Marty Metakawich (Charlie Day) from homicide is there, but why is Honey O’Donahue (Margaret Qualley), a private investigator, on the scene? Well, for you see Mia (Kara Petersen), who is now dead, we assume, was a potential client of Honey’s, and the question remains: was she killed before she could talk?   

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Desperation Road – Movie Review

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TL;DR – An exploration of the enduring legacy of trauma and the damage it can leave if you can get past one particular plot point.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

Warning – Contains scenes including flashing lights.

Maben runs with her daughter.

Desperation Road Review –

Today, we come into a film with more than a bit of trepidation. On the one hand, we have Garrett Hedlund, whose work I have generally enjoyed and whose Tron Legacy lives rent-free in my brain. However, then we have Mel Gibson, who was once a force of nature, but when I last saw him in The Continental, he was an anchor that held the entire production back, though to be fair, that was not the show’s only issue. How is this dichotomy going to work? Well, it turns out the answer was Willa Fitzgerald.    

So, to set the scene, Maben (Willa Fitzgerald) and her daughter Analee (Pyper Braun) hit hard times as they made their way on foot to Mississippi. But when a police officer sexually assaults Maben, and then she shoots him in self-defence. This is bad, really bad. Meanwhile, Russell (Garrett Hedlund) is just getting off a bus from jail when he gets a beat down, with a promise that his debt is not paid. After a chat and a gun pick from his father Mitchell (Mel Gibson), he heads home to find a recently renovated house, now with no windows and glass everywhere. These two worlds are about to collide explosively because there are few secrets in a small town.    

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Reminiscence – Movie Review

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TL;DR – It creates a fascinating world and engaging plot, but unfortunately, the story gets lost in places.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Reminiscence. Image Credit: Warner Bros. Pictures.

Reminiscence Review –

Tonight is one of those rare occasions where I got to walk into a film with a minimal idea of just what I was going to see. All I had to go on was the poster, which told me who was staring, that the people behind Westworld created it, and that it gave me big Sci-fi vibes. Now that I have watched it, well, that was pretty spot on.  

So to set the scene, the ice caps have melted in the not too distant future, causing the sea to rise, inundating cities like London, New Orleans, and Miami. In some places, they have built giant levees to hold off the water. In others, people live on the ruins of the old world. In the chaos of the rise, wars were fought, and it is here where the technology for extracting memories first was found. Nick Bannister (Hugh Jackman) and his technician Watts (Thandiwe Newton) were veterans of that conflict. They now run the reminiscence technology to help people find what was lost or remember the better times. While it is not going swimmingly, it is enough to stop them from starving, but then one day, Mae (Rebecca Ferguson) walks in looking for her lost keys, and Nick’s world changed in an instant.

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The Little Things – Movie Review

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TL;DR –  A film where the lack of consistency and drive leave you wondering what went wrong.   

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

The Little Things. Image Credit: Warner Bros. Pictures.

The Little Things Review –

There are times when you see a cast list and a concept, and you have a level of excitement because all of these factors should lead to a solid film. However, this is not always the case as there can be a myriad of reasons what a film does not stick the landing. Well, today we look at just such a movie filled with Oscar-winning actors that all seem to be in different films.

So to set the scene, we open with a young lady driving home down a dark street in an isolated stretch of the Southern Californian countryside. Then a car approaches from behind and forces her off the road near a diner. As she bangs on the closed doors for someone to hear her, the assailant opens the boot of his car to retrieve a bat and duct tape. The next day we come to Joe “Deke” Deacon (Denzel Washington), a Kern County Deputy Sheriff, and someone clearly too old to be in such a low position. He is tasked to drive back to his old posting in Los Angeles to pick up some evidence for a court case. When there, he is roped back into his old homicide department by the new guy LASD Det. Jim Baxter (Rami Malek) because there is a murderer on the loose.

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Movie Review – Bad Times at the El Royale

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TL;DR – A really strong ensemble piece that works like a puzzle getting reveal one piece at a time, which you will enjoy depending on how long you are willing to let the premise of the film take its time to get going.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Bad Times at the El Royale. Image Credit: 20th Century Fox

Review –

I am always a sucker for a good ensemble film, where you have a group of actors working together to make a better whole of a film. Indeed having a look at my Top 10 Films of All Time (see here) all of them fall on the spectrum of being ensemble films. However, Bad Times at the El Royale is not just an ensemble film, it is also a puzzle where we get to see parts of the story revealed one at a time, and they are all trapped there as a storm rolls in, and there are different motivations and, well I think you know that this is a film for me. However, it might not be a film for everyone, with that in mind let’s dive into the world of the late 1960s and one fateful night.

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TV Review – Altered Carbon: Season One

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TL;DR – Imagine if Westworld and Blade Runner had a baby with Ghost in the Shell as the midwife.

Score – 3.5 out of 5 stars

Altered Carbon

Review –
What do we do as a society when the body is no longer the final resting place of the mind, or maybe even our souls? Well you get a world where you can wake up the dead and get them to tell you who killed them, where a child in a hit and run can get a second chance at life, where the rich can live forever jumping from one cloned body to the other, and where jail terms can last hundreds of years and you will wake up in a different body than the one you came in on. It is a world of great possibility but also a world of great sadness and inequality. So today we will be unpacking the first season of Altered Carbon an interesting show with highs and lows. However, quickly before we start, I have not read the books this show is based off, as such, I won’t be able to tell you how the show works as an adaptation on the source material. As well as this, because we are looking at the season as a whole, there will be [SPOILERS] ahead.

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Movie Review – Mute (Moon II)

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TL;DR – Compelling, brutal, it charts a world of extremes crashing together and the damage that it can do to people.

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Mute banner

Review –

Because of who you are, you live almost apart from the world. However, one day you meet someone who completes you, helps you to live your life, it is pure joy. Then one day that gets taken away from you, what would you do? Where would you go? Is there any length that you would not go to get her back? These are just some of the questions that Mute askes among the tapestry of future Germany. Today we will be exploring this fascinating film from Duncan Jones, a gritty neo-noir film of mystery and deception, but also a film dealing with some very real and present issues in the world today.

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Exploring the Past – Blade Runner (1982)

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TL;DR – The legacy of Blade Runner is not overstated, even if parts of the film have not aged well.

Blade Runner. Image Credit: Warner Bros.

Review –

I continue my look into the gems of films from the past that I missed the first time round by today looking at the most topical of films Blade Runner. Like 2001: A Space Odyssey (see review), Blade Runner is one of those films that came out before I was born, so I missed it the first time around, and due to its content it didn’t get a lot replay on TV as I was growing up. Now while I haven’t seen the film before today, I have read the book Do Androids Dream of Electric Sheep? As well as this, Blade Runner has appeared in so many countdown and best of lists, and multiple parodies and had homages have been made of it over the years. So even though I have never see the film, I have seen so many separate bits that I have probably seen a decent chunk of the film over the years. So with all of this I was a bit apprehensive before sitting down and watching it, would it live up to the huge cultural impact it has had, well could anything really, let’s find out. Now before we go on just a moment of clarification, the version I saw was The Final Cut, which as far as I can tell is the cut that Ridley Scott prefers, so there is likely to be differences between this and the theatrical release.

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