Tag Archives: Blade Runner 2049

Movie Review – Mandy

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TL;DR – This is a film that is all about the style, and if you dig it you find it to be one of the best movies ever, or like me you if you don’t, well then it turns out to be a dull frustrating mess

Score – 2.5 out of 5 stars

Post-Credit Scene – There is a post-credit thing, but you don’t need to stay for it

Warning – There are several scenes that have extensive strobe effects

Mandy. Image Credit: RLJE Films

Review –

Style is something that can make or break a film for people, it is one of the reasons that you tend to see a lot of dull monotonous films pumped out, desperately trying to be something for everyone. So in this regards, I deeply respect Mandy, for in no way playing it safe, and committing to its style like there is no tomorrow with a full line-up of sex, violence, and nudity. Unfortunately, the style did not gel with me at all, so while I appreciate what the film was trying to do, I cannot say I found it to be a particularly good film at all.

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Awards – Key Moments in Cinema in 2017 Part 2

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TL;DR – This is the end of the year, so let’s take a look back at the year that was by examining twenty categories across cinema, ranging from exquisite to the obscured and all between

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Awards –

 

It is the end of the year (well a bit later than that but life happened) and while I will have the traditional Best of 2017 and Worst of 2017 lists, I have found that both of those lists miss some of the important facets that make films work, or not work. To eligible for these awards, they simply had to be a film I reviewed in 2017, and there may be some notable absences simply because we have not got those films here yet. So in Part 2 of 4, we look at five different categories that deal with the cinema of 2017.

  • The films that just didn’t quite work
  • The best line of dialogue in cinema
  • Movie trends that I am really sick of
  • The grossest moments I had to sit through
  • The films I will go to bat for

So let’s dive into TL;DR Movie Review’s Awards of 2017 Part 2

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Awards – Key Moments in Cinema in 2017 Part 1

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TL;DR – This is the end of the year, so let’s take a look back at the year that was by examining twenty categories across cinema, ranging from exquisite to the obscured, and all between
Awards Banner

Awards –

It is the end of the year (well a bit later than that but life happened) and while I will have the traditional Best of 2017 and Worst of 2017 lists, I have found that both of those lists miss some of the important facets that make films work, or not work. To eligible for these awards, they simply had to be a film I reviewed in 2017, and there may be some notable absences simply because we have not got those films here yet.  So in Part 1 of 4, we look at five different categories that deal with the cinema of 2017.

  • The actions sequences that entertained
  • The films in 2017 that decided that just ok, was good enough for them
  • The films that exploded off the screen with beautiful cinematography
  • Those sneaky cameos they snuck in
  • The fantastic characters in cinema that are not just one person’s performance, a team came together to make it work

So let’s dive into TL;DR Movie Review’s Awards of 2017 Part 1

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Movie Review – Blade Runner 2049

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TL;DR – Visually stunning, and a wonderful follow up to a true Sci-fi classic.

Score – 4.5 out of 5 stars

Blade Runner 2049. Image Credit: Warner Bros.

Review –

Besides Star Wars later in the year, I don’t think there has been a film as anticipated in the sci-fi world more than Blade Runner 2049. As I mentioned in my retrospective of Blade Runner (see retrospective) the first time I watched the original was just the other day so I came into 2049 with that whole story being very fresh in my mind. Which turns out was a good thing, because Blade Runner 2049 is not just a sequel in name only. So without getting into spoilers here, you may want to go watch the first film in preparation of seeing it here, not that you should need an excuse to see one of the most transformative science fiction films of the last century. I do have to say from the start that I went see Blade Runner 2049 at a premium showing (Gold Class for those in Australia) which I paid for, and I went during the middle of the day when there is usually fewer people. However, still with all this, I was in a session with a couple that loud talked throughout the film, in the quiet contemplative moments, and even answered an unmuted phone at some point. So while I am professional, I can’t put aside the possibility that this might have impacted my perception of the film. Now overall I really liked Blade Runner 2049 but it is hard to talk about it without hitting spoilers, hell even the cast list is a spoiler at this point. So just for the sake of precautions be prepared for [SPOILERS] ahead if you have not seen the film, which you should.

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Exploring the Past – Blade Runner (1982)

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TL;DR – The legacy of Blade Runner is not overstated, even if parts of the film have not aged well.

Blade Runner. Image Credit: Warner Bros.

Review –

I continue my look into the gems of films from the past that I missed the first time round by today looking at the most topical of films Blade Runner. Like 2001: A Space Odyssey (see review), Blade Runner is one of those films that came out before I was born, so I missed it the first time around, and due to its content it didn’t get a lot replay on TV as I was growing up. Now while I haven’t seen the film before today, I have read the book Do Androids Dream of Electric Sheep? As well as this, Blade Runner has appeared in so many countdown and best of lists, and multiple parodies and had homages have been made of it over the years. So even though I have never see the film, I have seen so many separate bits that I have probably seen a decent chunk of the film over the years. So with all of this I was a bit apprehensive before sitting down and watching it, would it live up to the huge cultural impact it has had, well could anything really, let’s find out. Now before we go on just a moment of clarification, the version I saw was The Final Cut, which as far as I can tell is the cut that Ridley Scott prefers, so there is likely to be differences between this and the theatrical release.

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