Tag Archives: New Zealand Cinema

The Best Australian and New Zealand Cinema in 2024

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It was a fantastic year for Australian and New Zealand Cinema, with each film I saw knocking it out of the park. Some works held up a mirror to society, those that explored Indigenous voices, and those that brought the action to a new level.

This list will look more at the locally made Australian and New Zealand productions/co-productions and not just films filmed in those countries.

Our Highly Commended Films in 2024 are: Better Man, The Convert, Force of Nature, The Lord of the Rings: The War of the Rohirrim, Nugget is Dead & Runt

Our Highly Commended TV in 2024 are: Buried, Nautilus & Population 11

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The Lord of the Rings: The War of the Rohirrim – Movie Review

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TL;DR – It is not a perfect film, but goodness, it was a joy to jump back into this world with all its horns blaring.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Héra befriends an eagle.

The Lord of the Rings: The War of the Rohirrim Review –

Few things get me excited as hearing the words ‘there is a new Lord of the Rings film about to be realised’. It is a world that brings me back to my childhood, back to reading The Hobbit and seeing those Lord of the Rings films for the first time. Well, today, I get to capture that joy because while I might not hold space for Defying Gravity, I do keep a place in my heart for The Ride of the Rohirrim.

So, to set the scene, there are many stories in Middle Earth about wizards and dragons or great wars and clashes of good and evil. But as Éowyn (Miranda Otto) explains, many stories are just as important and don’t get told made into songs but get talked about around the campfire. Almost 200 years before the War of the Ring, on the plans of Rohan lived Héra (Gaia Wise), the only daughter of Helm Hammerhand (Brian Cox), ruler of all the Rohirrim. She rode a horse like it was an extension of her wild fury, charming the people and frustrating her father in equal measure, those secretly he delighted in her wildness. But when of the Lords, Freca (Shaun Dooley) demands a meeting of the Lords of Rohan and tries to position his son Wulf (Luke Pasqualino) as the rightful husband for Héra. Helm would hear nothing of it and strikes Freca down with a single blow and chases Wulf away. He did not mean to kill Freca, but sometimes unexpected actions create unexpected outcomes.

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The Lord of the Rings: The Rings of Power: Alloyed and Season 1 – TV Review

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TL;DR – I was captured by the joyful sincerity that permeated the whole season.         

Rating: 4.5 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this episode.

The Stranger.

The Rings of Power Review –

When I started watching The Rings of Power, I went into it with a moment of trepidation. The Lord of the Rings holds a special place in my heart because they were the first films that made me want to explore all aspects of filmmaking. Their grandeur and majesty were something I had not experienced before then, and for better or worse, they are the benchmark that all others are compared to. It was hard to go back into this world with that weight of expectations. However, I think this new show rose to the occasion. As we get ready for the second season later this week, I thought it was an excellent time to go back and think through that first season and complete the coverage we were unable to do back in 2022.

So, to set the scene, in the aftermath of Udûn and the destruction wrought from the awaking of Mt Doom, everything in the Southlands has changed. Once lands of green fields, farms, and orchards, now ash, fire, and dirt remain. As they change to this new world, the greatest power is at its lowest, and the lives of the elves look to be ending in Middle Earth. But as Galadriel (Morfydd Clark) returns to Celebrimbor’s (Charles Edwards) forge to get healing for a badly wounded Halbrand (Charlie Vickers), they discover that all hope is not lost. Now, from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.      

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The Convert – Movie Review

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TL;DR – A very compelling narrative of finding oneself far away from home.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

The New Zealand coastline.

The Convert Review –

There was a whole wave of unintended consequences when the British gallivanted around the world, sticking their flag on any spot of land that they could. You know, other than the conquest, murder, and resource exploitation, that is. In what is now New Zealand, one of these was the Musket Wars, where tribal structures across the islands were ripped apart. Today’s film jumps into the heart of this and the world it is creating.  

So, to set the scene, it is 1830, and Thomas Munro (Guy Pearce) is on a dangerous journey across the Tasman Sea to his new home on the Islands of New Zealand in the town of Epworth. He has been hired as the new lay preacher, but before he reaches there, he saves the life of Rangimai (Tioreore Ngatai-Melbourne) as the rest of her town is slaughtered by the warlord Akatarewa (Lawrence Makoare). Even when in Epworth, danger lurks, and not just from the “savages” in the bush.

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The Mountain – Movie Review

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TL;DR – An emotional roller coaster that can have you laughing, crying, and uplifting all in the space of 30 seconds.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Mount Taranaki in poster form.

The Mountain Review –

After a long and challenging week, I thought I would stop in at the movies on the way home from work on a Friday afternoon. I had a number of options, but then I noticed what looked like a fun kids flick out of New Zealand and thought that would be the perfect way to round out the week. I mean, it was, but it was also emotionally devastating on multiple occasions. While also being a delight at every turn. Well, let’s dive in and unpack Rachael House’s directing debut.

So, to set the scene, we open in a hospital as Sam (Elizabeth Atkinson) prepares a sneaky escape with the help of her friend Peachy (Sukena Shah). There is one thing that she wants to do in her life, and that is climb Mount Taranaki. On her way, she runs into Mallory Potts (Reuben Francis), a boy who has just moved to the area with their father Hugh (Bryan Coll), and Bronco (Terence Daniel), who is struggling with relating with his father Tux (Troy Kingi). Together, they decide to climb the mountain, no matter the obstacles in their way.

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The Best Australian and New Zealand Cinema in 2023

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This year, with the slight shift in how we format the awards, we added in a touch more flexibility. While that is mainly in the backend, I did want to take the opportunity to expand one of the awards we covered during this period.

It was a fantastic year for Australian and New Zealand Cinema, with each film I saw knocking it out of the park. There were intimate documentaries, films that held up a mirror to society, and those that brought the action to a new level.

This list will look more at the locally made Australian and New Zealand productions/co-productions and not just films filmed in those countries.

Our Highly Commended in 2023 are Bring Him to Me, The Portable Door & True Spirit
Our Best Australian/New Zealand TV in 2023 are The Artful Dodger, Aunty Donna’s Coffee Café, Deadloch, & NCIS: Sydney



So, without further ado, these are the best of Australian and New Zealand Cinema in 2023. Be warned that there will be significant spoilers for the films in question.

The Nominees Are –

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Uproar – Movie Review

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TL;DR – An emotional punch to the face as it explores the power of finding your identity.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

A sign that says "Justice for Black South Africa, Justice for Brown New Zealand would be nice to!"

Uproar Review –

At the time of writing, we are in the middle of the Brisbane International Film Festival or, more affectionately, BIFF. So many films were on offer that you needed to sort through all the entries before being paralysed by indecision. For me this year, I decided to prioritise Aussie and Kiwi films, and with that in mind, you will see a couple of these entries over the coming days. Our first entry from BIFF explores the need to find your identity and how that shapes us as people.

So to set the scene, it is 1981, and the South African Rugby Team, the Springbok, are currently touring New Zealand. Given an intentionally racist Apartheid political system that still runs South Africa, this tour is quite controversial, and there are protests everywhere the team plays. It is within this world that Josh Waaka (Julian Dennison) is trying to find his voice. He is surviving High School by hiding in the library each lunchtime, but he is not thriving at any level. Much of his out-of-school time is spent on odd jobs helping his mother Shirley (Minnie Driver) and the family survive and assisting his brother Jamie (James Rolleston) in his physical therapy recovery from an accident. But as these protests cause a reckoning in the country, they also force Josh to reflect on his own identity.  

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Red, White & Brass – Movie Review

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TL;DR – A film that brings you joy from the moment they start in a house covered in Tongan flags till those final credits roll.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The band performs.

Red, White & Brass Review –

There are many emotions that cinema can bring forth, and if I am honest, my favourite is joy. You are just sitting there beaming with a smile stretching from one side of your face to the other. It is so easy for films to come off as disingenuous that it is hard to nail joy in its purest form. However, today, we look at a movie that not only nails it, it revels in it.

So to set the scene, it is Wellington, and the 2011 Rugby World Cup is descending on New Zealand. Flags are popping up all across the city as everyone gets into the celebratory mode. But Veni (Dimitrius Schuster-Koloamatangi) was not quite prepared to find his house covered, and I mean covered, in the red/white cross of Tonga’s flag. His best friend Maka (John-Paul Foliaki) has been trying to get enough money so all of his church can see the Tonga v France match live. However, when several of his schemes fall through, he discovers a way forward, but it just means getting everyone to become a proficient brass band, oh and only in a couple of weeks.

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Mighty Morphin Power Rangers: Once & Always – Movie Review

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TL;DR – Well, this film shows that nostalgia is limited, even when wearing rose-tinted glasses.  

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

Running from an explosion.

Mighty Morphin Power Rangers: Once & Always Review –

I was at the perfect age when the Mighty Morphin Power Rangers was first released. I watched through the first couple of seasons before losing interest sometime after the movie. It was enough to get to come back and watch the film reboot a couple of years ago, and I think I may have been the only one who liked it. Well, when they announced that there would be a 30th-anniversary movie bringing the old cast back together, I was happy to hear it. A little less so now that I have watched it.  

So to set the scene, back in 1993, the great sorcerer Rita Repulsa (Barbara Goodson) escaped. It was only through the powers of the Mighty Morphin Power Rangers, chosen by Zordon, were they were able to defeat her. 30 years later, Rita has returned as Robo Rita and strikes down the Yellow Ranger as Zach (Walter Emanuel Jones) and Billy (David Yost) look on in horror. A year later, Zach is trying to help raise Minh (Charlie Kersh) when Rita returns, and this time, she wants to take out all the Rangers.  

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Shadow In The Cloud – Movie Review

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TL;DR – Conceptionally, this is an interesting film, but I am not sure it makes the leap from concept to the final film.     

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this movie.

Shadow In The Cloud. Image Credit: Roadshow Films.

Shadow In The Cloud Review –

Well, today, we look at a film that is clearly swinging for the fences in what it wants to do. It’s a wild ride, like anything experimental, but like some experiments, it doesn’t quite work in places.  

So to set the scene, we open in World War 2 with a short cartoon reminding everyone that there is no such thing as gremlins, and only airmen can stop disasters in the sky. At an Allied Airbase in Auckland, a B-17 bomber called The Fool’s Errand is waiting to take transistors to Apia, Samoa. However, just before they take off, Flying Officer Maude Garrett (Chloë Grace Moretz) arrives with a broken arm, a mysterious package, and secrecy orders. The crew is quite miffed about the change of plans, but they relent, and the plane takes off, with Maude in the Sperry Ball turret on the bottom of the aircraft. Her goal is working until they see some Japanese planes and a creature crawling on the wing.  

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